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X-ORIGINAL-URL:https://lukeolsenphotography.com
X-WR-CALDESC:Events for Luke Olsen Photography
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TZID:America/Los_Angeles
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TZOFFSETFROM:-0800
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DTSTART:20260308T100000
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DTSTART:20261101T090000
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260206T173000
DTEND;TZID=America/Los_Angeles:20260206T203000
DTSTAMP:20260723T052526
CREATED:20251231T222225Z
LAST-MODIFIED:20251231T222225Z
UID:2695-1770399000-1770409800@lukeolsenphotography.com
SUMMARY:Street Scenes: Two Perspectives Photography by Richard Hassett and Doremus Scudder
DESCRIPTION:Street Scenes: Two Perspectives Photography by Richard Hassett and Doremus Scudder \nJanuary 6th through March 31st\, 2026 \nReception: Friday\, February 6th\, 5:30-8:30 pm\nDuring the Eugene First Friday Artwalk \nMidtown Arts Center Gallery\n175 E. 16th Ave\nEugene\, OR 97401\nMonday – Friday 8:30 am – 5:30 pm\nhttps://www.midtownartscenter.org/\nFree \nSTREET SCENES: TWO PERSPECTIVES Photographs from Eugene\, Oregon and Vienna\, Austria By Richard Hassett and Doremus Scudder \nEugene photographers Richard Hassett and Doremus Scudder join forces to present distinctly different views of the urban environment. Color vs. black-and-white; digital capture vs film; Europe vs the United States\, with and without people; approaches that seem to be polar opposites\, yet are somehow complementary through the harmony of subject matter and the well-ordered\, geometrical compositions. Two photographers present their visual insights into the often-overlooked aspects of two cities they are intimately familiar with. \n  \nIn their own words: \nRichard Hassett \nI am a Eugene-based photographer\, more accustomed to photographing nature and landscapes far removed from any city. For this project\, however\, I decided to focus my camera only within the confines of Eugene. Inspired by the work of photographer Fan Ho\, and the paintings of Edward Hopper\, I chose to seek out quiet\, sometimes mundane\, scenes of everyday urban life. Strong early morning light was my preference\, but fog or rain often set the scenes. For some reason\, I can’t explain why\, I am drawn to these quiet scenes that usually go unseen in a busy urban environment. They leave questions unanswered. I like the feel of it. While working on this project\, I have had no esoteric plan in mind. My desire is simply to create compelling images from the scenes I find. The photos are open to individual interpretation. If an image causes the viewer to stop and think about what is happening\, or even why it was taken\, then I have succeeded. All photographs were made in color using a digital camera. The prints are archival pigment prints. \n  \nDoremus Scudder \nBefore I moved to Vienna in the 1980s\, I had concentrated mainly on landscapes and natural forms in my photography. But after arriving there\, I was confronted\, and fascinated\, by the geometric forms; the right angles\, parallel lines\, the arbitrarily contrasting textures and tones\, and the juxtaposition of old and new that make up human constructs. Above all\, I was drawn to the narrative component that makes up the background of these scenes. Although people are absent\, they are central to these images; their strivings and successes; their struggles and failures and how time has dealt with them. These are not “pretty\, postcard pictures\,” but rather\, I hope\, images that work on multiple levels\, being able to stand on their own as abstract geometrical compositions (I spent time absorbing the work of Piet Mondrian)\, but also full of the human story\, sometimes whimsical\, sometimes tragic\, that comprise the subtext behind the façades.\nOver the 30 years I lived in Vienna\, I spent countless hours carrying my 4×5 camera and tripod around the city\, usually on my bicycle\, looking for scenes that were visually interesting\, but full of though-provoking content. I prefer temporally ambiguous scenes\, which I feel lends a feeling of universality and timelessness to the images. I find that the gradual metamorphosis of human artifacts over time – the old being overlaid with the newer or gradually sculpted by time – creates a temporal patina that is rich with narrative. I leave it to the imagination of the viewer to populate and enliven these scripts. All photographs were made on 4×5 film and printed on silver-gelatin paper in the darkroom. \nwww.doremusscudder.com\nwww.photozonegallery.com/richard-hassett
URL:https://lukeolsenphotography.com/event/street-scenes-two-perspectives-photography-by-richard-hassett-and-doremus-scudder/
LOCATION:Midtown Arts Center Gallery\, 175 E. 16th Ave\, Eugene\, OR\, 97401\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260208T110000
DTEND;TZID=America/Los_Angeles:20260208T130000
DTSTAMP:20260723T052526
CREATED:20260203T002958Z
LAST-MODIFIED:20260203T002958Z
UID:2713-1770548400-1770555600@lukeolsenphotography.com
SUMMARY:Coffee & Critique at Franklin FOTO
DESCRIPTION:Coffee & Critique at Franklin FOTO \nSunday\, February 8\, 11 to 1 p.m. \nFranklin FOTO \n8953 N Lombard St\,\nPortland\, OR 97203\nWednesday – Sunday\, 12 p.m. to 8 p.m.\nhttps://www.franklinfoto.org/ \nFree \n  \nWhether you just made your first print in the darkroom or photography has been a lifelong pursuit\, everyone can benefit from using the critique to gain perspective and strengthen the quality of their artistic practice. \nModerated by Franklin FOTO volunteer Michele Thompson\, Coffee & Critique is a constructive feedback group\, held on the second Sunday of each month. Bring your work and beverage of choice and join the discussion! We can look at printed work or you can mirror from your laptop or phone to a digital display. \nCoffee & Critique is free and open all photographers at any level of experience. If you would like to be put on the Coffee & Critique mailing list\, email manager@franklinfoto.org. \n 
URL:https://lukeolsenphotography.com/event/coffee-critique-at-franklin-foto-8/
LOCATION:Franklin Foto\, 8953 N Lombard St\, Portland\, OR\, 97203\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260211T183000
DTEND;TZID=America/Los_Angeles:20260211T203000
DTSTAMP:20260723T052526
CREATED:20260209T171424Z
LAST-MODIFIED:20260209T171424Z
UID:2722-1770834600-1770841800@lukeolsenphotography.com
SUMMARY:Robert Kalman: Interactive Talk & Large Format Camera Demonstration
DESCRIPTION:Robert Kalman: Interactive Talk & Large Format Camera Demonstration \nWednesday\, February 11\, 6:30 p.m. \nFranklin FOTO \n8953 N Lombard St\,\nPortland\, OR 97203\nWednesday – Sunday\, 12 p.m. to 8 p.m.\nhttps://www.franklinfoto.org/ \nFree \nWhat is it like for you to be an American? \nThe answer will be different for all 340 million of us. \nAcclaimed portrait photographer Robert Kalman spent four years traveling through the United States taking nearly 500 portraits of people with his 8×10 camera. Each subject was asked one question: “What is it like for you to be an American?” \nThe responses\, handwritten by each person\, were depicted to create a spectrum of ideas about what it is like to live in this country in this era. \nThis presentation includes a demonstration of how the portraits were made using the 8×10. One person in the audience will be asked to pose\, and answer the question about what it’s like to be an American. That person receives a print of their portrait. \nBooks of this project will be available on-site.
URL:https://lukeolsenphotography.com/event/robert-kalman-interactive-talk-large-format-camera-demonstration/
LOCATION:Franklin Foto\, 8953 N Lombard St\, Portland\, OR\, 97203\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260214T160000
DTEND;TZID=America/Los_Angeles:20260214T190000
DTSTAMP:20260723T052526
CREATED:20260205T203232Z
LAST-MODIFIED:20260205T203232Z
UID:2718-1771084800-1771095600@lukeolsenphotography.com
SUMMARY:Julie Moore\, With Gratitude and Love
DESCRIPTION:Julie Moore\, With Gratitude and Love \nFebruary 14 – March 11\, 2026\nOpening reception on Saturday\, February 14th\, from 4-7pm \nLightBox Photographic Gallery & Fine Printing\n1045 Marine Drive\nAstoria\, Oregon 97103\n(503) 468-0238\nHours: Wednesday – Saturday 12 pm to 5 pm \nLightBox Photographic Gallery opens With Gratitude and Love “Postcards from the intersection of myth and memory”\, a photographic exhibit by julie moore\, on Saturday\, February 14th from 4-7pm. \n“Postcards from the intersection of myth and memory\, invites viewers into a contemplative space where personal recollections intertwine with universal narratives. Through this collection\, I explore the profound emotional landscapes shaped by the stories we tell ourselves and the memories we hold dear\, offering glimpses into moments of deep appreciation and affection.” ~ julie moore \nComplete show info is on the LightBox website\, http://lightbox-photographic.com/shows/. \nLightBox also features work from The Guild at LightBox consisting of Jim Fitzgerald\, Jody Miller\, Julie Moore\, Marc McVey\, Rachel Wolf\, Kathy Radie\, Michael Puff\, Loren Nelson and Nicholas Dill. Contact LightBox at 503-468-0238. LightBox is located at 1045 Marine Drive\, hours Wed. – Sat.\, 12 – 5:00pm
URL:https://lukeolsenphotography.com/event/julie-moore-with-gratitude-and-love/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260214T160000
DTEND;TZID=America/Los_Angeles:20260214T190000
DTSTAMP:20260723T052526
CREATED:20260206T220643Z
LAST-MODIFIED:20260206T220643Z
UID:2720-1771084800-1771095600@lukeolsenphotography.com
SUMMARY:The Photographic Nude 2026
DESCRIPTION:The Photographic Nude 2026 \nFebruary 14 – March 11\, 2026\nArtists opening reception on Saturday\, February 14th\, from 4-7pm \nLightBox Photographic Gallery & Fine Printing\n1045 Marine Drive\nAstoria\, Oregon 97103\n(503) 468-0238\nHours: Wednesday – Saturday 12 pm to 5 pm \nThe Photographic Nude 2026 at LightBox Photographic Gallery consists of the work of 27 photographers from around the nation. This exhibit is in its 16th year celebrating the Nude in Fine Art Photography. This juried exhibit explores the artistic and creative view of the body and its form\, celebrating the nude in photography by embracing a variety of styles. Chelsea and Michael Granger\, Directors of LightBox\, served as jurors. \nCongratulations to the photographers exhibiting this year \nTerry Thompson • Mark Dierker • Michael Duncan • Paul Sharrat \nChad Delaney • Milan Von Brunn • Becca Briggs • Christine Magdo \nGary Samson • Donald MacDonald • Michael Kelly-DeWitt \nTon Nerider • Ronald Butler • Lorne Resnick • Lance Pressl \nTroy Bennett • Ken Bloom •• Lance Kimeldorf • Dave Levingston \nSteve Lease • Steve Goldberg • Tom Manzanarez • Russell Jeffcoat \nKelly James • Allan Barnes • David Tucker • Kathy Radie \nComplete show info is on the LightBox website\, http://lightbox-photographic.com/shows/. LightBox also features work from The Guild at LightBox consisting of Jim Fitzgerald\, Jody Miller\, Julie Moore\, Marc McVey\, Rachel Wolf\, Kathy Radie\, Michael Puff\, Loren Nelson and Nicholas Dill. Contact LightBox at 503-468-0238. LightBox is located at 1045 Marine Drive\, hours Wed. – Sat.\, 12 – 5:00pm
URL:https://lukeolsenphotography.com/event/the-photographic-nude-2026/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260215T140000
DTEND;TZID=America/Los_Angeles:20260215T163000
DTSTAMP:20260723T052526
CREATED:20260113T002121Z
LAST-MODIFIED:20260113T002218Z
UID:2703-1771164000-1771173000@lukeolsenphotography.com
SUMMARY:Timeline: Community-Generated Archive with Joni Kabana
DESCRIPTION:Timeline: Community-Generated Archive with Joni Kabana \nSunday\, February 15\, 2-4:30 pm PST via Zoom\nSubsequent photo walk w/Joni Kabana on Sunday\, March 22\, 3-5 pm PST \nZoom and\nAlbina Press\n5012 Hawthorne Blvd.\nPortland\, OR. 97215 \nRegister here: Timeline: Portland\, Oregon with Joni Kabana (Hybrid Learning) – The Los Angeles Center of Photography \nTuition: Member Rate\, $2\,800 OR $375 per month for eight months; Non-Member Rate\, $3\,000 OR $400 per month for eight months. \nTimeline is a real-time exploration of our changing world through the photographic lens—a living\, evolving archive built by documentarians\, photojournalists\, and street photographers capturing what is happening right now in the places they call home\, documenting a nation in flux and creating a visual record for next generations. \nThe Portland\, Oregon cohort of Timeline\, led by artist and educator Joni Kabana\, invites photographers to engage with a city shaped by environmental consciousness\, social movements\, and deeply rooted local communities. Participants will document Portland’s evolving cultural and political landscape\, creating real-time images that reflect both resilience and uncertainty in a region known for questioning systems and imagining alternatives. \nUnder Kabana’s guidance\, the cohort will develop a nuanced body of work that honors lived experience and place—contributing a vital perspective to the national Timeline archive and expanding the visual conversation around a city in continual negotiation with its identity. \nThe first meeting will be held via Zoom on Sunday\, February 15\, 2-4:30 pm PST. It will be an introductory session\, during which Joni will discuss her work and the participants will share theirs. The group will meet for a photowalk at Albina Press\, 5012 Hawthorne Blvd. in Portland\, on Sunday\, March 22\, 3-5 pm PST. Subsequent sessions will be scheduled by Joni and the group. \nJoni Kabana is a visual artist who is most happy when she is deep into a world which is unfamiliar to her. Her body of work spans continents and cultures with a primary focus on portraiture. Her belief is that our best portraits come if we “photograph thoughts\, not faces” and her approach focuses on the psychology\, both with the subject and the photographer\, that arises when attempting to capture the essence of a person. Joni teaches for several institutions and organizes her own portraiture and international photography workshops. \nStreet portraiture is her signature teaching area\, helping many overcome fear of approaching random subjects in addition to “crossing cultural divides” by enabling photographers (new to the craft or experienced) to create authentic portrayals of brief or in-depth encounters. You can find Joni roaming backroads afar from home or making pictures in Eastern Oregon where she nestles in an isolated cabin.
URL:https://lukeolsenphotography.com/event/timeline-community-generated-archive-with-joni-kabana/
LOCATION:WA
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260215T143000
DTEND;TZID=America/Los_Angeles:20260215T163000
DTSTAMP:20260723T052526
CREATED:20260127T004719Z
LAST-MODIFIED:20260127T004719Z
UID:2709-1771165800-1771173000@lukeolsenphotography.com
SUMMARY:Darryl Baird - Continuum: A Retrospective Exhibit
DESCRIPTION:Darryl Baird – Continuum: A Retrospective Exhibit \nFebruary 6th through March 4th 2026\nOpening Reception: Friday\, February 6th from 5-6 p.m. \nArtist’s Talk: Sunday\, February 15th at 2:30 p.m. at the\nEmerald Art Center\, 500 Main St.\, Springfield\, OR \nDot Dotson’s Gallery\n1668 Willamette Ave.\nEugene\, OR 97401\n(541) 485-1771\nMonday – Friday: 10 a.m. to 5:30 p.m.\nSaturday: 10 a.m. to 2 p.m. \nphotographyatoregon.org \nRenowned photographer Darryl Baird presents Continuum\, a retrospective exhibit of his work from the last three decades. Included in the exhibit are photographs from his series Transcending Loss – (1995-97)\, Aqueous Humor (1997-98)\, Re-Picturing the Picturesque (2005-08)\, Post Mortem (2008-09)\, Pictorialist Drawing (2009-19)\, and Glass Worlds (2025-Present). \nDarryl Baird: “I’ve been an ardent student of history all my life\, but it was the history of photography that truly captured (for me) the essence of how history informs and directs our actions. My introduction to photo-history led me to find early photographers\, and the periods that they were attached to\, like Pictorialism\, Modernism\, and even Post-Modernism. As my research and reading of these periods continued\, I felt the urge to explore them as a means of personal expression. Looking back at the images in this exhibition\, I can see these early aesthetic patterns emerge\, like chapters in a book… my book.” \nOriginally from Dallas\, Texas Darryl Baird has an over fifty-year career as a photographer and educator. His initial education was at the United States Naval School of Photography in Pensacola\, Florida. He earned a Bachelor of Fine Arts in Broadcast-Film Arts from Southern Methodist University in Dallas\, Texas. \nHe worked for twenty years as a commercial architectural\, advertising\, and editorial photographer. He left the commercial field for graduate school\, first in a doctoral program in Aesthetic Studies at the University of Texas at Dallas and later earned a Master of Fine Arts in Photography at the University of North Texas. \nDarryl is an Emeritus Professor of Art at the University of Michigan in Flint\, where he created and taught graphic design and photography programs. He led the department as chair of the Communication and Visual Arts department for a critical transition into a combined discipline. \nHis work is included in the collections of the Detroit Institute of Art\, Museum of Fine Art in Houston Texas\, and the University of Michigan Museum of Art in Ann Arbor\, Michigan. \nSince retiring in Oregon\, he has been included in two exhibitions at Blue Sky Gallery in Portland (PNW Drawers)\, a solo exhibition at the Performing Art Center in Newport\, Oregon\, and awarded an artist residency at Yaquina Head Outstanding Natural Area. \nhttps://www.darrylbaird.com \n 
URL:https://lukeolsenphotography.com/event/darryl-baird-continuum-a-retrospective-exhibit/
LOCATION:The Emerald Art Center\, 500 Main Street\, Springfield\, OR\, 97477\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260228T140000
DTEND;TZID=America/Los_Angeles:20260228T170000
DTSTAMP:20260723T052526
CREATED:20260224T220346Z
LAST-MODIFIED:20260224T220346Z
UID:2729-1772287200-1772298000@lukeolsenphotography.com
SUMMARY:Doremus Scudder\, Death Valley Dunes - Sand and Stone
DESCRIPTION:Doremus Scudder\, Death Valley Dunes – Sand and Stone \nFebruary 28 through April 29\, 2026\nArtist reception on Saturday\, February 28 from 2-5 pm \nThe O’Brien Photo Gallery\n2833 Willamette\, Ste. B\nEugene\, OR 97405\n(541) 729-3572\nOpen weekdays from 1-5 pm. Call to be sure\nwe are open or to reserve a viewing time.\nemail: picmac1945@gmail.com\nweb: https://www.waltobrien.net/the… \n“I have been drawn to the stark\, unforgiving terrain of Death Valley since my first visit in the 1990s. In the midst of this otherwise rugged and unforgiving landscape lie pockets of surprising softness: Dunes. These lie baking in the blistering sun for the most part\, but in the glancing light of sunrise and sunset\, they take on an unexpected voluptuousness and sensuality. Their strong forms and many moods\, in my view\, are rendered more distinctly and powerfully with my chosen “instrument”: Black-and-white. \nI usually approach the landscape with patience\, and introspection\, but capturing the fleeting instants created by the moving light on the dunes requires working as quickly as I can with a 4×5 camera and a tripod. I have been fortunate enough to have been rewarded generously. I believe that the forms and textures in nature resonate strongly with our most basic natures\, demonstrating a kinship that we often overlook in our modern existence. I offer them in this spirit.” \nDoremus Scudder began photographing seriously in his early twenties\, eventually stepping up to\, and mastering the techniques of\, the view camera. He now works exclusively in black-and-white\, using large-format cameras and film\, and crafts silver-gelatin prints in the darkroom. Nothing is done using digital technology. \nWithin this medium\, he uses varied subject matter\, careful organization\, and a broad and expressive palette of tonalities to create images of strong form and character. For Doremus\, the \nfunction of art is to enrich and uplift the human spirit through excellence and beauty: it is to this end that he strives. The photographs themselves are their own best description\, expressing their wordless world eloquently in the language of light. \nDoremus Scudder’s work is exhibited widely and represented in numerous galleries and private collections throughout the United States and Europe. More of his work can be seen at his website: www.DoremusScudder.com \n 
URL:https://lukeolsenphotography.com/event/doremus-scudder-death-valley-dunes-sand-and-stone/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
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