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X-WR-CALDESC:Events for Luke Olsen Photography
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DTSTART;TZID=America/Los_Angeles:20180104T170000
DTEND;TZID=America/Los_Angeles:20180104T210000
DTSTAMP:20260404T125937
CREATED:20171221T083718Z
LAST-MODIFIED:20171221T083718Z
UID:471-1515085200-1515099600@lukeolsenphotography.com
SUMMARY:Robert Frank at Blue Sky Gallery
DESCRIPTION:Robert Frank is considered the inventor of street photography. With his method of sequencing and composing pictures in intuitive series beyond the traditional photographic essay\, he has developed new forms of expression within the medium of photography. \nDespite Frank’s significant influence on photographers of his own and subsequent generations\, there are only few exhibitions of his work. Frank’s original silver gelatin prints are today fragile objects\, and most are not on public display. Galleries\, museums\, and investors lend Frank originals only under limited conditions of display with exorbitant insurance costs\, which makes organizing traditional exhibitions very difficult. This traveling exhibition\, meant to be shown primarily at universities and schools\, seeks to remedy that. \nConceived by Robert Frank and Gerhard Steidl\, this exhibition shows Frank’s work in photos\, books\, and films in a direct\, accessible manner. Frank’s images are printed on sheets of newsprint and hung on the walls or from the ceiling. Frank’s films and videos\, which are so often overshadowed by his photographic work\, are shown on small portable “beamers” projecting them directly onto the walls. Finally\, the exhibition will be disposed of after display\, thus circumventing the normal cycle of speculation and consumption in the art market. When the idea for this pop-up show first reached Frank in his small\, crooked house in the Canadian village of Mabou\, he said: “Cheap\, quick\, and dirty\, that’s how I like it!” \nIn addition to the films in the exhibition\, the NW Film Center will be holding a film series of Robert Frank’s work during the month of January.   \nThis exhibition is printed by Steidl Verlag and made possible by the generous support of Steve Tisch\, the Steve Tisch Family Foundation\, and the Richard Ehrlich Family Foundation.
URL:https://lukeolsenphotography.com/event/robert-frank-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171230T160000
DTEND;TZID=America/Los_Angeles:20171230T180000
DTSTAMP:20260404T125937
CREATED:20171219T233111Z
LAST-MODIFIED:20171219T233154Z
UID:468-1514649600-1514656800@lukeolsenphotography.com
SUMMARY:Hillary Atiyeh Clements at Camerawork Gallery
DESCRIPTION:Portland\, Oregon photographer Hillary Atiyeh Clements’ exhibit\, “Chaos Theory”\, is a new series of black and white double exposures. Atiyeh Clements notes\, “Chaos Theory is a branch of science based on the law of sensitive dependence on initial conditions. Rooted in quantum theory and relativity its main premise states that small changes in initial conditions can result in vast differences in the final outcome. This theory includes concepts such as Fractals\, the Butterfly Effect and the Fibonacci sequence. Nature finds a way and adapts to its environment in the simplest form even though the underlying system may seem complex.” Reaching back to her roots as a photographer Atiyeh Clements approached this series of  in-camera multiple exposures thinking about symbiotic relationships and looking for patterns in nature while enjoying the spontaneous and unpredictable outcome of this process.
URL:https://lukeolsenphotography.com/event/hillary-atiyeh-clements-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171220T120000
DTEND;TZID=America/Los_Angeles:20171220T130000
DTSTAMP:20260404T125937
CREATED:20171216T172257Z
LAST-MODIFIED:20171216T172257Z
UID:461-1513771200-1513774800@lukeolsenphotography.com
SUMMARY:Bill Finger at the Portland Art Museum
DESCRIPTION:Portland Art Museum Photography Council’sBrown Bag Lunch Talk Series \nBill Finger’s imagery examines such topics as space exploration\, crime\, and the fallibility of memory. With each series he looks to the thin line between fiction\, reality\, and photography. To create an image\, he begins with the construction of a miniature diorama that is built specifically for the point of view of the camera lens. The basis for the dioramas comes from an entwining of specific personal memories with those of the fabricated spaces\, that he has worked on during a career as a motion picture assistant cameraman.  \nFor this Brown Bag discussion\, Bill Finger will be talking about the work that he has created\, as well as\, what brought him to embrace the miniature as subject. \nBill Finger is a Seattle based artist whose work combines sculpture and photography. Handcrafting each element\, he constructs and then photographs miniature dioramas. Each image is imbued with a sense of cinematic narrative that reflects twenty years working around film sets. By mimicking the filmmaking process\, he is able to create a miniature construction of a constructed reality. \nBill has exhibited his photographs in Europe\, the US and Canada. His work is included in the permanent collections of the George Eastman Museum of Photography and the Santa Barbara Museum of Art. He holds a MFA in Photography from the Rochester Institute of Technology. \nwww.billfinger.netBillFingerPhoto@gmail.com \n 
URL:https://lukeolsenphotography.com/event/bill-finger-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171210
DTEND;VALUE=DATE:20171211
DTSTAMP:20260404T125937
CREATED:20171129T175744Z
LAST-MODIFIED:20171129T175838Z
UID:457-1512864000-1512950399@lukeolsenphotography.com
SUMMARY:Submission call for "Cascadia 2018"
DESCRIPTION:Submission call for “Cascadia 2018” deadline extended to Dec. 10 at midnight A Traveling Exhibit Open to Oregon Photographers funded by The Ford Family Foundation Visual Arts Grant \n Deadline for submission of up to 3 jpgs has been extended to Dec. 10 Notification of jurors’ results is Jan. 1\, 2018 Deadline for shipping accepted prints (unmatted/unframed) is Feb. 16\, 2018 Show opens in Baker City on April 6\, 2018\, then travels to The Dalles in May and to Corvallis in July.  \n Crossroads-Carnegie Art Center 2020 Auburn Ave. Baker City\, Oregon 97814 kristin@crossroads-arts.org www.crossroads-arts.org 541-523-5369 \n Judges will award $4\,000 in cash prizes at the opening show at Crossroads-Carnegie Art Center in Baker City\, including $500 People’s Choice Awards at all three venues. \n The Details: Open to Oregon photographers only.  Forty-eight images will be selected for the traveling exhibition in two Areas of Focus • Oregonians at work or play • Views of Oregon \n The goal of the exhibit is to interpret the authentic Oregon experience\, and to challenge artists to look at the urban/rural divide through their lenses and show us stories about our similarities\, rather than our differences. We chose the word “Cascadia” as a reference to the Cascadia Subduction Zone (or fault)\, which stretches the entire length of the Oregon Coast\, as well as further north and south. It is this fault line that is the source of much of the volcanic activity that created the Oregon Landscape and the Cascades\, which have traditionally been the dividing line of our state. In fact\, it is a very long\, sloping subduction zone that separates the Explorer\, Juan de Fuca and Gorda Plates from the North American Plate — the Cascadia subduction zone is where the two plates meet\, and it is at “Cascadia” where Oregon meets. \n We are looking for the best of Oregon’s photographic artists. The uncommon\, unique and extraordinary vistas of Oregon… the urban and intercity views… the graffiti and night life… the mountains and ocean… the canyons and deserts… the streams\, brooks\, and rivers… the city sky lines and rural vistas… fun and exciting\, new sights\, new perspective. \n Two jurors will select the 48 images to be exhibited and three fine art photography judges will select the award winners. Selected photographers will be notified via email and will be asked to send their prints to Crossroads unmatted in a shipping tube.  Crossroads will arrange an account with UPS for mailing\, and Crossroads will matte and frame all work. Crossroads will be responsible for shipping all work to other venues and work will be insured. \n All accepted work must be for sale\, but submitted prints must stay in the traveling show for its duration. When work is sold at any of the venues during the tour\, artists will be responsible for shipping purchased work to the buyer. Crossroads will arrange an option to sell additional unframed copies of work and create a process for this. We will notify all selected artists of all details following the jurying process. The gallery commission will be 30% at all three venues. \n Thanks to a grant from the Ford Family Foundation\, Crossroads will also publish a hard-bound catalog of the traveling show that will be made available to exhibitors and exhibit venues. \n How to Submit Images 1. Submit files via email in high quality jpg format to photos@crossroads-arts.org 2. Name and number each file as follows: 1_Lastname_First name_Title (Example: 1_Smith\,Jane_Rodeo.jpg) 3. File sizes must be 300dpi at 8.5 inches on the longest side (i.e\, 2550 pixels on the longest side) 3. In your email\, include your full name\, mailing address\, email address\, phone number and a numbered list of your file names. 4. Entry fee is $35 per artist for up to three images. Submit fee via this link: http://weblink.donorperfect.com/cascadia \n Jurors: Shelley Curtis\, Retired Director of Oregon State University Art about Agriculture\, Corvallis\, Oregon Terri Axness\, Retired Arts Educator and Professional Artist from Haines\, Oregon \n Judges: Rich Bergeman\, Corvallis\, Oregon richbergeman.zenfolio.com \n John Clement\, Kennewick\, Washington johnclementgallery.com \n Jerry Kencke\, Mountain Home\, Idaho JerryKenckePhotography.com
URL:https://lukeolsenphotography.com/event/submission-call-for-cascadia-2018/
LOCATION:OR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171209T170000
DTEND;TZID=America/Los_Angeles:20171209T200000
DTSTAMP:20260404T125937
CREATED:20171127T081656Z
LAST-MODIFIED:20171127T081656Z
UID:454-1512838800-1512849600@lukeolsenphotography.com
SUMMARY:LightBox Members Exhibit 2017
DESCRIPTION:LightBox Photographic Gallery host the opening and artists’ reception of the LightBox Members Group Exhibit on Saturday\, December 9th from 5-8 pm. LightBox members are a community of photographers and patrons that support the mission of the gallery to promote and educate in the photographic arts through exhibits\, education\, events and member gatherings. Members meet twice a month for education nights and print and image critique\, held on the 1st and 3rd Wednesday of every month.                                                                  \nThe annual exhibit celebrates each individual member’s unique creativity\, this year 36 members are featured in an open call. Exhibiting Photographers include Eleanor Gorman\, John Ritchie\, Jim Fitzgerald\, Joni Kabana\, Mickey Anderson\, Diana Bloomfield\, Lorraine Richey\, Rich Bergeman\, Julie Moore\, Donald MacDonald\, Sam Blair\, Brian Kosoff\, Jon Lingel\, George Johnson\, Ann Kendellen\, Jim Congleton\, Mike Demkowicz\, Bob Levine\, Robert Potts\, Roger Dorband\, Friderike Heuer\, Rachel Wolf\, Denise Ross\, Stephen Shumaker\, David White\, David Lee Myers\, Rebecca Akporiaye\, Bob Sanov\, Chris Bryant\, Leigh Oviatt\, Mark Wiltrackis\, Michael Datoli\, Tom Kittel\, Ram Madhavarapu\, Michael Granger and Chelsea Vincent Granger. \nThe LightBox Members Exhibit will show in the gallery from December 9th until January 9th. LightBox offers memberships as a way to become part of the community that helps to further the mission of the gallery. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday\, 11 – 5:30. Contact LightBox at 503-468-0238 or at info@lightboxphotographic.com\, and visit lightbox-photographic.com for more info on events\, calls for submissions\, and to enjoy past\, current and upcoming exhibits.
URL:https://lukeolsenphotography.com/event/lightbox-members-exhibit-2017/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171209T150000
DTEND;TZID=America/Los_Angeles:20171209T170000
DTSTAMP:20260404T125937
CREATED:20171125T085237Z
LAST-MODIFIED:20171125T235252Z
UID:443-1512831600-1512838800@lukeolsenphotography.com
SUMMARY:Lecture: Looking for Lorna Simpson
DESCRIPTION:Artist and educator Lisa Jarrett explores embodiment by discussinginfluence\, visibility\, and possibility within Simpson’s work \n  \n 
URL:https://lukeolsenphotography.com/event/lecture-looking-for-lorna-simpson/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171207T190000
DTEND;TZID=America/Los_Angeles:20171207T210000
DTSTAMP:20260404T125937
CREATED:20171125T085944Z
LAST-MODIFIED:20171125T085944Z
UID:445-1512673200-1512680400@lukeolsenphotography.com
SUMMARY:Sylwia Kowalczyk at Blue Sky Gallery
DESCRIPTION:“Lethe is the river that cleanses Dante in Purgatory\, the one that wipes memories of the dead as they drink from it or bathe in it. The poet Sylvia Plath steps up from ‘the black car of Lethe\, Pure as a baby’. It is an escape\, a relief from our own physical limitations.” \nIn her collage-based portrait series\, Sylwia Kowalczyk visualizes the often disjointed\, piecemeal process of recalling the past. Each image is constructed using layers of cut and torn images that are re-photographed and enlarged. Just as our memories tend to change over time\, Lethe illustrates how information can become compressed and distorted by the mind but still accepted as truth. Kowalczyk’s aesthetic focus on texture and materials\, as well as the prominence of the human figure in each frame also suggests that this process of remembering is very much a sensory\, embodied experience that cannot be divorced from the material world.
URL:https://lukeolsenphotography.com/event/sylwia-kowalczyk-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171207T190000
DTEND;TZID=America/Los_Angeles:20171207T210000
DTSTAMP:20260404T125937
CREATED:20171125T085100Z
LAST-MODIFIED:20171125T085100Z
UID:441-1512673200-1512680400@lukeolsenphotography.com
SUMMARY:Lorna Simpson at Blue Sky Gallery
DESCRIPTION:As a final exhibition commemorating the Embodied: Asserting Self exhibition series\, Blue Sky presents Lorna Simpson: from the Collections of Jordan D. Schnitzer\, which includes two major bodies of work by Simpson: Wigs (1994) and Details (1996). Wigs is a collection of twenty-one lithographs depicting hair pieces and seventeen corresponding texts printed on felt. The images and texts emphasize the significance of hair in relation to dominant beauty standards and focus on a wide range of styles\, including Afros\, braided hair\, blond locks\, and doll wigs. Details consists of twenty-one photogravures accompanied by silkscreened captions. The imagery of the photogravures comes from the artist’s collection of family photos that she has edited and tightly cropped to focus on gestures and hands\, while the cryptic text creates a fragmentary but open-ended narrative. In both works\, Simpson references the body without including it\, or leaves out defining facial features to preserve her subjects’ anonymity\, inviting viewers to place themselves or imagine others within these visual spaces.
URL:https://lukeolsenphotography.com/event/lorna-simpson-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171207T170000
DTEND;TZID=America/Los_Angeles:20171207T200000
DTSTAMP:20260404T125937
CREATED:20171118T182729Z
LAST-MODIFIED:20171118T191302Z
UID:358-1512666000-1512676800@lukeolsenphotography.com
SUMMARY:Terry K. Thompson at Augen Gallery
DESCRIPTION:Augen is pleased to present its second solo exhibition of photographs by Terry K. Thompson with this broad 50-year retrospective of his life’s work\, titled “Entanglement – Photographic Works 1967-2017.” Thompson began early on as a painter and “literature sponge\,” as he puts it\, before settling on the camera and the particular aesthetics of photography as his medium of choice. He began his formal photo training in the Navy in 1968 under Edward Steichen’s extensive program\, and continued on at the New York at the School of Visual Arts in the 1970s\, where his teachers included Diane Arbus\, Duane Michaels\, Lisette Model\, Gary Winogrand\, and Arbus’s assistant\, Tad Yamashiro among others. Thompson credits Yamashiro’s take on image formation and Winogrand’s “outside the frame” usage as being very influential in his own work. \nFollowing New York\, Thompson’s graduate school experience at the San Francisco Art Institute introduced him to the insight and perspective of many other established artists\, including Linda Conner\, Ruth Bernhard\, Pirkle Jones\, Imogen Cunningham\, and Wynn Bullock. Throughout his own work\, Thompson exhibits a range of inspiration and of exploration in what he describes as non-verbal poetic form. He cites the example of Entanglement in the Garden as his association with nature\, with Eden\, and artistic representations of the past all intersecting in something of a revisionist work. The non-verbal poetics of Thompson’s imagery is underscored by the seductive physical qualities of varied photographic mediums that he skillfully employs. The exhibition will include vintage gelatin silver prints\, unique platinum and gum bichromate combination prints\, and vintage platinotypes\, with 99% platinum and a “smidge” of gold or iridium. \nThompson was awarded a Career Opportunity Grant from both the Oregon Arts Commission and the Ford Family Foundation in support of this retrospective exhibition. After studies at the School of Visual Arts in New York City\, Thompson completed his M.F.A. at the San Francisco Art Institute. He has had numerous solo exhibitions of his work in San Francisco\, Los Angeles\, and Portland\, and has been included in group exhibitions in San Francisco\, Los Angeles\, New York\, Portland\, and abroad in England\, Scotland\, Japan and Switzerland.Thompson will be present at the gallery’s First Wednesday Preview and First Thursday openings and he will give an artist talk on Saturday\, December 9\, at noon. An exhibition catalog will be available for purchase at the gallery.
URL:https://lukeolsenphotography.com/event/terry-k-thompson-at-augen-gallery/
LOCATION:Augen Gallery\, 716 NW Davis St.\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171202T190000
DTEND;TZID=America/Los_Angeles:20171202T210000
DTSTAMP:20260404T125937
CREATED:20171115T200613Z
LAST-MODIFIED:20171116T165147Z
UID:331-1512241200-1512248400@lukeolsenphotography.com
SUMMARY:Blue Moon Camera Customer Show 2017
DESCRIPTION:Blue Moon Camera and Machine celebrates our sixteenth anniversary with a presentation of our Fifteenth Annual Customer Show. As one of the last optical printing labs in the country\, Blue Moon Camera handles film from thousands of photographers around the globe throughout the year. Tens of thousands of images pass through the lab – some destined for the walls of a gallery\, others for an esteemed place on the refrigerator.  \nRegardless of what our customers do with them afterward\, each photo that comes through the lab is\, at one point or another\, held in the hands of a staff member and looked at. We count the prints\, check for dust\, and make sure that they reach our standards of quality. We also\, occasionally\, stop. We hold a print in our hands that makes us feel something and we stop. It may be especially creative\, it may be a perfect execution of technique\, it may be touching\, profound\, or just plain lovely. When this happens\, the staff member brings this stop-inducing photo around to the rest of the staff to share the experience\, and\, if the majority approves and the photographer gives their blessing\, it is selected for the Blue Moon Camera Customer Show. \nWe’re always excited for this show as it is an opportunity to exhibit the work of our incredibly talented customer-base. It’s also an opportunity for a unique community of creatives to get together and have a fantastic time.  \nWe hope to see you all there\, dressed in your finest\, ready to get into some shenanigans with the Blue Moon Camera Crew. \nVenues: \n45th Parallel Wines 8527 N LombardAnna Bannana’s 8716 N LombardLeisure Public House 8002 N LombardThe Fixin’ To 8218 N Lombard  Projecting photos one night only during opening reception!
URL:https://lukeolsenphotography.com/event/blue-moon-camera-customer-show-2017/
LOCATION:Blue Moon Camera and Machine\, 8417 N Lombard St\, Portland\, OR\, 97203\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171202T150000
DTEND;TZID=America/Los_Angeles:20171202T170000
DTSTAMP:20260404T125937
CREATED:20171118T192758Z
LAST-MODIFIED:20171118T192758Z
UID:363-1512226800-1512234000@lukeolsenphotography.com
SUMMARY:NW Drawers Portfolio Walk & Print Sale
DESCRIPTION:Join us Saturday\, December 2\, from 3 – 5pm\, for the first Portfolio Walk for the 2017 Pacific NW Viewing Drawers. You will have the chance to meet photographers from the Drawers\, talk about the work\, and perhaps buy an original print. There will be two shifts of artists presenting:  3 – 4 pm\, and 4 – 5pm. Currently\, we have more than 20 artists signed up to participate\, and more to come! We will send a final schedule just before the event. For a complete list of 2017 Drawers artists see here: \nhttp://www.blueskygallery.org/exhibitions/nw-drawers/. \nStay for both rounds — enjoy a glass of wine or beer while you mingle with the artists! Wine generously sponsored by Pike Road Wines\, and beer sponsored by Ninkasi Brewing.
URL:https://lukeolsenphotography.com/event/nw-drawers-portfolio-walk-print-sale/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171202T100000
DTEND;TZID=America/Los_Angeles:20171202T170000
DTSTAMP:20260404T125937
CREATED:20171127T080437Z
LAST-MODIFIED:20171127T080437Z
UID:451-1512208800-1512234000@lukeolsenphotography.com
SUMMARY:Portland Photographers Forum Annual Photo Sale
DESCRIPTION:Portland Photographers Forum (www.portlandphotoforum.com) will be having their annual photo sale on Dec 2nd. at the Multnomah Arts Center (http://www.multnomahartscenter.org/) from 10am to 5pm. There will be silver gelatin\, platinum/palladium\, gold leaf and digital prints. This would be a good place to get a quality photo for that special someone.
URL:https://lukeolsenphotography.com/event/portland-photographers-forum-annual-photo-sale/
LOCATION:Multnomah Arts Center\, 7688 SW Capitol Highway\, Portland\, OR\, 97219\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20171201T180000
DTEND;TZID=America/Los_Angeles:20171201T200000
DTSTAMP:20260404T125937
CREATED:20171118T194642Z
LAST-MODIFIED:20171125T093938Z
UID:366-1512151200-1512158400@lukeolsenphotography.com
SUMMARY:Ashley Innis at Pushdot Gallery
DESCRIPTION:Paranthetics is a study of light\, color\, and motion; it is a visualization of their relationship. Images are taken with a lensless camera which record light refracted between a specific point and the camera itself and this light takes the form of color and shape. The outcome shows a difference between what is seen and what is physically there. Seemingly\, there is a reality and another reality. Our muscle memory\, our eyes\, our emotions and general “understanding” of the world fills in any void for us. Meditating on that idea\, I created neon and placed it back into the image\, back into the scene. The neon is what my muscle memory\, my eyes\, emotions\, and my general “understanding of the world fills in the space between these two points. \nAshley has been photographing since childhood and pairing photography and neon for 7 years. Her work has been displayed at Gallery 12 x16\, Gallery 511\, Ninkasi Gallery\, Dot Dotson’s Gallery and has been featured in B & W Magazine from receiving a Merit Award from the publication. Innis achieved her BFA from Pacific Northwest College of Art in 2016 and currently resides in Portland with her wolf.  \nHer work can be seen at: ashleyinnis.com
URL:https://lukeolsenphotography.com/event/ashley-innis-at-pushdot-gallery/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
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