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X-WR-CALNAME:Luke Olsen Photography
X-ORIGINAL-URL:https://lukeolsenphotography.com
X-WR-CALDESC:Events for Luke Olsen Photography
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TZID:America/Los_Angeles
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DTSTART:20220313T100000
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DTSTART:20221106T090000
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DTSTART;TZID=America/Los_Angeles:20230601T180000
DTEND;TZID=America/Los_Angeles:20230601T200000
DTSTAMP:20260403T131524
CREATED:20230529T150833Z
LAST-MODIFIED:20230529T150833Z
UID:2153-1685642400-1685649600@lukeolsenphotography.com
SUMMARY:Phil Harris in the Pushdot Studio Gallery
DESCRIPTION:Phil Harris\, Duration \nJune 1st\, 2023 – July 28th\, 2023\nOpening Reception/Artist Talk: June 1st\, 2023 6-8pm \nPUSHDOT STUDIO\n2505 SE 11th Avenue\, Suite 104\nin the Ford Building\, enter on Division Street\nPortland\, OR 97202\n503.224.5925\nwww.pushdotstudio.com\nGallery Hours: Mon-Fri. 8:30am to 5:00pm\, free admission \n  \nPortland photographer Phil Harris exhibits images from his Duration series of large-scale time-based inkjet prints. The pictures are about the passage of time\, change\, and the unstable quality of the fleeting moment. All the images were made using a small hand-held point-and-shoot camera\, along with some patience and wholehearted attention. Each assembled picture lays out a process of change that can be hard to understand without a visual guide. \nPhil Harris has been a Portland-based art photographer for decades. He taught for some years at Oregon College of Art and Craft\, and has exhibited his work around the US. His images are held in numerous collections\, public and private.
URL:https://lukeolsenphotography.com/event/phil-harris-in-the-pushdot-studio-gallery/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230601T080000
DTEND;TZID=America/Los_Angeles:20230731T170000
DTSTAMP:20260403T131524
CREATED:20230606T234535Z
LAST-MODIFIED:20230612T232321Z
UID:2159-1685606400-1690822800@lukeolsenphotography.com
SUMMARY:Philip Bowser in the Blue Sky Gallery Community Drawers
DESCRIPTION:Philip Bowser in the Blue Sky Gallery drawers \nJune 1 through July 31\, 2023 \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nWednesday – Saturday 12 – 5 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \nPortland artist\, Philip Bowser\, is pleased to announce a new series entitled “Behind The Assumed View\,” will be available for inspection at the Portland Photographers’ Forum Community Drawer from June 1 through July 31\, 2023. Visitors may remove from the drawer any or all of the 17×22” composite photographs for closer examination. \nThe premise of the series is that people have learned standards and rules for how things should be. These assumptions can be distortions of reality that help to maintain an unhealthy status quo. Photography and other media\, portraying reality as it is assumed to be\, at times could be complicit in maintaining the illusion of normalcy. \nThese prints are the results of my efforts to tear away the thin veneer of expectations to reveal a different reality\, one desperately in need of improvement in many areas. Each one starts with a simple photograph\, which is then heavily modified in post-processing to give the impression that a lot of work still needs to be done to create a fair and equitable society. The prints are difficult to read\, requiring a closer look at the grit and distortions that are invisible when the assumed view is intact and unchallenged. They are puzzles waiting to be solved. \nViewers will find the images at 122 NW 8th Ave\, 97209\, Portland\, OR 97209-3502\, in flat storage drawers area of Blue Sky Gallery. The gallery is typically open noon to 5pm every day except Monday\, when it is closed. Call 503 225 0210 to check for schedule changes. \nPhilip B. Bowser\n503 560 9002\npbowser@me.com\n@pbowser on instagram \n 
URL:https://lukeolsenphotography.com/event/philip-bowser-in-the-blue-sky-gallery-drawers/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230520T130000
DTEND;TZID=America/Los_Angeles:20230520T140000
DTSTAMP:20260403T131524
CREATED:20230501T230530Z
LAST-MODIFIED:20230501T230530Z
UID:2146-1684587600-1684591200@lukeolsenphotography.com
SUMMARY:Rich Bergeman\, The Land Remembers
DESCRIPTION:Rich Bergeman\, The Land Remembers \nMay 2 – Sept. 15\, 2023\nLecture and Book Signing\, 1pm\, May 20\, 2023 \nFort Vancouver National Historic Site\n1501 E Evergreen Blvd.\nVancouver\, WA 98661\nhttps://www.nps.gov/fova/index.htm\n360 907-1075\nOpen Tues-Sat 10am-3:45pm \nSelections from Rich Bergeman’s “The Land Remembers: Photographs Inspired by the Rogue River Wars of Southern Oregon” are on display at the Fort Vancouver Visitor Center now through Sept. 15. The Corvallis photographer will give an illustrated lecture on Saturday\, May 20\, at 1 p.m. \nThe exhibit features a dozen black-and-white infrared photographs from Bergeman’s two-year project exploring the landscapes where the Rogue River Indian Wars took place in the 1850s. “My goal was to bring this largely forgotten war back into our collective consciousness by reflecting on the beauty of the landscapes that played host to those tragic events\,” Bergeman said.\nOne of the least remembered and yet bloodiest of the Oregon Territory’s Indian wars\, the conflicts ranged over a broad swath of rugged territory between the Rogue River Country and the South Coast between 1851 and 1856. \nThe war traces its beginning to the passage of the Oregon Donation Land Claim Act in 1850 and the nearly simultaneous discovery of gold in the region. As settlers and miners streamed in\, the various small tribes who lived there suddenly found their hunter-gatherer way of life being destroyed. Skirmishes\, murders and atrocities on both sides inevitably followed\, until the conflict erupted into all-out war involving the U.S. Army. It ended with the forced removal of the decimated tribes to newly created coastal reservations at Siletz and Grand Ronde in 1856 in what descendants today memorialize as Oregon’s “Trail of Tears.” \nAn Oregonian since 1976\, Bergeman is a retired instructor of journalism and photography at Linn-Benton Community College in Albany. The 74-year-old photographer has been exhibiting his work throughout the Northwest since the 1980s. Over the past two decades he has focused primarily on portraying forgotten Northwest histories through photographs of what’s been left behind. His portfolios can be seen at richbergeman.zenfolio.com\, and in book form at blurb.com \n  \n 
URL:https://lukeolsenphotography.com/event/rich-bergeman-the-land-remembers/
LOCATION:Fort Vancouver National Historic Site\, 1501 E Evergreen Blvd.\, Vancouver\, WA\, 98661\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230513T160000
DTEND;TZID=America/Los_Angeles:20230513T190000
DTSTAMP:20260403T131525
CREATED:20230501T231414Z
LAST-MODIFIED:20230501T231815Z
UID:2149-1683993600-1684004400@lukeolsenphotography.com
SUMMARY:New Visionaries at LightBox Photographic Gallery
DESCRIPTION:New Visionaries \nMay 12  through June 7\, 2023\nReception: Saturday\, May 13th 4-7 pm \nLightBox Photographic\n1045 Marine Drive\nAstoria\, OR 97103\n503.468.0238\ninfo@lightbox-photographic.com\nWednesday – Saturday\, 12 – 5:00pm \n  \nLightBox Photographic Gallery opens “New Visionaries” on Saturday\, May 13 with an opening artists reception from 4 — 7 p.m. This group exhibition celebrates the Oregon Educational Photographic Community and recognizes the gifted students enrolled in Oregon University Art departments. Artwork using any photographic processes was considered with work that features the unique vision and creativity of the photographer. Thirty student photographers from around the state were selected to exhibit along with invited faculty. The exhibit is juried by the members of The Guild at LightBox. \nCongratulations to the student artists exhibiting in New Visionaries. \nMahalia Alvarez\, Hali Autumn\, Connor Ayers\, Fio Ballerina\, Tyler Bennick\, Joshen Ray Bonifacio\,\nAnnabelle Bullock\, Nathan Burton\, Roman Curry\, Phoebe Donbavand\, Aya Doslu\, Kaitlyn Johnson\,\nAntonio Fernandes-Morales\, Yvette Kinyon\, Seven Lanes\, Tom Manzanarez\, Lucas Montpart\,\nAdrian Parra\, Nelson Pitts\, Kaz Posley\, Jacob Reppeto\, Hannah Robles\, Claire Russell\, Angela Scott\nMaria Fernanda Sanchez-Flores\, Ash Stone\, Roz Stranger\, Julianna Tinker\, Yaleee Roel\, Molly Young \nComplete show info is on the LightBox website at http://lightbox-photographic.com/shows/.
URL:https://lukeolsenphotography.com/event/new-visionaries-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230505T180000
DTEND;TZID=America/Los_Angeles:20230505T200000
DTSTAMP:20260403T131525
CREATED:20230410T232204Z
LAST-MODIFIED:20230410T232204Z
UID:2136-1683309600-1683316800@lukeolsenphotography.com
SUMMARY:The Annual PAO Auction and Exhibit
DESCRIPTION:The Annual PAO Auction and Exhibit \nThe gallery exhibits are in three parts: \n\nPart 1 opens Friday April 7th and runs through May 3rd.\nPart 2 runs May 5th – 30th.\nPart 3 runs June 2nd – 30th.\n\nDifferent work will be displayed each month. \nThe online auction runs May 1st – June 30th. \nAll works will be available online for viewing and bidding. \nThere will be opening receptions for each of the gallery exhibits on successive First Fridays.\nThe first reception is on April 7th from 5-6 p.m.\nSubsequent receptions will be on Fridays May 5th (calendar)\nand June 2nd\, from 5-6 p.m. \nHors d’oeuvres and beverages will be served. \nDot Dotson’s Gallery\n1668 Willamette St\, Eugene\, OR 97401(541)\n485-1771\nMonday-Thursday 10 a.m. to 5:30 p.m.  –  5-6 p.m. on First Fridays\nphotographyatoregonemail@gmail.com\nPhotographyAtOregon.org\nFree and open to the public \n\n\nPhotography at Oregon’s 45th Annual Auction and Exhibit begins April 7th with the first of three exhibits at Dot Dotson’s Gallery in Eugene. There will be an opening reception on First Friday\, April 7th from 5-6 p.m.\, complete with wine and food. Following that\, new works will be displayed each month through the end of the auction period\, so watch for the exhibit changes on May 5th and June 2nd so you can see these remarkable prints in person. \nThe auction itself will be held online and will be open for bids starting May 1st and continuing through June 30th. The entire selection will be able to be viewed online and bids can be made through the website. More information at PhotographyAtOregon.org. \nThe shows and auction feature works from internationally-renowned artists such as Christopher Burkett\, George Tice\, Wynn Bullock as well as spectacular works from many outstanding local and regional artists. Don’t miss this chance to see and bid on these fine photographs. All proceeds go toward funding Photography at Oregon’s mission of supporting and promoting photographic exhibits and events here in the greater Willamette Valley area. \nPhotographyAtOregon.org
URL:https://lukeolsenphotography.com/event/the-annual-pao-auction-and-exhibit/
LOCATION:Dot Dotson’s\, 1668 Willamette\, Eugene\, OR\, 97401\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230411T180000
DTEND;TZID=America/Los_Angeles:20230411T190000
DTSTAMP:20260403T131525
CREATED:20230404T232911Z
LAST-MODIFIED:20230404T232911Z
UID:2129-1681236000-1681239600@lukeolsenphotography.com
SUMMARY:Jim Lommasson\, Stories of Survival and Remembrance: A Call to Action for Genocide Prevention
DESCRIPTION:Jim Lommasson\, Stories of Survival and Remembrance: A Call to Action for Genocide Prevention\nUnited Nations Headquarters\, New York \nOn display 6 April to 15 June 2023 \nOpening reception Tuesday 11 April 2023 6:00 pm 7pm EDT\nUnited Nations Headquarters\, New York\nVisitors’ Lobby\nEntrance: 1st Avenue at 46th Street\nNew York\, NY 10017 \nMonday to Friday: 9:00 am – 5:00 pm\nClosed Saturday and Sunday \nThis dress belongs to Clarisse Uwonkunda\, my daughter; she was five during the 1994 Genocide against the Tutsi. I found it in a grave in Rubavu\, Western Province\, Rwanda. Last January 2017\, I went to Rwanda and wanted to find your bodies (skeleton) and restore your dignity. I found you on January 20th and took you to the memorial site of Nyanza\, Kicukiro. I was exhausted after that; I expected to be relieved and feel grateful for that accomplishment but instead became so sick. My muscles were not working\, I spent weeks in bed recalling every detail of before your trip to Ruhango and the day of our separation. Our wish was for you to survive even if we die. We could not imagine someone killing a 3 or 5 year old. Helas\, no chance for me! God only know! Immaculee Mukantaganira Clarissa Uwonkunda’s Dress (was bought in Egypt when his father was traveling there). • Bodies deteriorate • Bones are found apart • Clothes/dresses are dirty\, bloody but keep their forms. \n– Immaculee Mukantaganira\, Rwanda \nStories of Survival and Remembrance: A Call to Action for Genocide Prevention\nThis exhibit is organized by the Department of Global Communications (DGC) and the United Nations Office on Genocide Prevention and the Responsibility to Protect\, together with the Illinois Holocaust Museum and Education Center\, the War Childhood Museum in Bosnia and Herzegovina\, and the Cambodia Documentation Center. It is endorsed by DGC and the UN Office on Genocide Prevention and the Responsibility to Protect\, in connection with the International Day of Reflection on the 1994 Genocide against the Tutsi in Rwanda.\nThis exhibition features a major initiative\, Run Blue\, that inspires companies and connects people to take meaningful action on water in the lead-up to the UN 2023 Water Conference. It consists of 16 images from the Run Blue campaign showcasing communities and areas on the frontline of the global water crisis. \nJim Lommasson is a freelance photographer and author living in Portland and is a recipient of the Dorothea Lange–Paul Taylor Prize from The Center for Documentary Studies at Duke University. \n 
URL:https://lukeolsenphotography.com/event/jim-lommasson-stories-of-survival-and-remembrance-a-call-to-action-for-genocide-prevention/
LOCATION:United Nations Headquarters\, 1st Avenue at 46th Street\, New York\, NY\, 10017\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230410T120000
DTEND;TZID=America/Los_Angeles:20230410T130000
DTSTAMP:20260403T131525
CREATED:20230404T234016Z
LAST-MODIFIED:20230404T234016Z
UID:2132-1681128000-1681131600@lukeolsenphotography.com
SUMMARY:Nursing@Noon: Inclusive Photos Project
DESCRIPTION:Nursing@Noon: Inclusive Photos Project (online) \nApril 10th\, 12:00 PM (calendar) \nThis virtual event is presented by the OHSU School of Nursing Alumni Association.\nRegister Here: Nursing at Noon | The Inclusive Photos Project Tickets\, Mon\, Apr 10\, 2023 at 12:00 PM | Eventbrite\nCost: Free \nThe photos that health professions teachers show in class should represent the diversity of students\, clinicians\, and the patients they serve. Join Linda Felver\, Ph.D.\, R.N.\, Associate Professor in the OHSU School of Nursing\, as she discusses her work to improve access to photographs and videos that help students feel represented and welcome; learn to recognize conditions in skin of various colors; and develop increased awareness of issues related to health in people who are marginalized or face discrimination. Dr. Felver will be joined by her colleague Pamela Pierce\, M.L.S.\, M.S.\, OHSU Digital Scholarship & Repository Librarian\, who plays an important role in this work. \nLinda Felver joined OHSU in 1986 and has received numerous teaching awards. Most recently\, she received a Dr. Marsha Heims Teaching Scholar Award from OHSU School of Nursing (2021) and a OHSU Faculty Senate Collaboration Award (2022). \nPamela Pierce\, M.L.S.\, M.S. joined OHSU in 2018 and has created a range of digital collections\, including ones that spotlight the variety of student work and assist with facilitating Narrative Medicine sessions. \nLinda and Pam’s work has generated the OHSU Educational Use Photo Diversity Repository and two LibGuides that are available to anyone who has Internet access\, with a goal of increasing the diversity of photos that health professions teachers\, students\, clinicians\, and staff use in education\, presentations\, and other communications. \nThis event will be presented online via WebEx and recorded for subsequent posting here. Please email alumni@ohsu.edu with any questions. \n 
URL:https://lukeolsenphotography.com/event/nursingnoon-inclusive-photos-project/
LOCATION:OR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230407T180000
DTEND;TZID=America/Los_Angeles:20230407T200000
DTSTAMP:20260403T131525
CREATED:20230328T232509Z
LAST-MODIFIED:20230328T232509Z
UID:2124-1680890400-1680897600@lukeolsenphotography.com
SUMMARY:Deb Stoner in the Pushdot Studio Gallery
DESCRIPTION:Deb Stoner\, A Closer Look \nApril 7th\, 2023 – May 26th\, 2023\nOpening Reception: April 7th\, 2023 6-8pm \nPUSHDOT STUDIO\n2505 SE 11th Avenue\, Suite 104\nin the Ford Building\, enter on Division Street\nPortland\, OR 97202\n503.224.5925\nwww.pushdotstudio.com\nGallery Hours: Mon-Fri. 8:30am to 5:00pm\, free admission \nDeb Stoner is an American artist\, born in 1957. Deb received a BS in Geology from University of California at Davis\, and her MFA from San Diego State University. She taught jewelry and metalsmithing classes at the Oregon College of Art and Craft in Portland\, Oregon for over twenty years\, and is known for creating innovative approaches to making handmade eyewear through material and design research. She taught over fifty workshops on these techniques at craft-based schools and universities\, and lectured widely at symposia and conferences. Deb served on the Board of Trustees at the Haystack School from 2001-2010. \nDeb’s work in photography followed similar craft informed investigations that continue to yield innovative work. From early work in black and white in the 1970’s through experimental work in graduate school and while teaching at OCAC\, Deb’s radar always included a lookout for darkroom access. While learning about wet plate techniques\, a chance demo on the use of a flatbed scanner to create digital negatives caught her imagination\, leading to an obsession with making complex still life images of the flora and tiny fauna of the gardens in her neighborhood. A recent commission by the Oregon State Treasury Resiliency Building brought her curiosity to investigate the endangered Fender’s Blue Butterfly with its nectar and food sources. And although her commission to wrap the exterior of a building\, the Palos Verdes Art Center\, resulted in the very largest scale work she’s ever done\, most people’s introduction to Deb’s work is on their way through the Portland International Airport whose permanent collection includes twelve of her works from “A Year in the Willamette Valley”.
URL:https://lukeolsenphotography.com/event/deb-stoner-in-the-pushdot-studio-gallery/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230401
DTEND;VALUE=DATE:20230404
DTSTAMP:20260403T131525
CREATED:20230328T233304Z
LAST-MODIFIED:20230328T233304Z
UID:2126-1680307200-1680566399@lukeolsenphotography.com
SUMMARY:South Oregon Coast 3-day workshop on Long Exposure with Thibault Roland
DESCRIPTION:South Oregon Coast 3-day workshop on Long Exposure with Thibault Roland \nApril 01-03 2023 \nGroup size: 6 \nPrice:\n$1400 (returning participants and early birds before 04/01)\n$1500 (new participants and after 04/01)\n$500 non-refundable at the time of registration \nThibault Roland is a recognized fine art photographer who specializes in seascapes\, landscapes and architecture. He is a master of long exposure\, infrared\, tilt/shift and black and white photography. \nJoin him for a 3-day workshop April 01-03 to capture the most amazing rock formations and seastacks in the area between Bandon and Brookings\, OR. \nYou will learn long exposure\, sharpen your photographic and visualization skills as well as learn some of his best editing tricks during the classroom session planned on Sunday. \nTo register for the last spot left\, email: contact@thibaultroland.com \nwww.thibaultroland.com \n 
URL:https://lukeolsenphotography.com/event/south-oregon-coast-3-day-workshop-on-long-exposure-with-thibault-roland-3/
LOCATION:OR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230321T183000
DTEND;TZID=America/Los_Angeles:20230321T203000
DTSTAMP:20260403T131525
CREATED:20230308T001003Z
LAST-MODIFIED:20230308T001003Z
UID:2121-1679423400-1679430600@lukeolsenphotography.com
SUMMARY:Jon Christopher Meyers\,  A portfolio: twenty years of crafting photographs
DESCRIPTION:Jon Christopher Meyers\,  A portfolio: twenty years of crafting photographs \nMarch 7th through March 31st\, 2023\nOpening Reception: March 10th\, 2023  5:30 – 7:30 p.m.\nArtists Talk: March 21st at 6:30 p.m. at the Emerald Art Center \nEmerald Art Center\n500 Main St.  Springfield\, OR 97477\n(541) 726-8595\nOpen Tuesday through Saturday\, 11 – 4 p.m.  Second Friday\, till 7:30 p.m.\nphotographyatoregon.org \nFree and open to the public \nJon Christopher Meyers is a Eugene-based commercial photographer who crafts photographs in the Pacific Northwest and throughout the United States. His work includes portraiture\, architectural photography and outdoor and landscape work. He works extensively with people with disabilities\, meeting their needs to craft great photographs. He taught and lectured at Lane Community College for over 4 years and leads workshops and classes. \n“Photographers mark time with each and every still frame that they make. In the past twenty years I’ve watched my career evolve and my approach to what I do change. With more experience comes more planning\, more nuanced and purposeful lighting\, and finally refining the narrative of the photograph to tell a deeper story… \nBeing a successful photographer is more than just delivering photographs. Developing relationships\, building trust with clients and managing the business has been instrumental to having had a long career. \nAlmost half of the work is landscapes . . . The second half of the work is from a variety of projects. Location\, studio\, people\, raptors\, architectural spaces. These are a few highlights.” \nhttp://www.jonchristophermeyers.com \n 
URL:https://lukeolsenphotography.com/event/jon-christopher-meyers-a-portfolio-twenty-years-of-crafting-photographs/
LOCATION:Emerald Art Center\, 500 Main St.\, Springfield\, OR\, 97477\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230221T080000
DTEND;TZID=America/Los_Angeles:20230228T170000
DTSTAMP:20260403T131525
CREATED:20230222T002244Z
LAST-MODIFIED:20230222T002244Z
UID:2118-1676966400-1677603600@lukeolsenphotography.com
SUMMARY:Andy Batt's Canyon Photo Float at Pro Photo Supply
DESCRIPTION:Andy Batt’s Canyon Photo Float \nFebruary \nPro Photo Supply\n1112 NW 19th Ave\nPortland\, Oregon 97209\n503-241-1112\nhttps://prophotosupply.com/ \n  \nAt Pro Photo Supply’s Store Gallery you can view a group show from Andy Batt’s July 2022 river trip & workshop. Andy led a group of photographers down the Green River in Utah\, and the work they created is beautiful. Please visit the store to see the work. \nhttps://prophotosupply.com/blogs/gallery/store-gallery-february-2023-andy-batts-canyon-photo-float \n“There is a sense of amazement when the dawn light wakes you up after sleeping under the stars listening to the river. You realize your “job” today is to experience that light\, take some photos\, and then head downstream surrounded by jaw-dropping scenery. And you get to do that for 8 more days. I was lucky to lead a group of photographers down the Green River in July 2022. I was lucky to take the trip myself\, but even more so because I could share an incredible place with others. I got to see the landscape through their eyes and experiences. I was rewarded with a week of comradery\, talking shop\, deep diving on “what is a landscape photograph?” and seeing how changed everyone was by the end of the trip. At the end of it\, we have our memories and our photographs. In a way\, these photographs are memories put on display. I am incredibly proud of this work — everyone made creative\, moving\, and inspirational images. I hope that you enjoy the experience of seeing them. -andy batt\, Trip Leader\, Educator\, Photographer\, Rafter \n  \n 
URL:https://lukeolsenphotography.com/event/andy-batts-canyon-photo-float-at-pro-photo-supply/
LOCATION:Pro Photo Supply\, 1112 NW 19th Ave\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230216T170000
DTEND;TZID=America/Los_Angeles:20230216T183000
DTSTAMP:20260403T131525
CREATED:20230131T001112Z
LAST-MODIFIED:20230131T001129Z
UID:2105-1676566800-1676572200@lukeolsenphotography.com
SUMMARY:Edward J. Pabor Western Hemisphere Photography
DESCRIPTION:Edward J. Pabor\, Western Hemisphere Photography: Antarctica-Patagonia & the American Southwest\n\nFeb. 13\, 2023 – July 18\, 2023\nReception: Feb 16\, 2023\, 5-6:30pm. Light refreshments. \nUniversity of Oregon Law School\n1515 Agate St (across from Hayward Field)\nEugene\, OR 97403\n2d Floor Gallery\nGallery Hours: Mon-Sun\, 10am-6pm\nDom Vetri\, dvetri@uoregon.edu\, 541-521-6081\nFree \nIn 22 spectacular photographs\, Ed Pabor brings us in close to two magnificent areas of our world. He explores the contrasts of two vast natural areas: Antarctic/Patagonia and the American Southwest. He prompts us to think about the beauty of each and their preservation for posterity. \nEd is an adventure photographer who has documented many natural areas\, including his exhibition on the Pacific Crest Trail in 2016 at the UO Law School. He has always been fascinated by light and how it is always changing. He describes his photography as “capturing light to preserve not just a scene but a scene in time.” Ed lives in Springfield and hikes to many of his photography sites. \nhttps://www.edwardpabor.com \n 
URL:https://lukeolsenphotography.com/event/edward-j-pabor-western-hemisphere-photography/
LOCATION:University of Oregon School of Law\, 1515 Agate St.\, Eugene\, OR\, 97403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230215T173000
DTEND;TZID=America/Los_Angeles:20230215T193000
DTSTAMP:20260403T131525
CREATED:20230201T002657Z
LAST-MODIFIED:20230201T002657Z
UID:2110-1676482200-1676489400@lukeolsenphotography.com
SUMMARY:ASMP / Pro Photo Supply\,  ASMP Oregon Start of the Year Social (FREE)
DESCRIPTION:ASMP / Pro Photo Supply\,  ASMP Oregon Start of the Year Social (FREE) \nWednesday\, February 15th\, 2023\, 5:30 pm to 7:30 pm \nPro Photo Supply Event Center\, NW 18th Ave\, Portland\, OR 97209\n503-241-1112\nmarketing@prophotosupply.com\nhttps://www.eventbrite.com/e/asmp-oregon-start-of-the-year-social-tickets-526013359117 \nThe Oregon chapter of the American Society of Media Photographers is excited to resume regular programming this year. We are hosting a social mixer for our photo community\, and we’d like you to attend. \nMeet the board.\nMeet the chapter board and your peers. Get a chance to chat with us and tell us what is important to you in your photographic life. \nOur mission.\nWe are here to help protect and promote the interests of independent professional photographers\, foster high professional standards and ethics in photography\, and\, most importantly\, cultivate friendship and mutual understanding among professional photographers. \nEvening of schedule:\n5:30 pm\nCheck-in and mingle. We’ll have refreshments and snacks. \n6:15 pm\nA few words from the chapter president and our hosts from Pro Photo Supply. \n6:20 pm\nMingle & give feedback. \nhttps://prophotosupply.com/pages/events
URL:https://lukeolsenphotography.com/event/asmp-pro-photo-supply-asmp-oregon-start-of-the-year-social-free/
LOCATION:Pro Photo Supply – Event Space\, 1801 NW Northrup St\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230211T160000
DTEND;TZID=America/Los_Angeles:20230211T190000
DTSTAMP:20260403T131525
CREATED:20230201T003911Z
LAST-MODIFIED:20230201T003911Z
UID:2113-1676131200-1676142000@lukeolsenphotography.com
SUMMARY:Laura Kurtenbach\, “Femme Noir”
DESCRIPTION:Laura Kurtenbach\, “Femme Noir” \nFebruary 11th\, 2023 – March 8th\, 2023\nArtist Reception: Saturday\, February 11 from 4- 7pm \nLightBox Photographic\n1045 Marine Drive\nAstoria\, OR 97103\n503.468.0238\ninfo@lightbox-photographic.com \n“Femme Noir” is a reaction to how our culture represents women\, both in my own experiences and especially in the media. As an artist I have always been interested in how women have been\, and still are\, presented in our society; often as victims\, something to behold\, to covet\, to control\, to be seen\, not heard\, nothing less or more than beautiful objects. This work cannibalizes ideas found in popular media/culture and refocuses them to address feminist issues and concerns. The end result is a photograph\, utilizing mixed media- including collage\, sculpture and light as a way to create images which can open the conversation about how women are represented and to help support and empower us all. \n 
URL:https://lukeolsenphotography.com/event/laura-kurtenbach-femme-noir/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230203T180000
DTEND;TZID=America/Los_Angeles:20230203T200000
DTSTAMP:20260403T131525
CREATED:20230122T192357Z
LAST-MODIFIED:20230122T192357Z
UID:2102-1675447200-1675454400@lukeolsenphotography.com
SUMMARY:Todd Johnson in the Pushdot Studio Gallery
DESCRIPTION:Todd Johnson\, Meditations \nFeb 3rd\, 2023 – March 31st\, 2023\nOpening Reception: Feb 3rd\, 2023 6-8pm \nPushdot Studio\n2505 SE 11th Avenue\nSuite 104 – in the Ford Building\, enter on Division Street\nPortland\, OR 97202\n503.224.5925\nwww.pushdotstudio.com\nGallery Hours: Mon-Fri. 8:30am to 5:00pm\nFree admission \nMeditations is a series of pictures about experiencing and celebrating the visual language of photography. The work is focused on abstraction and uses a traditional structure of still life. The work is inspired by artistic practices such as painting and sculpture\, design and architecture. Other influences come from the history of avant-garde art such as Futurism and Surrealism\, Modernism and Minimalism. The philosophy of Meditations is a concept of going deeper into creativity and spiritual ritual. \nTodd Johnson is a conceptual and experimental photographer living and working in Portland\, Oregon. Johnson received his MFA in photography from the San Francisco Art Institute. Todd is the founder and director of Black Box Gallery. \nwww.toddjohnson.info
URL:https://lukeolsenphotography.com/event/todd-johnson-in-the-pushdot-studio-gallery/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230203T173000
DTEND;TZID=America/Los_Angeles:20230203T193000
DTSTAMP:20260403T131525
CREATED:20230131T002212Z
LAST-MODIFIED:20230131T002212Z
UID:2108-1675445400-1675452600@lukeolsenphotography.com
SUMMARY:The PhotoZone Gallery group exhibition of photographs
DESCRIPTION:The PhotoZone Gallery group exhibition of photographs\n\nFebruary 1st through February 24th.\nOpening reception on first Friday February 3 beginning at 5:30pm. \nNew Zone Gallery\n110 E. 11th Street\nEugene\, Oregon\n541-683-0759\n12:00 to 6:00 pm 7 days/week\nphotozonegalleryoregon@gmail.com\nhttps://www.photozonegallery.com/\nOpen to the public \nViewers can see our show at the New Zone and the Emerald Art Center on line 24/7 at; photozonegallery.com \n 
URL:https://lukeolsenphotography.com/event/the-photozone-gallery-group-exhibition-of-photographs/
LOCATION:New Zone Gallery\, 110 E 11th Ave\, Eugene\, OR\, 97401\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230120T160000
DTEND;TZID=America/Los_Angeles:20230120T190000
DTSTAMP:20260403T131525
CREATED:20230115T204140Z
LAST-MODIFIED:20230115T204140Z
UID:2098-1674230400-1674241200@lukeolsenphotography.com
SUMMARY:Rich Bergeman\, More Than Meets the Eye
DESCRIPTION:Rich Bergeman\, More Than Meets the Eye \nJanuary 27 – March 17\, 2023\nOpening Reception Friday\, January 20\, 4-7pm \nUmpqua Valley Arts Center\n1624 West Harvard Ave.\, Roseburg\, OR 97471\nTuesday – Friday 10am-6pm\nuvarts.com\n541-672-2532 \n  \nAn exhibit of 25 recent works by Corvallis photographer Rich Bergeman explores the transformative effects of infrared light on a variety of Northwest landscapes\, including Oregon’s High Desert\, the Cascades\, the Central Coast\, and the Willamette Valley. \nThe show gets its title\, “More Than Meets the Eye\,” from the fact that the infrared spectrum lies outside the normal human visible light range. Infrared cameras record vegetation and other organic objects as glowing highlights\, and inorganic landscape features\, like water and blue sky\, as deep dark values. \n“Over the past 30 years I’ve been learning how to see and express myself with a variety of different camera types and processes\,” Bergeman said. “Infrared\, which I took up seven years ago\, is my current addiction. It has a hauntingly beautiful quality that can transform otherwise ordinary views of the land\, sea and sky into something magical.” \nA retired instructor of photography and journalism at Linn-Benton Community College in Albany\, OR\, Bergeman has been exhibiting his photography throughout the Northwest since the 1980s. Originally a large-format film photographer and darkroom printer in silver and platinum\, he currently works primarily with digital infrared cameras and archival pigment printers.
URL:https://lukeolsenphotography.com/event/rich-bergeman-more-than-meets-the-eye-2/
LOCATION:Umpqua Valley Arts Center\, 1624 W. Harvard Ave.\, Roseburg\, OR\, 97471\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230114T160000
DTEND;TZID=America/Los_Angeles:20230114T190000
DTSTAMP:20260403T131525
CREATED:20230110T012537Z
LAST-MODIFIED:20230110T012537Z
UID:2094-1673712000-1673722800@lukeolsenphotography.com
SUMMARY:Meet The Guild at LightBox 2023
DESCRIPTION:Meet The Guild at LightBox 2023 \nSaturday\, January 14\, 4 – 7pm \nLightBox Photographic\n1045 Marine Drive\nAstoria\, OR 97103\n503.468.0238\ninfo@lightbox-photographic.com \nWe are happy and proud to announce the Guild at LightBox for 2023.\nRachel Wolf\, Jody Miller\, Julie Moore\, Angel O’Biren\, Jim Fitzgerald\, Michael Puff\, Loren Nelson\, Sam Blair \nThe Guild at LIghtBox is a group of eight Photographic Artists that are embedded in the Upper Floor of LightBox. The Guild exhibits work\, collaborates creatively\, and supports the Mission of LightBox Photographic Gallery. \nOn Saturday\, January 14th from 4 -7pm we invite you to Meet the Guild at LightBox.\nWe welcome them with new work on the walls and fresh ideas for a great year at LightBox Photographic Gallery. We wish to thank the Guild at LightBox for their endless creativity and helping make everything we do possible! \nJody Miller\nI have been a photographer for most of my life. The daughter of two fine artists\,  I grew up studying  painting and drawing. My first camera\, a Box Brownie\, was given  to me at age nine\, and the love affair with photography has never ended. In 1982  my work began in earnest after attending Ansel Adams’ workshop in Carmel\, California\, studying with some of the great fine art photographers of our time. \nFor 45 years I worked in the television industry in Hollywood as a designer and animator\, and my passion for photography melded beautifully with my profession. Now that I’m retired\, I have the freedom to practice my art and travel\, and am now able to live full time in my adopted home town of Astoria\, Oregon. \nI am primarily a landscape photographer; but any and all genres of fine art photography are represented in my work. I am eternally fascinated with the play of light against shadow no matter the subject matter. I especially love shooting at night\, when shadows and color always delight and surprise me. I am now fortunate to be a member of a superb group of photographers\, The Guild at LightBox Photographic Gallery\, since 2021. \nJim Fitzgerald\nMy love affair with the trees and the natural world began at a young age. In my youth\, family trips to Yosemite\, Sequoia and the Oregon Coast helped set me on my artistic path which I follow today. I am a camera builder\, educator\, bookbinder and publisher and most importantly an environmentalist. \nBeing a west coast photographic artist\, I specialize in intimate natural landscapes and the images I create are all produced with my hand built large and ultra large format cameras. Each fine art hand made print is a one-of-a-kind interpretation of the scene I have captured on my large sheet of film. I print my work exclusively in carbon transfer\, a process perfected in 1864\, allowing me to produce unique relief prints of exceptional depth\, tone and archival permanence. \nAt present\, my works are presented as framed prints and in 2018 I began creating and publishing my own fine press collector edition books and portfolios. These are printed entirely in carbon transfer with both images and text bound into the editions\, a first of its kind in book presentation. \nMy prints are displayed without glass because I feel that my work is alive and needs to breathe. Furthermore\, the archival qualities of my printing process means that nothing in the environment will affect the longevity of the print. Displaying the prints without glass allows the viewer to walk into my work and become one with the scene. Walk around these intimate scenes and see the subtle characteristics of a finely crafted carbon print. \nJulie Moore\nJulie Moore has been creating her evocative style of art for just shy of a decade. Though she has no formal training in photography\, Julie has felt captivated by the visual arts throughout her life. She was first inspired to pick up a camera many years ago while visiting Ireland in the company of a shaman\, and she has been photographing the beauty of her world ever since. Perhaps surprisingly\, she creates her captivating art primarily with her iPhone\, visualizing\, creating and processing her images with the camera she carries in her pocket. She also creates some of her images with her Holga\, a medium-format film camera. Julie makes many of her prints using the polymer-photogravure process. Drawn to this alternative method of printmaking\, she also employs other complimentary techniques during the intaglio printing process\, such as chine-collé and à la poupée. About her work\, Julie has said: !My images share the way I see the world\, its soft tenderness and extravagant beauty\, its agonizing loss and exquisite aging.  I see the overlooked aspects of life and nature. There is small and precious beauty in the unseen\, a part of everyday life that can go missing because it is not prominent\, yet has much to teach us.” Julie’s work has been shown in a number of juried exhibitions in various galleries across the country. \nMichael Puff\nMichael Puff is a retired software architect at Stanford University and a former theater set designer. He now concentrates his energy on Fine Art Photography using 19th century printing processes. \nAlways involved in the visual arts\, Michael began by studying painting. As a young adult\, he worked as a scenic painter. During his university years\, while pursuing a degree in Theater Arts and Egyptian Archaeology\, he designed scenery winning several San Francisco Bay Area Theater Critics awards. \nHis favorite subjects for photography encompass the natural world\, the surreal and dancers. “I’m partial to images which are like theater\, innovative\, thought-provoking\, and play with reality and illusion.” The captured movement created by performers forms a foundation for many of my images. \nMichael has actively pursued photography as an art form since 2004. Beginning the spring of 2011\, through workshops and private session\, he has studied platinum/palladium printing with master printer Mark I. Nelson\, creator of the Precision Digital Negatives system. Michael immediately fell in love with the hand made printing process. Additionally\, he has attended workshops led by Greg Gorman\, Elizabeth Opalenik\, Diana Bloomfield\, and Brian Taylor. \nPuff’s work has been exhibited at the Ryan Gallery at Art Intersection\, Gilbert\,AZ; de Young Museum\, San Francisco\, CA; and LightBox Photographic Gallery\, Astoria\, OR. His work is included in the book Digital Negatives with QuadToneRIP published in 2021 by Focal Press. Puff counts Greg Gorman\, Irving Penn\, and Kenro Izu among his greatest artistic influences. \nA current list of exhibits can be found at: http://mpuff.com/about.html \nAngel O’Brien             \nAngel O’Brien is a poet and an experimental alt-process photographic artist based in Portland\, Oregon. Her inspiration comes from the palimpsest that is life and an important part of her creative practice is wandering the streets wherever she happens to be collecting images on film of the things that catch her eye. Angel’s studio is cluttered with boxes and bags of bits and baubles that she collects on these wanderings\, everything from a bent nail or fallen shopping list to a rusted brake pad and a headless barbie doll.  She is constantly pulling into her work the fragments of place and time that simultaneously divulge and obscure. Her creative process is all about recognising how a time or a place intertwines with a person in a way that creates a moment\, and then turning these into a visual memory. \nJust after her 22nd birthday\, Angel was in a terrible car accident that left her in a coma\, and most of her twenties were spent recuperating. This experience of literally being broken and put back together again\, of finding something worthy under the rubble can be seen as a theme in her life as an artist. Because of this\, Angel has always seen potential in what others might discard. To this end\, in 2007 she completed Metro’s Master Recycler program. In 2009\, her now defunct restaurant\, The Ladybug Organic Cafe\, was chosen for the BEST Award by the City of Portland most notably for sending less garbage to the landfill in a year than the average family does in a month\, despite serving 25\,000 customers in that time. \nWorking with her hands has always come naturally to Angel\, and she spent six years renovating old houses after attending architecture school at The Cooper Union in NYC. She has never stopped with house projects and is forever reusing\, giving away and saving things that have more life left in them. \nThis passion for being creative with “waste” extends very much to her art practice. Everything from saving all the development process wastewater to be responsibly discarded by Metro to avoid its polluting our rivers to soaking paper in leftover gum emulsion to create a unique substrate upon which to make other prints. Using historical photographic processes\, such as platinum-palladium\, gum-bichromate and cyanotype printing methods\, Angel creates the surrealist montages for which she is well known. Each of her one of a kind pieces is lovingly made by hand in her basement darkroom. Though she lives in Portland with her daughter\, she has a lifelong case of wanderlust and is often found in other parts of the universe. \nRachel Wolf\nRachel Wolf is a professional photographer who specializes in camera-less photography\, alternative/antique processes\, and creates immersive environments through light-based installations. Growing up in Alaska\, the presence and absence of light has been profound in Rachel’s life and work. The aurora borealis gave her a direct experience of light as both transcendent and embodied. Since then\, light has been Rachel’s muse\, and her work is devoted to exploring and expressing its multivalent qualities in the field of photography and beyond. Rachel loves to inspire others by sharing her passion for light and photography as a professor and speaker. She also believes in the power of art as a collaborative endeavour and its raising of community. She is a founding member of FO(u)RT Collective\, a multi-disciplinary arts collective that creates/curates exhibitions and events. Rachel has exhibited both nationally and internationally including Germany\, Hungary\, New York\, San Francisco\, Los Angeles\, Cincinnati\, Seattle\, and Portland. Her work is held in both public and private collections. Rachel earned her BA from Hampshire College and her MFA from Pacific Northwest College of Art\, and can be found playing in her darkroom in Portland\, OR. \n“While my images are photographs\, the principle method I use to create is without a camera. Camera-less photography consists of the family of grams: photograms\, chemigrams\, and luminograms. As my camera-less process blurs the distinctions between these grams I call my work liminography\, which is an exploration of the essence of the photographic process that consists of standing at the threshold (a liminal space) and turning light into matter. By releasing our expectations of how a photograph is created and what emerges as the image\, we are invited to consider what a photograph is\, must or can be.” \nLoren Nelson    \nIn 1972\, Loren Nelson picked up a Deardorff 4X5 view camera and began to organize the world on a four-by-five-inch piece of frosted glass. Nelson photographed with film and used a traditional darkroom to produce silver gelatin prints for over 40 years. But recently\, he has incorporated a digital workflow\, using 35mm digital cameras and an iPhone to more spontaneously respond to his surroundings\, and printing his images with archival pigment inks on fine-art papers. Portfolios include landscapes\, seascapes\, botanicals\, driftwood details\, and “Under Wraps”\, a series of plastic-wrapped buildings. \nLoren Nelson’s photographs are in numerous public and private collections\, including the Portland Art Museum; the Hallie Ford Museum of Art\, Salem\, OR; and the Florida Museum of Photographic Arts\, Tampa\, FL. He is represented by the Portland Art Museum/Rental Sales Gallery in Portland\, OR\, and LightBox Photographic Gallery in Astoria\, OR\, and has been published in View Camera\, LensWork\, B&W\, Analog Forever\, and Shots Magazines. \n“If you want to learn what someone fears losing\, watch what they photograph.”    ~Anonymous \nThis quote resonates with my approach to photographing\, especially in recent years\, as threats to our environment are becoming more and more apparent. For many years I have been content to make carefully composed photographs that celebrate the beauty of our natural world. But lately\, I feel an urgency to photograph elements of nature that are in observable danger of disappearing. Working with digital cameras has expanded my vision and inspired me to connect more intuitively to my environment. I am currently working with Willamette Partnership providing images for The Oak Accord\, a voluntary conservation agreement with landowners in the Willamette Valley\, and focusing on their commitment to preserving and restoring Oregon oak savannas. I am also contributing photographs for the Oregon Shores Conservation Coalition\, for use in helping to protect and preserve our magnificent coastline for future generations. \nSam Blair \nSam Blair has a B.A. degree in English from the University of Denver\, and a J.D. degree from Lewis and Clark College of Law. He was a civil litigator for 35 years\, with offices in Oregon and Hawaii. When practicing\, he was named one of “Americas Best Lawyers”. He also had a weekly column in Kauai’s newspaper\, The Garden Isle. He has taught as an Adjunct Professor of Law at Willamette University College of Law in Salem\, Or. \nHe is afflicted with wanderlust\, and retired from practicing Law to pursue his passion of travel and fine art photography. As a self taught photographer\, he has explored over 90 countries\, and is the recipient of numerous photography awards. His images have been exhibited in galleries in both the U.S. and Canada. His mission is to capture “the essence of things” in other cultures\, beaches\, and the fascinating homo sapien. \nHe is also a haiku poet. His poems have been published in multiple literary anthologies and journals. He teaches haiku poetry on behalf of the Writer’s Guild of Astoria\, in Astoria\, Ore. \nSam is a longtime student of Zen Buddhism\, and trained in the Japanese martial art of Aikido\, where he earned a Black Belt. He lives in a Pine forest fronting Kyle Lake in Warrenton Or.
URL:https://lukeolsenphotography.com/event/meet-the-guild-at-lightbox-2023/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230113T170000
DTEND;TZID=America/Los_Angeles:20230113T190000
DTSTAMP:20260403T131525
CREATED:20230110T013252Z
LAST-MODIFIED:20230110T013252Z
UID:2096-1673629200-1673636400@lukeolsenphotography.com
SUMMARY:PhotoZone Gallery member's exhibition
DESCRIPTION:PhotoZone Gallery member’s exhibition \nJan 10 through Feb 3\, 2023\nReception  Jan. 13th from 5 to 7pm. \nEmerald Art Center\n500 Main St. Springfield\, Or 97477\n541 726-8595\nTuesdays through Saturdays 11 – 4pm\nhttps://www.emeraldartcenter.org \nThe PhotoZone Gallery will present a group exhibition of photographs at the Emerald Art Center in Springfield\, Oregon January 10th through February 3rd. Come meet the artists during an opening reception on January 13th from 5 to 7PM. The Emerald Art Center is located at 500 Main St. Springfield\, OR and is open Tuesday-Saturday 11-4pm. \nThe PhotoZone Gallery\, is an artist run photographic collective of diverse photographers interested in the fine art of photography. Genres include landscape and nature photography\, documentary styles\, abstract expression as well as portraiture and pinhole photography. \nExperiencing our group exhibitions\, viewers can see many types of prints. These include traditional silver prints\, images made from digital capture\, collaged and 3-D prints\, platinum/palladium\, gum bichromate\, hand-colored and airbrushed prints.
URL:https://lukeolsenphotography.com/event/photozone-gallery-members-exhibition/
LOCATION:Emerald Art Center\, 500 Main St.\, Springfield\, OR\, 97477\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221218T143000
DTEND;TZID=America/Los_Angeles:20221218T163000
DTSTAMP:20260403T131525
CREATED:20221018T000638Z
LAST-MODIFIED:20221018T000638Z
UID:2057-1671373800-1671381000@lukeolsenphotography.com
SUMMARY:Rudi Dietrich\, Close to Home
DESCRIPTION:Rudi Dietrich\, Close to Home \nNovember 4th\, 2022 through January 4th 2023 \nOpening reception is 5:00 – 6:00  p.m. on Friday\, November 4th\, 2022\nArtist’s talk and potluck December 18th\, 2022 at 2:30 p.m. at the Emerald Art Center\, 500 Main St\, Springfield\, OR 97477 \nDot Dotson’s Gallery\n1668 Willamette\, Eugene\, OR 97401\n541.485-1771\n11:30–5:30 Monday–Thursday. Opening only is on Friday November 4th\, 5:00 – 6:00  p.m.\nwww.dotdotsons.com \nFree and open to the public \nRudi Dietrich was born in Austria and spent the WWII years near Vienna. He attended the Realgymnasium in Salzburg and later studied photography the School for Applied Arts in Innsbruck. He passed the examinations for Master Photographer and was active as a teacher and photographer in Salzburg. \nHe met his wife\, Carol\, a native Montanan\, when she was studying at the Mozarteum in Salzburg. After visiting her home state\, he decided\, “this I have to try\,” and subsequently moved there in 1964. There\, he continued his education\, studying cinematography and finishing a multi-disciplinary graduate program in Art\, Philosophy and Literature with an emphasis on Aesthetics. \nHe taught at Montana State University in Bozeman from 1970 until 1998\, where he was instrumental in founding what is now the School of Film and Photography as well as introducing digital and non-silver photographic processes to the curriculum there. Since his retirement\, he has been actively photographing for his own pleasure. \nRudi Dietrich’s personal work deals with the intimate surroundings of his home and family ranch in Dixon. He works in color and specializes in the historical gum-dichromate process. For the last ten years\, his work has been largely digital. For him\, photography is a way to look more deeply into his life and life of his family. “Looking closely and with heart and eye into the world close by.” \nRudi Dietrich’s work has been shown regionally\, nationally and internationally\, garnering many awards as well as having been twice-published in the Swedish camera magazine\, “Hasselblad Forum.” \nCurrently 89 years young\, Rudi Dietrich continues to be active as a photographer. For him\, the most important value is “friendship with the processes of exploring and a constant wonder of growing.” \nRudi Dietrich has exhibited in Eugene under the sponsorship of Photography at Oregon many times. He considers his connection with Eugene “a wonderful gift.” \nCheck out the Montana State University profile of Rudi Dietrich here: https://www.youtube.com/watch?v=xlGCs4nOLus \n 
URL:https://lukeolsenphotography.com/event/rudi-dietrich-close-to-home/
LOCATION:Emerald Art Center\, 500 Main St.\, Springfield\, OR\, 97477\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221215T225900
DTEND;TZID=America/Los_Angeles:20221215T225900
DTSTAMP:20260403T131525
CREATED:20221122T005512Z
LAST-MODIFIED:20221122T005512Z
UID:2086-1671145140-1671145140@lukeolsenphotography.com
SUMMARY:Submit to the Blue Sky Gallery 2023 Pacific Northwest Drawers
DESCRIPTION:Submit to the 2023 Pacific Northwest Drawers \nDeadline: Dec 15\, 2022\, 10:59 PM (PT) \nLess than one month left to submit to the 2023 Pacific Northwest Drawers \nDon’t forget to submit your entry to the 2023 Pacific Northwest Drawers. Submissions will be accepted until Thursday Dec 15\, 2022\, 10:59 PM (PT). We will not be accepting submissions after this deadline. \nAre you having trouble or are not sure where to begin? Click the link below to learn more about our submission guidelines and FAQ! \nhttps://www.blueskygallery.org/2023-pacific-northwest-drawers \nBlue Sky is accepting submissions for the 2023 Pacific Northwest Drawers. Photographers from Alaska\, Idaho\, Montana\, Oregon\, Washington\, and British Columbia are welcome to apply. There is no application fee to enter. \nThe Pacific Northwest Drawers were established in 2007 to showcase regional contemporary photographers through an annual juried exhibition. Selected work can be viewed in the flat files for a full year at the gallery\, or digitally on the Blue Sky website. The online exhibition will remain a part of the Blue Sky digital archive indefinitely. \n 
URL:https://lukeolsenphotography.com/event/submit-to-the-blue-sky-gallery-2023-pacific-northwest-drawers/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221203T170000
DTEND;TZID=America/Los_Angeles:20221203T220000
DTSTAMP:20260403T131525
CREATED:20221129T002001Z
LAST-MODIFIED:20221129T002001Z
UID:2088-1670086800-1670104800@lukeolsenphotography.com
SUMMARY:Eugene Darkroom Group - Year End Fundraiser Art Market & Benefit Show
DESCRIPTION:Eugene Darkroom Group\, Year End Fundraiser Art Market & Benefit Show \nSaturday\, December 3rd\, from 5:00pm-10:00pm \nAlluvium\n810 W 3rd Ave\, Eugene OR 97402\n(541) 357-9789\neugenedarkroom@gmail.com\neugdarkroom.org \nEugene Darkroom Group is a 501(c)(3) non-profit in Eugene\, Oregon\, dedicated to preserving and promoting film photography. Our darkroom and education program are located at Maude Kerns Art Center. Each year\, we publish\, “WIDE OPEN\,” an annual\, limited edition photo book featuring work from our members in order to fundraise for our Education & Scholarship Program. \nWe’re hosting a Year End Art Market & Benefit Show at Alluvium on Saturday\, December 3rd\, with attractions such as live music\, photo-based local art vendors\, raffles and silent auction items\, and more! All proceeds from our fundraisers go towards our darkroom and education programs\, helping us continue to provide access and education in analog photo processes. \nhttps://www.eugdarkroom.org\nMore event details can be found here: https://www.eugdarkroom.org/exhibitions \n 
URL:https://lukeolsenphotography.com/event/eugene-darkroom-group-year-end-fundraiser-art-market-benefit-show/
LOCATION:Alluvium\, 810 W 3rd Ave\, Eugene\, OR\, 97402\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221203T130000
DTEND;TZID=America/Los_Angeles:20221203T160000
DTSTAMP:20260403T131525
CREATED:20221122T004232Z
LAST-MODIFIED:20221122T004232Z
UID:2084-1670072400-1670083200@lukeolsenphotography.com
SUMMARY:Grady Tarbutton at The O'Brien Photo Gallery
DESCRIPTION:Grady Tarbutton\, Passages: Moment by Moment \nDecember 2 – January 13\, 2023.\nArtist reception on Saturday\, December 3 from 1-4 pm. \nThe O’Brien Photo Gallery\n2833 Willamette\, Ste. B\nEugene\, OR 97405\n(541) 729-3572\nOpen weekdays from 1-5 pm.\nCall to be sure we are open or to\nmake special arrangements for viewing.\npicmac1945@gmail.com\nhttps://www.waltobrien.net/the-o-brien-photo-gallery \nGrady Tarbutton is an amateur photography who chooses most of his work from the human influenced and natural world. This show is titled “Passages: Moment by Moment.” \n“Each experience we have is here for a moment. That moment contains the profound and joyful\, rough and painful\, effort and loss\, and then becomes a memory. What was new in a moment yesterday\, becomes history today. And what is new today\, is history tomorrow.” \n“We preserve history in what we leave behind. Buildings\, graffiti\, petroglyphs\, highways and parks. To think that there have been hundreds\, probably thousands\, of human generations before ours and there will be thousands after ours. Often knowing the present\, but thinking it is permanent. And it changes into something new\, every moment.” \nThis show will present a view of present moments\, experiences and memorials. \nContact Grady at 360-607-5543\, gradytarbutton@yahoo.com\nhttps://www.photozonegallery.com/grady-tarbutton.
URL:https://lukeolsenphotography.com/event/grady-tarbutton-at-the-obrien-photo-gallery-2/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221202T180000
DTEND;TZID=America/Los_Angeles:20221202T200000
DTSTAMP:20260403T131525
CREATED:20221122T003242Z
LAST-MODIFIED:20221122T003242Z
UID:2082-1670004000-1670011200@lukeolsenphotography.com
SUMMARY:JJ Gonson at Pushdot Studio
DESCRIPTION:JJ Gonson\, Facing Northwest\nPhotographs of the Northwest Music Scene circa\, 1980 and 90s \nOPEN/CLOSE: Dec 2nd\, 2022 – Jan 27th\, 2023\nOpening Reception: Dec 2nd\, 2022 6-8pm \nPUSHDOT STUDIO\n2505 SE 11th Avenue\,\nSuite 104 – in the Ford Building\, enter on Division Street\nPortland\, OR 97202\n503.224.5925\nwww.pushdotstudio.com\nGallery Hours: Mon-Fri. 8:30am to 5:00pm\, free admission \nBoston based photographer Gonson has been “Obsessed with music from the time I was a small girl. In the mid 80’s I discovered that it was possible to get access to musicians and bands by signing on to shoot live and posed photos for magazines and newspapers. For the last half of that decade I shot hardcore and punk bands multiple times a week in clubs around the Boston area. In 1990 I went west\, to Portland Oregon. While much of my work is of live music\, portraits have dominated my body of work over the span of decades; from the early 80’s to present day. The result of my experiences is a collection of intimate portraits of musicians\, friends and fans\, both live on stage and candid. My archive includes little seen pictures of Kurt Cobain\, Elliott Smith\, Jane’s Addiction\, Black Flag and hundreds of other punk and independent bands. My work has been published in books including Torment Saint: a Biography of Elliott Smith\, Cobain Unseen and Cobain on Cobain as well as in fanzines such as xXx and Suburban Voice and many magazines\, including Rolling Stone\, Mojo\, Q and Spin.” This show focuses on some of her NW bands collection. \nJJ  Gonson \nCONTACT: LINCOLN MILLER\, 503-224-5925\, lincoln@pushdotstudio.com \nPUSHDOT STUDIO: In addition to being an art gallery\, Pushdot Studio is a digital imaging resource for artists\, graphic designers\, and photographers and companies who require archival printing services; high quality scanning; artwork capture; exhibition mounting services; prepress retouching; color work and proofing. \n 
URL:https://lukeolsenphotography.com/event/jj-gonson-at-pushdot-studio/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221201T180000
DTEND;TZID=America/Los_Angeles:20221201T200000
DTSTAMP:20260403T131525
CREATED:20221129T003118Z
LAST-MODIFIED:20221129T003118Z
UID:2091-1669917600-1669924800@lukeolsenphotography.com
SUMMARY:#3034 Gloria Baker Feinstein book launch and signing for “I Hope You Find What You’re Looking For”
DESCRIPTION:Gloria Baker Feinstein\, I Hope You Find What You’re Looking For \nThursday\, December 1st 6 – 8 PM \nPLACE\n735 NW 18th Ave.\, Portland\n503-334-2080\nFollowing the opening\, by appointment only. \nThis is an exhibition of photographs\, as well as a book launch and signing for Gloria’s latest book. Kim Stafford\, Oregon’s former poet laureate contributed poems to accompany some of the images in the book and will be present at the event to read poems and sign books. Gloria will be signing books\, as well. They’ll be available for purchase that evening. \nwww.gloriabakerfeinstein.com
URL:https://lukeolsenphotography.com/event/3034-gloria-baker-feinstein-book-launch-and-signing-for-i-hope-you-find-what-youre-looking-for/
LOCATION:PLACE Galleria\, 735 Northwest 18th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221130T190000
DTEND;TZID=America/Los_Angeles:20221130T200000
DTSTAMP:20260403T131525
CREATED:20221017T234556Z
LAST-MODIFIED:20221017T234556Z
UID:2052-1669834800-1669838400@lukeolsenphotography.com
SUMMARY:Photo Cascadia - Washington Evergreen Book Signing
DESCRIPTION:Photo Cascadia\, Washington Evergreen Book Signing \nNovember 30th\, 2022 at 7:00 pm PT \nElliot Bay Book Company\n1521 Tenth Avenue\nSeattle\, WA 98122\nPhone: (206) 624-6600\nToll Free: 1-800-962-5311\n10am – 9pm Daily\nhttps://www.elliottbaybook.com/ \nFor over 13 years\, a small group of the Pacific Northwest’s nature photographers have worked together as team Photo Cascadia. These seven photographers\, all of whom have their own thriving businesses\, formed the team to promote natures beauty and encourage its conservation. After successfully publishing their first book in 2020 with Portland based Timber Press called Oregon My Oregon – Land of Natural Wonders\, Photo Cascadia is back covering the majestically diverse landscape of Washington State. \nWashington Evergreen – Land of Natural Wonders also published by Timber Press is a collection of close to 200 photographs that showcase the beauty of Washington. From the thick rain forests of the Olympic Peninsula to the soaring peaks of Mt. Rainier\, these landscapes are a testament to the diverse environments that define Washington. For Photo Cascadia’s seven photographers—Erin Babnik\, Sean Bagshaw\, David Cobb\, Adrian Klein\, Kevin McNeal\, Chip Phillips\, and Zach Schnepf—this is a culmination of over 15 years photographing across Washington with these environments providing a constant source of inspiration. \nBeyond the beautiful photographs the foreword is from renowned lepidopterist Robert Michael Pyle\, an accomplished writer\, teacher and founder of the Xerces Society. He has written many books including the best seller The National Audubon Society Field Guide to North American Butterflies. In 2020 the movie The Dark Divide\, based on the book of the same title\, was released starring David Cross as Robert Michael Pyle. \nThe new book is available for order now and officially released on October 25\, 2022. To highlight some of the photos in their new book\, Photo Cascadia will be presenting at Elliot Bay Book Company in downtown Seattle on the evening of Wednesday November 30th along with signing any purchased books. Feel free to join the event to meet Photo Cascadia and hear more about the book. The book is available for purchase online wherever books are sold and available at many physical book stores in Washington. \nhttps://www.photocascadia.com/store/books/washington-evergreen/\nhttps://www.photocascadia.com/
URL:https://lukeolsenphotography.com/event/photo-cascadia-washington-evergreen-book-signing/
LOCATION:Elliot Bay Book Company\, 1521 Tenth Avenue\, Seattle\, WA\, 98122\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221120T143000
DTEND;TZID=America/Los_Angeles:20221120T163000
DTSTAMP:20260403T131525
CREATED:20221017T235843Z
LAST-MODIFIED:20221017T235843Z
UID:2055-1668954600-1668961800@lukeolsenphotography.com
SUMMARY:Paul Neevel - 60 Years A Retrospective – Photographs from 1962 through 2022
DESCRIPTION:Paul Neevel\, 60 Years – A Retrospective – Photographs from 1962 through 2022 \nNovember 4 – 26\, 2022 \nOpening reception: Friday\, November 11\, 5-7 p.m.\nWalk-through tour of the show with the artist and pot-luck reception\, Sunday\, November 20th at 2:30 p.m. \nEmerald Art Center\n500 Main St.\nSpringfield\, OR 97477\n541.726.8595\nOpen Tue – Sat 11-4 p.m.\nPlus the Second Friday every month\, 4-7:30 p.m.\nwww.emeraldartcenter.org \nFree and open to the public \nA retrospective exhibit of Paul Neevel’s 60 years as a photographer\, including images from 1962 to 2022. \nPaul Neevel grew up in International Falls\, Minnesota\, the “Icebox of the Nation\,” through grade school\, then completed high school in his father’s somewhat warmer home town\, Baldwin\, Wisconsin. Paul’s grandfather\, Ed Neevel\, was the “town photographer” in Baldwin for decades after opening a studio there in 1895. \nPaul developed his own interest in photography while he was a student at the University of Wisconsin\, and visited the Madison Public Library on a regular basis to read books on photography. He bought his first camera\, along with darkroom gear\, shortly after graduating in 1962 with a degree in meteorology. While continuing to work on a master’s degree\, he began to exhibit and sell his photographs. \nHis first exhibit in Eugene was a one-person show at the Gross Gallery\, on 13th near the University campus\, in 1968. He still lived in Madison and didn’t see the show in person\, but he moved to Eugene two years later to study at the University of Oregon\, one of the few schools to offer a degree in photography at the time. While studying for degrees in journalism and fine arts\, he was a teaching fellow for Bernie Freemesser\, UO professor of photography\, who established the Photography at Oregon Gallery in the UO Museum along with his students in 1966. \nDuring his first 20 years in Eugene\, Paul had a camera repair business at home. He photographed traveling art shows distributed by the Visual Arts Resources branch of the UO Museum of Art. He has since photographed artwork for many local artists and more than 150 weddings. \nPaul joined the Photography at Oregon Gallery committee in the mid-1970s. He was in charge of installing the monthly exhibits for more than a decade before the gallery was eliminated by a new museum administration in 1992. \nIn 1989\, Paul Neevel was invited to photograph and write for the Eugene Weekly (then called What’s Happening) following his 1988 Jacobs Gallery show\, 40 Portraits of Artists. His Happening People column in the Weekly has profiled more than a thousand local personalities nominated by readers since it first appeared in 1996. \n 
URL:https://lukeolsenphotography.com/event/paul-neevel-60-years-a-retrospective-photographs-from-1962-through-2022/
LOCATION:Emerald Art Center\, 500 Main St.\, Springfield\, OR\, 97477\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221120T140000
DTEND;TZID=America/Los_Angeles:20221120T160000
DTSTAMP:20260403T131525
CREATED:20221108T001958Z
LAST-MODIFIED:20221108T002246Z
UID:2072-1668952800-1668960000@lukeolsenphotography.com
SUMMARY:Anna Daedalus\, Kerry Davis and Jon Gottshall\, Open Channels
DESCRIPTION:Anna Daedalus\, Kerry Davis and Jon Gottshall\, Open Channels \nNovember 3rd – November 26th\nArtist talk: November 20th\, 2pm \nGallery 114\n1100 NW Glisan\,\nPortland\, OR 97209\nhttps://www.gallery114pdx.com/\n(503) 243-3356 \nGrounded Glass takes as its subject a Sitka spruce swamp and the muddy matter in its tidal flow. These close views of the swamp through mud-caked glass plates challenge the mythology of landscape hierarchy\, both in terms of beauty and value; and raise mud to another level. Our mark-making on the murky glass borrows from the cliché verre process to create windows through which elements of the landscape appear in varying degrees of clarity. In dialogue with Floodplain II\, which explores urban wetlands impacted by industry\, Grounded Glass focuses on a restored swamp after 150 years as rural farmland. The project is a continuation of Palūs\, a meditation on this same swamp near the mouth of the Columbia River. Through constructions\, photography\, and time-based installations\, Palūs observes the tidal wetland’s liquid respiration as the waters rise and fall each day.\n– Anna Daedalus & Kerry Davis \nFloodplain II is a continued exploration of the Columbia Slough\, an engineered remnant of the shallow streams that once braided the land along the Columbia River as it flows past Portland. Once a highly productive habitat\, it was drained and developed\, reflecting our historic belief that wetlands were places of disease and pestilence\, and that economic activity gave it actual value. Despite a century of industrial waste and runoff\, many creatures that depend on wetland habitat have somehow survived. More recently\, reflecting our shifting awareness\, the Slough has seen some efforts at restoration. Given time and space\, nature reasserts itself. \nOpen Channels\, our collaborative exhibit\, challenges historical perspectives and asks a provocative question: how do we revitalize a wetland\, or any damaged habitat\, when we are all too often still engaged in the same activities that diminished it? How do we remake our economic life into something not hostile\, but rather sympathetic to the environment\, to our mutual benefit?\n-Jon Gottshall \n 
URL:https://lukeolsenphotography.com/event/anna-daedalus-kerry-davis-and-jon-gottshall-open-channels/
LOCATION:Gallery 114\, 1100 NW Glisan\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221112T120000
DTEND;TZID=America/Los_Angeles:20221112T190000
DTSTAMP:20260403T131525
CREATED:20221108T003516Z
LAST-MODIFIED:20221108T003516Z
UID:2076-1668254400-1668279600@lukeolsenphotography.com
SUMMARY:The Spirit Seed and Perspectives at LightBox Photographic Gallery
DESCRIPTION:The Guild at LightBox\, The Spirit Seed\nPortland Photographers Forum\, Perspectives\n\nNovember 12th – December 7th\nOpening: November 12th\, Noon – 7pm \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com \nLightBox Photographic Gallery host the opening of two exhibits on Saturday\, November\, 12th\, The Spirit Seed Exhibit opens in the upper gallery with work produced by members of The Guild at LightBox. Jim Fitzgerald\, Jody Miller\, Julie Moore\, Sam Blair\, Michael Puff and Loren Nelson contribute imagery to the Spirit Seed Exhibit. Each photographer was given The Spirit Seed to experience and interpret whatever mystery they felt thrumming from within its core. \nAlso opening in the gallery on Saturday\, November 12th\, is the the annual Portland Photographers Forum Members Exhibit with work of 40 Photographers from the Portland region and beyond. This years theme was Perspectives and was juried by Astoria’s own Jody Miller. \nLightBox opens these shows on Saturday\, November 12th and they run through December 7th. Please join us on opening day from 12noon-7pm. Complete show info is on the LightBox website at http://lightbox-photographic.com/shows/. Contact LightBox at 503-468-0238 or info@lightboxphotographic.com. LightBox is located at 1045 Marine Drive in Astoria. Gallery viewing hours are Wed\, Thurs\, Fri and Sat.\, 12pm – 5pm and by appointment. \n 
URL:https://lukeolsenphotography.com/event/the-spirit-seed-and-perspectives-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221027T130000
DTEND;TZID=America/Los_Angeles:20221027T150000
DTSTAMP:20260403T131525
CREATED:20220912T234731Z
LAST-MODIFIED:20220912T234731Z
UID:2033-1666875600-1666882800@lukeolsenphotography.com
SUMMARY:Rich Bergeman\, The Land Remembers: Photographs Inspired by the Rogue River Wars
DESCRIPTION:Rich Bergeman\, The Land Remembers: Photographs Inspired by the Rogue River Wars \nSept. 26 – Oct. 27\, 2022\nClosing Reception and Gallery Talk Thursday Oct. 27\, 1-3pm \nThe Art Gallery\nUmpqua Community College\n1140 Umpqua College Road\nRoseburg\, Oregon 97470\nwww.umpqua.edu\n800-820-5161\nOpen Mon-Fri 8am-5pm \nAn exhibit of photographs that explore the landscapes of Southern Oregon’s 1850s Rogue River Indian Wars will be on display at The Art Gallery at Umpqua Community College Sept. 27 to Oct. 26. \nTitled “The Land Remembers\,” the exhibit features more than 20 black-and-white infrared prints by Corvallis photographer Rich Bergeman\, along with his research into one of the least remembered and yet bloodiest Indian conflicts in the Oregon Territory. \nBergeman said the goal of his project was “to bring the largely forgotten war back into our collective consciousness through a reflective study of the landscapes that played host to those tragic events.” \nThe various tribes who populated the southwest corner of what is now Oregon saw their homelands suddenly invaded in 1850 following passage of the Oregon Donation Land Claim Act and the nearly simultaneous discovery of gold in the region. Settlers and miners streamed in\, leading to conflict with local tribes. Skirmishes flared up multiple times between 1851 and 1854\, eventually erupting into all-out war involving the U.S. Army. It ended with the forced removal of the Rogue Valley and South Coast tribes to reservations at Siletz and Grand Ronde in 1856 in what descendants today memorialize as Oregon’s own “Trail of Tears.” \nAn Oregonian since 1976\, Bergeman is a retired instructor of journalism and photography at Linn-Benton Community College in Albany. The 73-year-old photographer has been exhibiting his work throughout the Northwest since the 1980s. Over the past two decades he has focused primarily on portraying forgotten Northwest histories through photographs of what’s been left behind. His portfolios can be seen at richbergeman.zenfolio.com\, and in book form at blurb.com \n 
URL:https://lukeolsenphotography.com/event/rich-bergeman-the-land-remembers-photographs-inspired-by-the-rogue-river-wars/
LOCATION:Umpqua Community College\, 1140 Umpqua College Road\, Roseburg\, OR\, 97470\, United States
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END:VCALENDAR