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DTSTART;TZID=America/Los_Angeles:20180406T180000
DTEND;TZID=America/Los_Angeles:20180406T200000
DTSTAMP:20260403T112526
CREATED:20180330T224813Z
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SUMMARY:Small Talk Collective at Pushdot Studio
DESCRIPTION:Small Talk Collective\, We’re Always Touching By Underground Wires\n\nOPEN/CLOSE: April 6 – May 28\, 2018.\nOpening reception on April 6th from 6-8pm for First Friday in conjunction with Portland Photo Month. \nPUSHDOT STUDIO\n2505 SE 11th Avenue\, Suite 104 – in the Ford Building\, enter on Division Street\nPortland\, OR 97202\n503.224.5925\nwww.pushdotstudio.com\nGallery Hours: Mon-Fri. 8:30am to 5:00pm\, free admission \nPushdot is proud to host Small Talk Collective for their first joint exhibition and book release! In this redefining point of history for the Portland photography community\, these seven women are showing the importance of supporting and empowering one another as artists\, entrepreneurs\, and experts in their field.  They invite you into a conversation – both visual and societal – around the strength of joining individual visions in order to speak to broader human desires and themes\, including empathy\, belonging\, memory\, and transformation. \nThe exhibition\, book release\, and the later community conversation in May\, are supported by a generous Project Grant from the Regional Arts and Culture. \nAbout Small Talk Collective\nSmall Talk is a photography collective comprised of seven women artists. It was formed in Portland\, Oregon in 2015. \nAs a group\, Small Talk explores the nature of what it means to be visual storytellers. They pool resources\, provide support\, and exchange ideas – engaging in the best kind of small talk\, that which binds them together\, fostering stronger work and facilitating collaboration. smalltalkcollective.com \nAbout the Work\nChange is incremental\, barely noticed\, until it’s sudden and irrevocable. A house slowly ages and wears\, until abruptly\, it’s demolished and gone. Inside our own homes\, we find imperfections and repairs\, evidence of former occupants and our former selves. We feel these transitions and make new connections: between a bird discovered in a field and one dismembered by a cat\, between the furrows on a face and those on the landscape\, impressions left on skin and in memory. We look for change and find its mark. We look at what is\, attempting to find the shape of what was. \nAbout the Artists \nAudra Osborne is a photographer and crafter whose work stems from the often debilitating emotions she (and many people) feel on a daily basis. These ideas typically center around anxiety\, depression\, and loss. Her photographs act as a visual diary and study of these emotions\, as well as a remedy. By creating these images she has created a space for herself and others to discuss these “taboo” topics on an open platform. This self-enforced openness has allowed her to become more in control of her anxiety\, beyond systems and treatments. Audra-osborne.com \nBriana Cerezo utilizes photography as a process of discovery. Making photographs offers opportunities to deeply study those things in life that she finds most perplexing — namely people\, the nature of relationships\, creative process\, spirituality\, philosophy\, and the inner workings of the self. Photography allows her the opportunity to reflect and organize fragments of her experiences in order to make sense of the world and her role in it.\nBriana’s editorial and documentary photographs have been featured in newspapers and magazines such as Portland Monthly\, Willamette Week\, Portland Mercury\, Fraction\, Ain’t-Bad and The New Asterisk\, and her artwork has been exhibited in galleries throughout the Pacific Northwest. In 2017 she was awarded an artist residency with Oregon Historical Society to interview and photograph members of diverse and underrepresented populations throughout Oregon. Brianacerezo.com \nJennifer Timmer Trail\, originally from Northern Michigan\, spent over a decade in New York\, and some time in Copenhagen and Victoria\, BC\, before settling in Portland\, Oregon. Life circumstances have kept her far from the idyllic small town she still calls home\, and this has played a crucial role in the development of her work. Her photographs explore the longings that exist within relationships\, things we wish we could hold on to but can’t\, and the nostalgia that accompanies the process of aging. She is most interested exploring and pushing the boundaries of what a photograph can communicate on an emotional and psychological level.\nJennifer received her MFA in Photography from Hartford Art School and her BA in Art History / Studio Art / Natural Science from Michigan State University. She is currently an instructor of photography\, design\, and publication production\, and her work has been written about and exhibited internationally. Jennifertrail.com \nKelli Pennington often plays a role for the camera\, which allows her to feel outside of herself\, or forces her to feel her skin tautly strung over her bones. She sees herself in her mind’s eye and feels fragile and human. That vulnerability is as thrilling as it is terrifying. Kelli is an educator at Portland Community College and an avid traveller.  Kellipennington.com \nKristina Hruska has worked as the Education Director for Newspace Center for Photography in Portland\, OR\, Photo Workshops Director at Rocky Mountain School of Photography in Missoula\, MT\, and as an Editor for Diffusion: Unconventional Photography Magazine. She currently holds the position of Gallery Director at Pushdot Gallery in Portland. She is the Founder of Small Talk Collective.\nKristina’s photographic work explores the themes of mystery and resilience and often speaks to the intersection between the ordinary and the extraordinary. Her photography has been shown in galleries across the U.S. and is held in private collections across the globe.  kristinahruska.com \nLeslie Hickey holds BA degrees in Studio Art and English from Whitman College. She recently worked as a teaching assistant in the media department at Studio Art Centers International in Florence\, Italy\, and was a fellow through the Civita Institute in the tiny village of Civita di Bagnoregio. In addition to her photography\, she runs a quarterly letterpress subscription service through her imprint\, Hoarfrost Press. Leslie is also a founding member of an international photographic group entitled Scaleno. Lesliehickey.com \nMarico Fayre is a photographic artist whose work explores vulnerability\, aloneness\, mental illness\, LGBTQ identity\, the search for belonging\, and the dialogue that occurs between making and experiencing art. Her work has been described as visual poetry and her drive to create both encompasses and challenges notions of beauty.\nMarico often collaborates with performance artists and writers\, weaving together the two voices in order to create projects of depth and strength. She teaches workshops and mentors MFA students\, incorporating her background in branding\, project management\, and creative direction\, to support and teach the business side of being an artist. Her combination of determination\, efficiency\, and calm lead one client to describe her style as\, “doing wild things very quietly.”\nA gypsy at heart\, she travels as often as possible in order to continue challenging how she sees the world and what she is able to discover with her camera. Maricofayrephotography.com \n 
URL:https://lukeolsenphotography.com/event/small-talk-collective-at-pushdot-studio/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180406T100000
DTEND;TZID=America/Los_Angeles:20180406T170000
DTSTAMP:20260403T112526
CREATED:20180324T172311Z
LAST-MODIFIED:20180324T172311Z
UID:675-1523008800-1523034000@lukeolsenphotography.com
SUMMARY:"Cascadia: Where Oregon Meets" juried show at Crossroads Carnegie Art Center
DESCRIPTION:Cascadia: Where Oregon Meets\nA juried show featuring 47 Oregon photographers \nApril 6 – 28\, 2018\nCrossroads Carnegie Art Center\n2020 Auburn Ave.\nBaker City\, Oregon\nwww.crossroads-arts.org\nGallery Hours: 10am-5pm\, Monday-Saturday \n“Cascadia: Where Oregon Meets\,” a touring juried exhibit featuring photographs and photographers from all corners of the state\, opens at the Crossroads Carnegie Art Center in Baker City on April 6. \nThe exhibit\, which will visit three cities in the state this spring and summer\, is an effort to “bring an ever-divided state of Oregon closer together through the lens of photographers\, both urban and rural\,” according to Crossroads Director Ginger Savage\, who spearheaded the project. \nThe inaugural exhibit at Crossroads will run through April 28\, with a reception and awards ceremony scheduled for Friday April 6 from 5:30 to 8 p.m. Eleven of the 47 exhibiting photographers will be awarded cash prizes ranging from $500 for Best of Show and People’s Choice to $100 for Honorable Mention. \n“We asked photographers from across the breadth of our state to interpret ‘the authentic Oregon experience’ and to show us stories about what we share from both sides of the Cascades\,” says Savage. “We named the show for the geology under us all. When the Cascadia Subduction Zone breaks (and it’s only a matter of time!)\, the little picky things that have divided Oregonians\, including urban vs. rural\, will not matter anymore.”\nThe exhibit includes black-and-white and color photographs depicting the varied landscapes and people of Oregon from the Coast to the Snake River and from the Columbia Gorge to Klamath Falls. The project was underwritten by the Ford Family Foundation of Roseburg\, Ore. \nAfter Baker City the exhibit will be on display at The Dalles-Wasco County Public Library in The Dalles May 4 – 31\, and then at the LaSells Stewart Center on the Oregon State University campus in Corvallis from July 2 to Aug. 5. \n 
URL:https://lukeolsenphotography.com/event/cascadia-where-oregon-meets-juried-show-at-crossroads-carnegie-art-center/
LOCATION:Crossroads Carnegie Art Center\, 2020 Auburn Ave.\, Baker City\, OR\, 97814\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180406T090000
DTEND;TZID=America/Los_Angeles:20180406T150000
DTSTAMP:20260403T112526
CREATED:20180313T072712Z
LAST-MODIFIED:20180313T072712Z
UID:633-1523005200-1523026800@lukeolsenphotography.com
SUMMARY:Digital Photography 2 (ART 240) with Kelli Pennington
DESCRIPTION:Digital Photography 2 (ART 240) with Kelli Pennington \nFriday’s 9 am – 2:50 pm\, April 6 – June 15 (Spring Term) \nPCC\nCascade Campus\n705 N Killingsworth St\, Portland\, OR 97217\n(971) 722-6111 \nThe central focus of this class is to work in the studio on different lighting techniques and to learn advanced printing skills while exploring different paper surfaces. Thank to paper donations from Canson\, Moab\, and Hahnemuhle\, each student will receive $100 worth of paper free. \nIf you have taken ART240 A and would like to take the course again\, we will work on strengthening your portfolio and allow for 3 self-directed projects.
URL:https://lukeolsenphotography.com/event/digital-photography-2-art-240-kelli-pennington/
LOCATION:PCC Cascade\, 705 N Killingsworth St.\, Portland\, OR\, 97217\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180405T180000
DTEND;TZID=America/Los_Angeles:20180405T210000
DTSTAMP:20260403T112526
CREATED:20180324T190952Z
LAST-MODIFIED:20180324T190952Z
UID:678-1522951200-1522962000@lukeolsenphotography.com
SUMMARY:2018 Pacific Northwest Photography Viewing Drawers Artists Announced
DESCRIPTION:First Thursday\, April 5th \nDebuting on First Thursday\, April 5\, and coinciding with Portland Photo Month\, each artist will be represented by 10 original photographic prints or objects from a single body of work in a dedicated archival\, flat file drawer at Blue Sky through March 2019. \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \nPORTLAND\, Oregon – Blue Sky\, the Oregon Center for the Photographic Arts\, is pleased to announce the names of 42 artists selected for inclusion in its 2018 Pacific Northwest Photography Viewing Drawers Program (“Drawers”). \nThe complete list of artists selected from more than 160 submissions includes: \nAdam Bacher • Doran Bastin • Susan Bein • Ray Bidegain • Jennie Castle\nHarley Cowan • Fretta Cravens • Danielle Dean • Lucas DeShazer • Claire Dibble\nGloria Feinstein • Dean Forbes • Hal Gage • Randi Ganulin • Joseph Glasgow\nSarah Graves • Lauryn Hare • Melinda Hurst Frye • Tim Jaskoski • Ryota Kajita • John Kane\nHeidi Kirkpatrick • Cheston Knapp • Brian Kosoff • Zachary Krahmer • Laura Kurtenbach\nJulie Lopez • Nathan Lucas • Sofia Marcus-Myers • Ryan Mills • Blue Mitchell\nMarilyn Montufar • Stan Raucher • Shawn Records • Pat Rose • Isaac Sachs • Skip Smith\nDeb Stoner • Nolan Streitberger • J Swofford • Samuel Wilson • Jennifer Zwick \n2018 Juror \nHamidah Glasgow is the Executive Director and Curator at The Center for Fine Art Photography in Fort Collins\, Colorado. The Center hosts approximately 17 exhibitions annually and features the work of emerging and established artists from around the world. The Center has been recognized as one of the prestigious nonprofit photography centers in the United States. Ms. Glasgow’s contribution to photography has included curatorial projects\, portfolio reviews (FotoFest\, Photolucida\, Medium\, Filter\, etc.)\, contributions to publications and online magazines\, and the co-hosting of regional conferences. She is also a founding member of Strange Fire Collective\, a group of interdisciplinary artists\, curators\, and writers focused on work that engages with current social and political forces. \n 
URL:https://lukeolsenphotography.com/event/2018-pacific-northwest-photography-viewing-drawers-artists-announced/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180405T180000
DTEND;TZID=America/Los_Angeles:20180405T210000
DTSTAMP:20260403T112526
CREATED:20180316T230441Z
LAST-MODIFIED:20180316T230441Z
UID:656-1522951200-1522962000@lukeolsenphotography.com
SUMMARY:Jon Gottshall at Gallery 114
DESCRIPTION:Jon Gottshall\, Scale \nApril 5-28\nOpening: April 5\, 6-9pm \nGallery 114\n1100 NW Glisan\, Portland OR 97209\n(503) 243-3356\nGallery hours: Thurs-Sun\, 12-6pm\ncontact@gallery114pdx.com\nwww.gallery114pdx.com \n“Scale” is my homage to landscape photographers of the past\, those who have celebrated the humbling vastness of the land around us and yet also made it seem tactile and accessible. Names are too many to mention\, but let it rest for now on the shoulders of Timothy O’Sullivan\, Carlton Watkins\, W.H. Jackson and Edweard Muybridge. Their photographs convey wonder at the spaces before them and of their own smallness. The sense of being tiny in a vast world has always moved me\, and in these images I attempt to carry that tradition forward. \nMy goal in these images in not just to document\, in as visceral way as I can\, the size and scale of the landscape\, but to also use the photographs as the first step in a creative process. Starting with the photograph itself\, I print onto clear\, non-absorbent acetate\, which allows the ink to remain fluid. It moves and interacts or stays distinct according to it’s own viscosity. The longer I wait\, the more the image is altered. I repeatedly scan these transformed images and incorporate them into the original photo file. The variability that results is an organic addition to the digital process\, which I find an immensely interesting form of inquiry. \njongottshall@msn.com\nalso:\n \n 
URL:https://lukeolsenphotography.com/event/jon-gottshall-at-gallery-114/
LOCATION:Gallery 114\, 1100 NW Glisan\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180405T180000
DTEND;TZID=America/Los_Angeles:20180405T200000
DTSTAMP:20260403T112526
CREATED:20180317T181030Z
LAST-MODIFIED:20180317T181030Z
UID:664-1522951200-1522958400@lukeolsenphotography.com
SUMMARY:Rich Bergeman\, Renee McKitterick\, Frank Boyden at Royal Nebecker Gallery
DESCRIPTION:Rich Bergeman\, Renee McKitterick\, Frank Boyden\, Empathies and Energies \nApril 2 to May 10\, 2018\nReception: April 5\, at 6 p.m. \nRoyal Nebecker Gallery\nClatsop Community College Campus\n1799 Lexington Ave.\nAstoria\, OR \nwww.clatsopcc.edu/community/ccc-royal-nebeker-art-gallery\nHours: Monday through Friday 9am to 6pm \nCorvallis photographer Rich Bergeman will be joined by fellow Oregon artists Renee McKitterick and Frank Boyden for an exhibit titled “Empathies and Energies” at the Royal Nebecker Gallery on the campus of Clatsop Community College in Astoria from April 2 to May 10\, 2018. \nThe exhibit features recent infrared landscape photographs by Bergeman\, who has been exhibiting his black-and-white photographs throughout the Northwest since the 1980s; ceramics and sculpture by McKitterick\, who is currently chair of the Art Department at Linn-Benton Community College in Albany; and ceramics and prints by Boyden\, an internationally acclaimed artist from Otis\, Oregon\, whose public sculptures can be seen at the Oregon Coast Aquarium in Newport\, Oregon Health Sciences University in Portland\, and elsewhere\nA public reception will be held on Thursday\, April 5\, at 6 p.m. in the gallery. \n“Empathies and Energies” takes its name from the commingling of Boyden’s dry-point etchings of anguished faces with the fire and light that Bergeman and McKitterick use to create their infrared photographs and ceramics\, respectively. Boyden’s “Empathies” is a suite of 96 intimate dry-point psychological portraits that began in response to the artist’s disillusionment with the depravity of humanity and evolved into one of empathy and personal introspection. Bergeman said he began using infrared photography in recent years because it has a “haunting quality” that fits well with his historical projects\, and can transform an everyday landscape into a surreal experience. McKitterick describes the new work she is showing as “fundamentally feminine\,” and an exploration of how “shapes can move the viewer through\, around\, and back into its space.” \n 
URL:https://lukeolsenphotography.com/event/rich-bergeman-renee-mckitterick-frank-boyden-at-royal-nebecker-gallery/
LOCATION:Royal Nebecker Gallery\, 1799 Lexington Ave.\, Astoria\, OR\, 97103\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180405T170000
DTEND;TZID=America/Los_Angeles:20180405T210000
DTSTAMP:20260403T112526
CREATED:20180403T071305Z
LAST-MODIFIED:20180403T071305Z
UID:686-1522947600-1522962000@lukeolsenphotography.com
SUMMARY:Svetlana Bailey at Blue Sky Gallery
DESCRIPTION:Svetlana Bailey\, once there was there wasn’t \nApril 5–29\, 2018\nFirst Thursday Opening Reception\, April 5\, 6:00–9:00 PM\nArtist Talk: Thursday\, April 5\, 5:00 PM \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \n“Objects\, places\, and events that occur in separate times and places can coexist psychologically. My work supposed that this coexistence can be reconciled with photographs\, which\, although normally fixed to particular times\, locations\, and stories\, are nevertheless able to travel\, in boxes\, or as mind images on overlapping currents.” \nUntil the age of eight\, Svetlana Bailey’s summers were spent at her grandmother’s house in the Russian countryside. It was there she discovered the world on her own and formed her earliest memories. Sixteen years ago her grandmother passed away and now the house stands empty. To create once there was there wasn’t\, Bailey returned to her grandmother’s home and constructed installations throughout the abandoned property\, using objects found there and photographs depicting her life after leaving Russia to create new images. She followed a similar process at her parents’ home in Germany and in her own home in the United States\, constructing photographs that allow disparate times and places to exist together in the mind. \nSvetlana Bailey was born in St Petersburg in 1984\, and after the fall of the Soviet Union emigrated to Germany with her family. After beginning her studies at FH Dortmund\, Bailey moved to Australia to complete her BFA at the College of Fine Arts in Sydney. In 2016 Bailey graduated with an MFA in photography from the Rhode Island School of Design. Since then she has completed residencies at the Skowhegan School of Painting and Sculpture in Maine; the NARS Foundation in New York; the Atlantic Center for the Arts in Florida; The Bundanon Trust\, in Bundanon New South Wales; and the Mountain School of Arts in Los Angeles. She will be in residence at the International Studio and Curatorial Program in New York City in 2018. In 2017 Svetlana was the winner of the Flash Forward Prize presented by The Magenta Foundation and in 2018 she was awarded an Australia Council Career Development Grant. \n 
URL:https://lukeolsenphotography.com/event/svetlana-bailey-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180404T110000
DTEND;TZID=America/Los_Angeles:20180404T180000
DTSTAMP:20260403T112526
CREATED:20180316T071305Z
LAST-MODIFIED:20180316T071305Z
UID:654-1522839600-1522864800@lukeolsenphotography.com
SUMMARY:Joe Rudko at PDX CONTEMPORARY ART
DESCRIPTION:Joe Rudko\, Intermediate Techniques of Photography \nApril 4th – April 28th \nPDX CONTEMPORARY ART\n925 NW Flanders Street\nPortland OR 97209 \nHOURS: 11:00 – 6:00 Tues. – Sat.\nADMISSION:    Free\nOpen First Thursday\,   April 5th\, 2018\, 6:00 – 8:00 \nThis April PDX CONTEMPORARY ART presents Intermediate Techniques of Photography\, an exhibition of images by Joe Rudko that explores both the magic and the limitations of the photograph. \nUsing collage\, drawing and sculptural methods Rudko extends\, manipulates and distorts found images to create new relationships of color and line. With an improvisational confidence\, he gives once-antiquated snapshots new life through creative play. \nLike analog glitches\, Rudko’s images stutter and shapeshift\, demonstrating the malleability of photographs as representations of reality and as physical objects. Taken with the knowledge that truth is becoming increasingly recognized as an unstable concept in our world\, the relevance of Rudko’s explorations becomes more profound. \nJoe Rudko is a graduate of Western Washington University and has shown broadly in both solo and group exhibitions throughout the Northwest including shows at PDX CONTEMPORARY ART (Portland\, OR)\, Roq La Rue (Seattle\, WA)\, LxWxH (Seattle\, WA)\, Disjecta Center for Contemporary Art (Portland\, OR)\, Photo Center Northwest (Seattle\, WA)\, Whatcom Museum of Art (Bellingham\, WA)\, and Greg Kucera Gallery (Seattle\, WA)\, among others. He has been the recipient of the Future List Award and two Art Walk Awards from City Arts Magazine as well as the Vermont Studio Center Fellowship Award. His work was also featured on the cover of indie rock band Death Cab for Cutie’s 2015 album Kintsugi and is included in the collections of the Portland Art Museum\, Fidelity Investments\, and the private collections of Dorothy Lemelson\, James and Susan Winkler\, and Driek Zirinsky. \nThe Work:\n• Explores the photograph as malleable object for creative play and for exploring the unstability of truth in the visual\n• Uses collage and drawing techniques to dissemble found material and create new visual relationships\, extending the fragments and giving them new lives\n• Improvisational\, playful\, renders photographic interpretation unstable and precarious\n• Questions the photograph as a representation of history \nThe Artist:\n• Lives and works in Seattle\, Washington\n• Uses the photograph as a jumping off point for exploring the perception of truth in the visual\n• Shown widely in the Northwest\, with solo and group shows in Seattle\, Bellingham\, and Portland\n• Recipient of the Vermont Studio Center Fellowship\, Future List Award\, and two Art Walk Awards from City Arts Magazine\n• His work was featured on the cover of indie rock band Death Cab for Cutie’s 2015 album Kintsugi \n 
URL:https://lukeolsenphotography.com/event/joe-rudko-at-pdx-contemporary-art/
LOCATION:PDX CONTEMPORARY ART\, 925 NW Flanders Street\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180331T090000
DTEND;TZID=America/Los_Angeles:20180331T160000
DTSTAMP:20260403T112527
CREATED:20180318T074407Z
LAST-MODIFIED:20180318T074407Z
UID:667-1522486800-1522512000@lukeolsenphotography.com
SUMMARY:Andy Richter at Camerawork Gallery
DESCRIPTION:Andy Richter\, Serpent in the Wilderness \nMarch 31st – April 27th\, 2018 \nCamerawork Gallery\n2255 NW Northrup Street\n(Linfield School of Nursing – Peterson Hall)\nPortland\, OR 97210\nhttp://www.TheCameraworkGallery.org\nhttp://www.facebook.com/cameraworkgallery\nGallery Hours: 9am-4pm\, Monday-Friday\, Saturday 9am-5pm \nMinneapolis\, Minnesota photographer Andy Richter notes\, “from ashrams and caves throughout India to living rooms across America\, Serpent in the Wilderness reveals hidden layers and rarely seen dimensions of a profoundly spiritual path and way of life.” \nThis exhibition is a visual exploration of yoga that emerged from Richter’s personal practice and experience. After studying yoga for years\, he decided to use his medium to search for the essence of the teachings. For more than half a decade\, Richter traveled to places that are historically relevant to yoga’s past\, as well as to places that embody its living present\, documenting a variety of yoga traditions with many of the world’s great saints and yogis. While this ancient Indian science has roots in Hindu mythology and doctrine\, today it is mainstream\, global\, and growing in popularity. Both a method of self-realization and a state of being\, yoga encourages greater equanimity and awareness\, a calm mind\, a healthy body\, and a compassionate heart. This photographic exhibition captures that spirit\, along with the face of yoga around the world. \nAndy Richter is a photographer based in Minneapolis\, Minnesota whose work embodies his desire to see past surface illusions to a deeper\, more universal truth. Richter immerses himself in his subject and its wider context\, exploring such themes as aging and loss\, self and cultural transformation\, and spirituality with the heightened awareness that the camera brings. Far from a neutral observer\, he is emotionally and experientially invested in his subjects\, and uses color and light to engage the viewer and evoke inner experience. \nRichter studied photography at the University of Minnesota and graduated with honors with degrees in Spanish and Psychology in 1999. He spent the next several years climbing and photographing the great mountain ranges of the world\, where he feels he learned how to really see. Upon returning to Minnesota in 2006\, his focus shifted from landscape photography to experiential documentary and portraiture. His monograph\, Serpent in the Wilderness\, published in 2018 with Kehrer Verlag\, sheds new light on the ancient science of yoga\, documenting rarely seen aspects across different cultures. He is also experimenting with camera-less technologies. \nRichter’s work has been exhibited nationally and internationally. He has received numerous awards and been recognized by American Photography\, Photolucida\, the\nInternational Photography Awards\, and the Minnesota State Arts Board. His clients include Time\, Smithsonian\, The Washington Post\, National Geographic Traveler\, AFAR\, Mother Jones\, UN Women\, The Trust for Public Land and UNICEF. \n2018 Exhibitions of Serpent in the Wilderness • MPLS Photo Center in Minneapolis\, Minnesota\, March 23 to May 1\, 2018 • Camerawork Gallery\, Portland\, Oregon\, March 31 to April 27\, 2018 • Vermont Center for Photography\, Brattleboro\, Vermont\, June 1 to July 1\, 2018 \nwww.AndyRichterPhoto.com \n 
URL:https://lukeolsenphotography.com/event/andy-richter-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180327T180000
DTEND;TZID=America/Los_Angeles:20180327T200000
DTSTAMP:20260403T112527
CREATED:20180306T002753Z
LAST-MODIFIED:20180306T002753Z
UID:629-1522173600-1522180800@lukeolsenphotography.com
SUMMARY:Jeffrey Opp\, Carson Legree\, and Rhonda Vanover at The Esther Building Art Space
DESCRIPTION:Jeffrey Opp\, Carson Legree\, and Rhonda Vanover \nThrough March 31\, 2017\nTuesday March 27th there will be an artist talk at 6pm \nThe Esther Building Art Space\n610 Esther Street\, Vancouver Washington\n360-566-7808\nThe Esther Building Art Space is open to the public during business hours 8am-5pm M-F \nThe artwork of Carson Legree\, Jeffrey Opp\, and Rhonda Vanover will be on display at the Esther Building Art Space this winter. Each artist has unique way of capturing transitory moments. \nOn the first floor of the Esther Building Art Space Carson Legree’s paintings show abstracted images distilled from current events. Her artwork layers black and white images with swirling colors that imply energy\, movement\, and rhythm. Although the inspiration for her work can come from heavy topics the artwork maintains a feeling of progress and positivity. \nTwo photographers\, Rhonda Vanover and Jeffrey Opp\, have their works displayed on the second floor. Opp captures images of overlooked buildings and spaces. He photographs places we may pass by regularly but take no notice of. His attention to these under-dog points in the landscapes is tender in its attentiveness. Opp’s artwork may change the way you see the everyday world we live in. \nMany of Rhonda Vanover artworks are photograms; images that are made by laying an object directly on photo paper and exposing the image without using a camera. The result is a shadowy image of the original object. They are beautiful and haunting traces of the original subject. \nCarson Legree http://carsonlegree.com/\nJeffrey Opp http://jeffreyopp.com/\nRhonda Vanover http://www.rhondavanover.com/\n—\nJeffrey Opp\, MFA\nPhotographic Artist and Maker of Books \nwww.jeffreyopp.com \n 
URL:https://lukeolsenphotography.com/event/jeffrey-opp-carson-legree-rhonda-vanover-esther-building-art-space/
LOCATION:The Esther Building Art Space\, 610 Esther Street\, Vancouver\, WA\, 98660\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180324T140000
DTEND;TZID=America/Los_Angeles:20180324T160000
DTSTAMP:20260403T112527
CREATED:20180316T231644Z
LAST-MODIFIED:20180316T231914Z
UID:660-1521900000-1521907200@lukeolsenphotography.com
SUMMARY:Magnet Academy school of Arts and Battle Ground High School Student Show at Cedar Hills Rec Center
DESCRIPTION:Magnet Academy school of Arts and Battle Ground High School Student Show \nMarch to May 26th 2018\nReception: Saturday\, March 24th from 2 to 4pm \nCedar Hills Rec Center\n11640 SW Park Way\nPortland\, OR 97225 \nThe photography students of the Magnet Academy school of Arts\, Beaverton Oregon and Battle Ground High school\, Battle Ground\, Washington are pleased to be showing their work at the Cedar Hills Rec Center. \nThere will be a reception open to the public on Saturday\, March 24th from 2 to 4pm. Come see the work\, visit with the students and their teachers\, Annie Davern and Jon Gottshal. \nThese schools and others in Oregon and Washington offer photography to their student body and are always in need of film and digital cameras\, darkroom equipment and supplies. \nFor more info contact Robert Brummitt at brummitt@comcast.net. \n 
URL:https://lukeolsenphotography.com/event/magnet-academy-school-of-arts-and-battle-ground-high-school-student-show-at-cedar-hills-rec-center/
LOCATION:Cedar Hills Rec Center\, 11640 SW Park Way\, Portland\, OR\, 97225\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180321T120000
DTEND;TZID=America/Los_Angeles:20180321T130000
DTSTAMP:20260403T112527
CREATED:20180316T070025Z
LAST-MODIFIED:20180316T070025Z
UID:652-1521633600-1521637200@lukeolsenphotography.com
SUMMARY:Deb Stoner at Portland Art Museum
DESCRIPTION:Deb Stoner\, Pay Attention To What You Pay Attention To \nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, March 21st\, 2018 at Noon \nPortland Art Museum\nMiller Gallery in the Mark building\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public. \n  \nFor this presentation\, I’ll talk about my life and career as an artist. I’ll tell you about my work of part-time teaching\, making art objects for others\, designing eyewear for fashion industry\, and running a small business. I’ll show you the work I did that led me through designing\, making and teaching about eyewear as a jeweler\, and how that informed and directed me in making my current work. Photography has always been a part of it\, but had been the part of my artistic practice that gets attention when I’m not too busy doing other things to earn a living. In the past five years\, that has changed\, with my full time commitment to making still life photographs of flora and tiny fauna. I’ll show you lots of images that might increase your awareness of how beautiful the world is\, and what inspires me. I’ll tell you about the technology I use to make my work\, and I’ll reveal the secret of how it is that the grasshopper is as big as the watermelon in this picture\, without using digital trickery. \nDeb Stoner is a fine art photographer with deep roots in craft. Deb creates still life photographs that are complex visual constructs made using the flora and fauna of a very small region\, usually her neighborhood. Her work involves growing plants (or making friends with gardeners)\, collecting and mounting insects\, and paying attention to small ephemeral events to make images with in real time. She earned an MFA in Applied Design from SDSU\, a BS in Geology from UC Davis\, and has taught in the Jewelry and Metals Department at Oregon College of Art and Craft since 1991\, except for a few years along the way. Deb is known for her work in designing and making eyewear from a jeweler’s point of view\, for developing new ideas in eyewear for the fashion industry\, and for teaching those ideas to students in over fifty workshops at craft centers worldwide. As a photographer\, Deb had a solo show at the Camerawork Gallery\, was a Critical Mass finalist and a speaker at the SPE NW Regional Conference in 2015\, a year-long solo exhibit at the Portland International Airport in 2016\, a solo exhibition with Vernissage in Portland in 2017\, and a recent lecture and exhibition at the Yuma Art Center/Symposium. Her photographs are in the public art collections of PCC\, the University of Oregon\, the Port of Portland\, OHSU\, the homes of many collectors\, and in the juried NW Viewing Drawers at Blue Sky Gallery each year since 2015. \n 
URL:https://lukeolsenphotography.com/event/deb-stoner-at-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180318T170000
DTEND;TZID=America/Los_Angeles:20180318T190000
DTSTAMP:20260403T112527
CREATED:20180228T165643Z
LAST-MODIFIED:20180228T165643Z
UID:624-1521392400-1521399600@lukeolsenphotography.com
SUMMARY:manuel arturo abreu and Christopher Paul Jordan at Marylhurst University (Art Gym)
DESCRIPTION:manuel arturo abreu and Christopher Paul Jordan\, Place Names \nMarch 20\, 2018 – May 20\, 2018\nOpening Reception: March 18\, 2018 from 5 – 7pm \nArt Gym\nMarylhurst University\n17600 Pacific Highway (Hwy. 43)\nMarylhurst\, OR 97036-0261\nhttp://theartgym.org/ \nGallery Hours\nTuesday – Sunday\, Noon to 4 pm\nClosed March 30 – April 1\, 2018 (Easter Weekend)\nAdmission: Free to the public.\nParking is free.  The gallery is located on the third floor of the central building on campus – BP John\, on the south side of the building. \nPlace Names is an exhibition by regional artists manuel arturo abreu (Portland\, OR) and Christopher Paul Jordan (Tacoma\, WA). Through painting\, sculpture\, built environments\, and explorations of language\, Place Names explores the abstracted visual and emotional cues that influence how a sense a “place” is communicated. The artists each construct visual narratives from notions of the geographical and cultural locales that have been generative to their thinking as artists and poets. The works in Place Names appropriate objects such as stray window frames\, graffiti-laden panels\, well-worn maps\, and evocations of their workspaces as signifiers of the cultural\, economic\, and racial influences within inherited identity. \nmanuel arturo abreu (b. 1991\, Santo Domingo) is an artist and writer from the Bronx. They received their BA in Linguistics from Reed College in 2014\, and currently lives and works in a garage in southeast Portland. Recent group exhibitions with Rhizome and the New Museum (online)\, the Cooley Gallery (Portland)\, Chicken Coop Contemporary (Portland)\, Veronica project space (Seattle)\, and AA|LA Gallery (Los Angeles). Recent publications in Art in America\, Rhizome\, CURA\, SFMoMA Open Space\, AQNB\, et al. abreu is the author of List of Consonants (Bottlecap Press\, 2015) and transtrender (Quimérica Books\, 2016)\, and their debut collection of critical writing is forthcoming 2018. \nChristopher Paul Jordan integrates virtual and physical public space to form infrastructures for dialogue and self-determination among dislocated people. Jordan’s paintings and sculptures are artifacts from his work in community and time-capsules for expanded inquiry. Jordan is a recipient of the 2017 Neddy Artists Award for painting\, the Jon Imber Painting Fellowship\, the GTCF Foundation of Art Award\, the James W Ray Venture Project Award\, and the most recent summer commission for Seattle Art Museum’s Olympic Sculpture Park. \nPlace Names is the inaugural exhibition curated by Ashley Stull Meyers\, the Robert and Mercedes Eichholz Director and Curator of the Art Gym and Belluschi Pavilion\, Marylhurst University. \n 
URL:https://lukeolsenphotography.com/event/manuel-arturo-abreu-christopher-paul-jordan-marylhurst-university-art-gym/
LOCATION:Marylhurst University\, 17600 Pacific Highway\, Marylhurst\, OR\, 97036-0261\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180315T190000
DTEND;TZID=America/Los_Angeles:20180315T210000
DTSTAMP:20260403T112527
CREATED:20180209T234640Z
LAST-MODIFIED:20180209T234640Z
UID:579-1521140400-1521147600@lukeolsenphotography.com
SUMMARY:Jennifer L. Stoots\, Follow The Money
DESCRIPTION:March 15th\, 2018 from 7:00-9:00pm \nDisjecta Contemporary Art Center8371 N.    Interstate Ave.Portland\, OR 97217 \nTICKETS  $10 (pre-event)  / $15 (at door) \nJoin us for an evening educational discussion\, Follow the Money\, presented by Jennifer L. Stoots\, AAA. This is the first in a quarterly event series produced by Photolucida that will take place in the Disjecta Arts Building in Historic Kenton. \nAt a fundamental level\, the basics of the art business are no different than any other time in history; the tools\, mediums and tastes have changed\, but the art market has patterns as well as cycles. The art world can be deliberately cloistered and the market mystifying for many. The aim of this lecture will be to demystify and illuminate based on Stoots’s experience working at galleries\, art fairs and as an art & photography appraiser. Many of the issues and topics addressed are relevant to many fine art photographers and artists who work in the medium today. \nThis presentation will briefly review: \n\nThe evolution of the Western art market.\nThe motivations of invention and the birth of the photo industry.\nThe “modern medium” and its acceptance as an art form.\nSnowballing of the photography market in the 1970s and 1980s\, when there was a flourish of photography galleries in the US and major auction houses dedicated departments exclusively to photo.\nTop selling photographers and photographs—auction records and what’s interesting about the markets where those top tier prices were achieved.\nThe current landscape of the fine art photography market\, including a discussion of art fairs and online platforms.\n\nJennifer L. Stoots\, AAA\, is a certified photography appraiser\, accredited by the Appraisers Association of America. She has been professionally involved in the arts for 24 years\, has managed and worked with galleries for 20 years\, and has been appraising contemporary art\, photographs and photographic archives for 16 years. She is also a photography historian\, writer\, art market consultant\, and organizes workshops and presentations centered around legacy and estate planning for artists and photographers.Stoots earned her Bachelor’s in Art History from the University of Oregon (1994)\, her Master’s in the History of Art & Design from Pratt Institute (2013)\, and her appraising credentials from NYU’s Appraisal Studies Program for Fine and Decorative Arts (2002). \nWebsite: http://www.stootsllc.com/Instagram: https://www.instagram.com/stoots.jennifer/\n 
URL:https://lukeolsenphotography.com/event/jennifer-l-stoots-follow-money/
LOCATION:Disjecta Contemporary Art Center\, 8371 N. Interstate Ave.\, Portland\, OR\, 97217\, United States
ORGANIZER;CN="Photolucida":MAILTO:info@photolucida.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180311T233000
DTEND;TZID=America/Los_Angeles:20180311T233000
DTSTAMP:20260403T112527
CREATED:20180220T081502Z
LAST-MODIFIED:20180220T081807Z
UID:589-1520811000-1520811000@lukeolsenphotography.com
SUMMARY:Call for Submissions for PDX 30 at LightBox Photographic Gallery
DESCRIPTION:PDX 30 – 2018\nLightBox Photographic Gallery\nCall for Submissions\nhttp://lightbox-photographic.com/call-for-entries/pdx_30_2018 \nSubmission Deadline: Midnight\, Sunday\, March 11th. \nArtists’ Opening Reception: Saturday\, April 14th from 6-9pm. \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com \nIn recognition of Portland Photo Month\, April 2018\, this group exhibit celebrates LightBox Photographic Gallery’s appreciation of the uniquely talented and creative Portland Photographic Community. In the seventh year\, the exhibit combines great work from up and coming photographers with that of established photographers from the Portland community. We are looking for work that exhibits the unique vision and creativity of the photographer. One image each from 30 photographers will be chosen to be in the exhibit. This year\, once again\, we accept submissions without charging fees. For photographers accepted into the exhibit we ask for a gallery hanging fee to help contribute to the expenses of this yearly exhibit. \nLightBox is very happy to have Zeb Andrews of Blue Moon Camera as Juror this year. Zeb Andrews is a Portland-based photographer who has lived his entire life in the Pacific Northwest. The majority of his work week is spent immersed in photography while working at Blue Moon Camera and Machine in North Portland. Much of his inspiration comes from the photographers and photography he sees circulate through that store on a daily basis\, and he in turn loves passing that along. Zeb was an instructor at Newspace Center for Photography for seven years and frequently gives presentations to local high school and college photography programs on all things photographic. When he isn’t at work or enthralled in a class lecture he can often be found on some windswept beach or quietly verdant forest\, camera in hand. \nLightBox will be picking up accepted work at Blue Moon Camera and Machine on Saturday\, April 8th at 4pm. You may drop your accepted work at Blue Moon prior to that date for pickup by LightBox. After the Exhibit we will return work to Blue Moon on May 14th and you must pick it up no later than Saturday\, May 26th. We offer affordable frame installation to further help to make this exhibit a more carefree opportunity. This is an easy way to get your work to and from LightBox with no extra charge. \nPlease consider a submission and help make another amazing PDX Exhibit! \nAll the info and entry form is on the call for submission page: http://lightbox-photographic.com/call-for-entries/pdx_30_2018 \nProspectus \nEntry Form \n 
URL:https://lukeolsenphotography.com/event/call-submissions-pdx-30-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180311T140000
DTEND;TZID=America/Los_Angeles:20180311T150000
DTSTAMP:20260403T112527
CREATED:20180306T001449Z
LAST-MODIFIED:20180306T001449Z
UID:627-1520776800-1520780400@lukeolsenphotography.com
SUMMARY:Fazal Sheikh at Portland Art Museum
DESCRIPTION:Fazal Sheikh\nThe Arnold Newman Distinguished Lecture in Photography\n\nSunday\, March 11\, 2PM\nPortland Art Museum\n1219 SW Park Avenue\nPortland OR 97209 \ninfo@pam.org\n503-226-2811\nwww.portlandartmuseum.org \nFor over twenty-five years\, Fazal Sheikh has focused on raising awareness of international human-rights issues through his critically acclaimed photographs. On Sunday\, March 11\, the artist will discuss his documentary-based photography practice and the current exhibition Common Ground\, which features more than 170 portraits and landscapes chronicling individuals living in displaced and marginalized communities around the world\, many times as the result of war\, exploitation\, and poverty. \nThis lecture is generously sponsored by the Arnold and Augusta Newman Foundation. \nTickets: Free for all\nReserve tickets online or in person at the Museum. Space is limited. \nTo reserve tickets online: \nhttps://portlandartmuseum.org/event/lecture-fazal-sheikh/?instance_id=28936 \nThe Portland Art Museum is pleased to offer accommodations to ensure that our programs are accessible and inclusive. All spaces for this program are accessible by wheelchair. Assistive listening devices are also available for the lecture.\nPlease email access@pam.org in advance\, or call 503-226-2811. \n 
URL:https://lukeolsenphotography.com/event/fazal-sheikh-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180311T110000
DTEND;TZID=America/Los_Angeles:20180311T140000
DTSTAMP:20260403T112527
CREATED:20180209T231542Z
LAST-MODIFIED:20180209T231542Z
UID:575-1520766000-1520776800@lukeolsenphotography.com
SUMMARY:Femme Photo Brunch Panel
DESCRIPTION:Femme Photo Brunch PanelSunday\, March 11th\, 11am-2pm \nElephants on Corbett 5221 SW Corbett Ave\, Portland\, OR 97239 \nPrice: $35 (ASMP and PPA members) / $45 (General)Registration is required. Please purchase tickets at https://store.asmp.org/store/items/list/group/503 \nJoin us for a stimulating panel discussion featuring three local professional women photographers moderated by Beth Nakamura. Our panel will be discussing their work and experience in the current competitive and male-dominated industry\, as well as the future of photography. There will be champagne and a light brunch. Anyone interested in photography and learning about the industry from these successful photographers are encouraged to attend. \nPresenters:Holly Andres is a fine art and commercial photographer known for her stylized cinematic scenarios often inspired by her own childhood experiences. Andres regularly photographs editorial assignments for national publications including The New York Times Magazine\, TIME\, and The New Yorker. She has earned numerous grants and awards including the 2016 PDN Photo Annual in Advertising and AI-IP American Photography Awards. \nGia Goodrich is an award-winning photographer and conceptual artist. Since receiving her MFA in 2011\, her work has celebrated and challenged complex notions of identity. Her project\, Love Wins won international acclaim as the largest on-going archive of LGBTQ love stories. In 2014 she started VEV studios\, empowering women to love their physicality by creating powerful images that reflect their unique beauty. Her work has been featured in CNN\, Tech Insider\, Huffington Post\, Out Magazine\, the New York Times. \nLeah Nash is an editorial\, commercial and assignment photographer based in Portland. Starting with a photojournalism background\, Nash specializes in travel\, lifestyle\, food\, portrait\, and documentary work. Her work has won awards and grants\, including one grant for a documentary series in India in 2004. Nash currently works as one half of the photography duo called Nash Co. Photography with Chris Onstott. \nModerator:Beth Nakamura is a visual journalist based in Portland. A two-time Emmy finalist\, her work has been recognized by National Headliner Awards\, Online News Association\, Pictures of the Year International\, Society of Professional Journalists\, National Black Journalists Association\, National Press Photographers Association and many others. Nakamura is also an instructor of the University of Oregon Multimedia Journalism Graduate Program and faculty member for the Missouri Photo Workshop. \nPresented by Pro Photo Supply and ASMP Oregon.http://prophotosupply.com/event-center/For questions\, please email marketing@prophotosupply.com. \n 
URL:https://lukeolsenphotography.com/event/femme-photo-brunch-panel/
LOCATION:Elephants on Corbett\, 5221 SW Corbett Ave\, Portland\, OR\, 97239\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180310T170000
DTEND;TZID=America/Los_Angeles:20180310T200000
DTSTAMP:20260403T112527
CREATED:20180226T083427Z
LAST-MODIFIED:20180226T083427Z
UID:612-1520701200-1520712000@lukeolsenphotography.com
SUMMARY:Austin Granger at LightBox Photographic Gallery
DESCRIPTION:Austin Granger\, Correspondence \nMarch 10th – April 10th\, 2018\nOpening and Artists’ Reception: Saturday\, March 10\, 5-8pm \nAustin Granger will give an artist talk from 4-5pm\, before the opening\,\ncontact LightBox at 503-468-0238 or info@lightbox-photographic.com\nfor limited available reserved seating. \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com\nhttp://lightbox-photographic.com/shows/austin_granger_correspondence \nAustin Granger is a prolific photographic image maker living in the great northwest in Portland\, Oregon. “Correspondence” is a personal narrative of imagery from his daily wanderings. A very insightful and inventive image maker\, Austin carries an array of favorite traditional film cameras with him everywhere. We are happy to present 60 Platinum/Palladium Prints\, filling the LightBox walls with wonderful handmade prints of Austin’s beautiful work. \n“When I’m photographing well\, I have the most uncanny feeling that the pictures are predestined. I recognize them. They echo the feelings inside myself. They correspond. My subjects are the things that ache. \nWhether or not I can portray feelings using objects that may not ostensibly depict those feelings is something that I wrestle with. People see things differently. After all\, we bring our minds–all of those thoughts that make us–to our looking at things. In a very real way\, pictures are always of our heads. They’re all self-portraits. Still\, I’d like to think that it’s possible to put something across\, to bridge the gap\, meet a stranger in the middle\, and connect. After all\, do we not all share the same basic\, existential struggles? Fundamentally\, deep down\, are we not all made of the same stuff? \nPerhaps then\, by going inward\, one goes outward as well. Perhaps one can approach the universal through the individual. I’d like to think so. I’ve come to think of my pictures as an attempt to understand myself\, and also\, as an attempt to communicate. I want to express emotions that people will recognize. I want my pictures to be a correspondence between us\, to be both the place and the record of our meeting.” ~ Austin Granger \nAustin Granger is the author of Elegy from the Edge of a Continent: Photographing Point Reyes. Born in San Francisco in 1970\, Granger has worked as a baker\, house painter\, naval radar operator and camera salesman. He first began to photograph while studying philosophy in college as a way to get out of his head. Preferring to use traditional film cameras\, Granger has come to see his photography as a spiritual practice–a way in which to shape his life and enrich his relationship with the world. \nThe exhibit runs from March 10th through April 10th 2018. Visit http://lightbox-photographic.com/shows/ for complete exhibit and artist info. LightBox offers associate memberships as a way of becoming part of the community of supporters that help to further the mission of the gallery. LightBox provides photographic printing and archival framing\, restorations and other photographic services. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday 11 – 5:30. Contact LightBox at 503-468-0238 or at info@lightbox-photographic.com\, and visit lightbox-photographic.com for more info and to enjoy past\, current and upcoming exhibits. \nhttp://www.austingranger.com \n 
URL:https://lukeolsenphotography.com/event/austin-granger-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180310T150000
DTEND;TZID=America/Los_Angeles:20180310T180000
DTSTAMP:20260403T112527
CREATED:20180227T164950Z
LAST-MODIFIED:20180227T164950Z
UID:620-1520694000-1520704800@lukeolsenphotography.com
SUMMARY:Ron Shufflebarger at The O’Brien Photo Gallery
DESCRIPTION:Ron Shufflebarger\, Hult Pond – A Mystical Place \nThe show runs from March 10th through May 10th\nThere will be an artist reception on Saturday March 10th from 3-6 pm. \nThe O’Brien Photo Gallery\n2833 Willamette\, Ste. B\nEugene\, OR 97405\n541 729 3572\nOpen weekdays\, call to be sure we’re open.\nEmail: waltobrien1945@gmail.com\nWebsite:  http://obrienimaging.com/gallery.htm \nHult Lake is a very beautiful area with still waters and clinging clouds. I return ever so often and have continually been offered images that I find to be not only beautiful but abstract and mysterious.  —Ron S. \nRon Shufflebarger was a furniture designer and builder out of a small shop\, and after a pro photographer friend introduced him to digital\, he was hooked. He found it a perfect excuse to take a break from the tedious operations of woodworking\, to use photography to share his vision.When he and his wife retired they moved to Eugene Oregon and\, for Ron a whole new genre of photography confronted him. The coastal range is\nvery complex and doesn’t lend itself to a minimalist eye. He had to re-evaluate what he was seeing and look far into the interplay of moss\, trees\, light\, and form. \nHe found a serene beauty that is unique to the area and was forever hooked. He has always loved the beauty of the landscape and the juxtaposition of the subject\, but also seeks out the interest in all venues whether street\, architectural\, or macro photography. He loves it all. He found inspiration from several photographers including Dorothea Lange and Edward Weston\, but the true beauty of photography is the quest for the ultimate image\, and once you find it\, you are off for the next one. \n“These words are so true; ‘It is the journey’ that is the spiritual path and the quest is very often a meditation.” —Ron S. \nHis work can be seen online at: http://www.pbase.com/ron9ron \n 
URL:https://lukeolsenphotography.com/event/ron-shufflebarger-obrien-photo-gallery/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180309T180000
DTEND;TZID=America/Los_Angeles:20180309T210000
DTSTAMP:20260403T112527
CREATED:20180222T075102Z
LAST-MODIFIED:20180222T075102Z
UID:600-1520618400-1520629200@lukeolsenphotography.com
SUMMARY:Jake Shivery at Jailhouse Studios
DESCRIPTION:Jake Shivery\, Contact Portraits Eight \nMarch 9th – March 31st\, 2018\nReception: March 9th\,  6:00 – 9:00 pm \nJailhouse Studios\n910 SE Taylor St Portland\, OR  97214\nMon-Fri 9-4 (usually); also by appointment\njailhousestudios910@gmail.com\nwww.jailhousestudios.com \nPlease join us for the opening reception of Jake’s eighth show of Contact Portraits. This small show of all-new work is comprised of 8×10 fibre contact prints\, and marks Jake’s first exhibition after a nearly three year long hiatus. \nwww.jakeshivery.com
URL:https://lukeolsenphotography.com/event/jake-shivery-jailhouse-studios/
LOCATION:Jailhouse Studios\, 910 SE Taylor St\, Portland\, OR\, 97214\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180309T170000
DTEND;TZID=America/Los_Angeles:20180309T190000
DTSTAMP:20260403T112527
CREATED:20180226T084649Z
LAST-MODIFIED:20180226T084649Z
UID:616-1520614800-1520622000@lukeolsenphotography.com
SUMMARY:Ann Carstensen\, Leslie Ebert & Diana Milia at 510 Museum & Art Space
DESCRIPTION:Ann Carstensen\,  & Diana Milia\, Light and Abstraction \nMarch 9 – April 13\, 2018\nReception: March 9th\,  5 – 7 pm \n510 Museum & Art Space\n510 1st Street\nLake Oswego\, OR 97034\n503.675.3738\nThe 510 Museum is open weekdays 11 – 4\ninfo@ci.oswego.or.us\nwww.artscouncillo.org \nPlease Join abstract photographer Leslie Ebert\, Painter Diana Milia and upcycled materials Artist Ann Carstensen for the opening reception of new work about bring light into three different mediums & substrates.   Leslie Ebert Will be showing seven large abstract photographs printed on silver aluminum panels from her Energy of Croatia series. \nwww.LeslieEbert.com \n 
URL:https://lukeolsenphotography.com/event/ann-carstensen-leslie-ebert-diana-milia-510-museum-art-space/
LOCATION:510 Museum & Art Space\, 510 1st Street\, Lake Oswego\, OR\, 97034\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180308T180000
DTEND;TZID=America/Los_Angeles:20180308T193000
DTSTAMP:20260403T112527
CREATED:20180206T222103Z
LAST-MODIFIED:20180206T222103Z
UID:571-1520532000-1520537400@lukeolsenphotography.com
SUMMARY:"In a Different Light" Panel Discussion at Maude Kerns Art Center in Eugene
DESCRIPTION:In A Different LightRich Bergeman\, Phil Coleman\, Sandi O’Brien\, Jack Larson\, Paul Barden \nFebruary 23 – March 23\, 2018Opening reception: Friday\, February 23\, 6-8 pmArtists’ Panel Discussion: Thursday\, March 8\, 6-7:30 pm \nMaude Kerns Art Center1910 E. 15th Ave.Eugene\, Ore. 97403(541) 345-1571www.mkartcenter.orgHours: Tues-Fri\, 10 am – 5:30 pm; Sat\, 12 – 4 pm \nFive Willamette Valley photographers will show recent infrared images in and exhibit titled “In a Different Light.” The exhibit takes its name from the fact that infrared photography sees the world in a way that is not visible to the naked eye. Infrared light lies just above the visible spectrum\, between 700 and 900 nanometers (nm) in wave length\, whereas the human eye is sensitive from about 400nm (blue) to about 700nm (red). But even though the higher infrared range doesn’t register with our eyes\, it can be recorded with special black-and-white films and with converted digital imaging sensors. Examples of both techniques are represented in the show. \n“The world of infrared is quite different from what we’re used to seeing\,” said Rich Bergeman\, who brought the photographers together for the exhibit. “It can create surreal\, dream-like images\, while in other cases it produces a more subtle shift in tones.” \nIn the natural landscape\, most organic objects\, especially plants\, reflect more infrared light than do inorganic things like water\, rocks and the sky. In black-and-white IR photography\, this usually results in dramatic skies and snowy-looking landscapes. In color infra-red photographs\, blues often dominate\, and the effects are even more pronounced where ever sunlight strikes.Each of the photographers in the show has decades of experience with various forms of photography. Some began exploring infrared in the past decade after converting digital cameras to record IR light\, while others have been using black-and-white infrared film for many years. \nThe photographers will talk about their work at a panel discussion on Thursday March 8 from 6-7:30 pm in the arts center.
URL:https://lukeolsenphotography.com/event/different-light-panel-discussion-maude-kerns-art-center-eugene/
LOCATION:Maude Kerns Art Center\, 1910 E. 15th Ave.\, Eugene\, OR\, 97403\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180303T090000
DTEND;TZID=America/Los_Angeles:20180303T170000
DTSTAMP:20260403T112527
CREATED:20180221T083230Z
LAST-MODIFIED:20180221T083230Z
UID:596-1520067600-1520096400@lukeolsenphotography.com
SUMMARY:Kevin Shick at Camerawork Gallery
DESCRIPTION:Kevin Shick\, The Commuters \nMarch 3rd – March 30th\, 2018 \nCamerawork Gallery\n2255 NW Northrup Street\n(Linfield School of Nursing – Peterson Hall)\nPortland\, OR 97210\nhttp://www.TheCameraworkGallery.org\nhttp://www.facebook.com/cameraworkgallery\nGallery Hours: 9am-4pm\, Monday-Friday\, Saturday 9am-5pm \nIndiana Photographer Kevin Shick notes\, “The Commuters series depicts the daily lives of commuters on the Rock Island train line in Chicago\, just minutes from their arrival at the terminal. I see these candid street portraits as windows into each rider’s personal outlook and the experiences that may have created that outlook. \n“I photographed the riders\, taking pictures almost every day for several months\, discovering in the process that many riders stood in the same place\, doing the same thing\, often wearing similar clothes and expressions. \n“Others\, whether they were happy\, pensive\, worried\, or self-distracted with a smartphone\, seemed to have their actions and outlooks determined less as the result less of conscious choice than as the result of unconscious habit or unknown personal experiences. \n“Because of the time and place where they are taken\, these portraits reveal true identities\, as opposed to the public mask we often wear. As Luc Sante wrote in Walker Evans’ book of subway portraits Many Are Called\, “time spent commuting is a hiatus from social interaction…you can take off the face you wear for the benefit of others”.” \nWe can all relate to the daily commute as a transition from our personal lives to our working lives and back. Each of us has\, by nature or habit\, a unique view on life that is revealed in the unguarded moments during this transition. As James Agee wrote in Many Are Called\, “Each [person]…is an individual existence\, as matchless as a thumbprint or snowflake. … Each carries in the postures of his body\, in his hands\, in his face\, in the eyes\, the signatures of a time and a place in the world.” \nKevin Shick is a fine art photographer whose work explores the human condition and the contemporary American experience. By observing the public and private spaces where our interaction with each other and with the environment occurs\, he aims to reveal our collective contemporary culture and individual states of mind. He got started in photography over 40 years ago by developing and printing family portraits in a wet darkroom\, and by exploring nature with an Argus Rangefinder during family trips to Yosemite and the Sierras. Since then he has continued to study the juxtaposed urban and natural landscapes\, seeking situations where light and moment come together to reveal insights about human nature.\nShick has a degree in Electrical Engineering from the University of Illinois\, and an MBA from the University of Chicago. Following a career in technology and consulting\, he now pursues a photographic life. His work has been exhibited and published nationally\, and is included in several private collections. He lives most of the year near the Indiana Dunes National Lakeshore\, traveling frequently with his wife in their RV. \nwww.KevinShick.com \n 
URL:https://lukeolsenphotography.com/event/kevin-shick-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180302T180000
DTEND;TZID=America/Los_Angeles:20180302T200000
DTSTAMP:20260403T112527
CREATED:20180223T191100Z
LAST-MODIFIED:20180223T191100Z
UID:603-1520013600-1520020800@lukeolsenphotography.com
SUMMARY:Smith Eliot "Ghost Ships" at Wolff Gallery
DESCRIPTION:Smith Eliot\, Ghost Ships \nFebruary 28th – April 29th\, 2018\nOpening Reception March 2nd\, 6:00 – 8:00 pm \nWolff Gallery\n2804 SE Ankeny St. Portland OR 97214\nWednesday – Sunday 11:00 am – 6:00 pm\nwolffgallerypdx@gmail.com\nwww.wolffgallery.com \nLegend has it that the Octavius\, a three-masted schooner\, was found adrift by a whaling boat in October of 1775. A search party of five from the whaler climbed aboard the Octavius and discovered the entire crew of twenty-eight fully dressed and frozen at the helm. The captain was seated at his desk\, pen in hand…also frozen. According to his log\, last dated October of 1762\, the Octavius had been lost at sea for over thirteen years.\nInspired by tales of ships floating aimlessly in open waters\, suddenly abandoned or with passengers and crews left in various stages of decomposition\, Smith Eliot’s Ghost Shipsconsists of photographs and objects that position people as these vessels adrift\, and as similarly impermanent\, transient\, and mysterious entities. Eliot’s images are the result of digital and analogue photographic processes\, encased in vintage frames with convex glass to visually reference ships’ portholes. Many of these frames also function as time capsules and contain small objects alongside the artist’s photographs. \nAs part of her solo exhibition\, Eliot will also present a selection of her Little Boxes\, which focus on the passing of time\, memory\, and challenging relationships. These one-of-a-kind objects include the artist’s original photographs\, antique doll parts\, found animal bones\, insects\, and old books. In many cases viewers must touch\, unlock\, and open each box before many of these surprises may be revealed.\nSmith Eliot is a visual artist and analogue photographer who has been creating mixed media artworks since 1986. She was raised in Germany and lived in cities all across the United States before landing in Portland\, Oregon in 1996. Her work has been exhibited nationally\, won numerous awards\, and has been featured in photography publications such as Diffusion\, Shots\, B&W Magazine\, and Bokeh\, as well as in literary journals such as Calyx. She currently teaches darkroom photography at Portland Community College and at Clackamas Community College. \n 
URL:https://lukeolsenphotography.com/event/smith-eliot-ghost-ships-wolff-gallery/
LOCATION:Wolff Gallery\, 2804 SE Ankeny St.\, Portland\, OR\, 97214\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180302T170000
DTEND;TZID=America/Los_Angeles:20180302T210000
DTSTAMP:20260403T112527
CREATED:20180220T083317Z
LAST-MODIFIED:20180220T083317Z
UID:593-1520010000-1520024400@lukeolsenphotography.com
SUMMARY:Rachel Wolf at Angst Gallery
DESCRIPTION:Rachel Wolf\, Suspended Resonance  \nMarch 2nd – March 24th\, 2018 \nFirst Friday Opening Reception: March 2nd\, 5-9pm \nAngst Gallery\n1015 Main Street\nVancouver\, WA 98660\nangstgallery.com \nOne of the unique properties of silhouettes is their capacity to capture shadows\, holding onto to them through the tracings photography and other media make. Historically\, this has given silhouettes the ability to span time—to fuse together the past and present—in a similar manner as photography. Both have the ability to seize what is ephemeral\, an absence that is a presence. \nSuspended Resonance is a collection of photogram portraits. Photograms\, a camera-less process of working directly on photographic paper with light and chemicals\, make visible what is invisible. These often invisible primary photographic elements become coupled with fleeting and immaterial shadows in the tangible photograph itself. \nFor more information about the artist visit: rachelwolf.com \n 
URL:https://lukeolsenphotography.com/event/rachel-wolf-angst-gallery/
LOCATION:Angst Gallery\, 1015 Main Street\, Vancouver\, OR\, 98660\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180301T180000
DTEND;TZID=America/Los_Angeles:20180301T210000
DTSTAMP:20260403T112527
CREATED:20180223T235611Z
LAST-MODIFIED:20180223T235611Z
UID:610-1519927200-1519938000@lukeolsenphotography.com
SUMMARY:Michal Cala at Blue Sky Gallery
DESCRIPTION:Michał Cała\, Silesia \nMarch 1st – April 1st\, 2018\nFirst Thursday Opening Reception: March 1st 6:00 – 9:00 PM (calendar) \nArtist Talk: Saturday\, March 31st\, 3:00 PM \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \nFrom 1975-1992\, Michał Cała photographed the Silesia region in his home country of Poland. In the 1970s and early 1980s the area was at its peak of industrial development and mining activity\, providing mass employment at the expense of the environment and public health. Cala remembers his first impression of Silesia as “terrifying and beautiful at the same time\,” leading him to focus his camera on the natural and altered landscape as well as its inhabitants. Although the mines\, factories\, laborers’ housing districts\, and slag heaps no longer exist\, the artist’s gelatin silver prints serve as as an unsettling yet intriguing visual record of this recent period in Polish history. \nMichał Cała was born in Toruń\, Poland in 1948 and studied aircraft construction at the University of Technology in Warsaw in the early 1970s. From 1974 to 1983 he worked as an engineer in various companies in Silesia and began photographing in the area. In 1977 he moved to Tychy in Upper Silesia\, where he co-founded the photographers’ association KRON and became a member of the ZPAF\, the Union of Polish Art Photographers. In 2007 he was named one of most important Polish photographers in the last century and participated in the group exhibition Polish Photography in the 20th Century shown in Warsaw and in Vilnius\, Lithuania. Cala’s work is in several museum collections\, including in the Silesian Museum of Katowice\, the Silesian Library in Katowice\, the Upper Silesian Museum in Bytom\, the Coal Mining Museum in Zabrze\, and in the local government building in Duisburg in the Ruhr\, Germany\, and various private collections. Publications on his work include The Anthology of Polish Photography 1839–1989\, The Masters of Polish Landscape\, and Polish Photography in the 20th Century. Cala now lives in Bielsko-Biała in Poland and is represented by MMX Gallery in London. \n 
URL:https://lukeolsenphotography.com/event/michal-cala-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180301T180000
DTEND;TZID=America/Los_Angeles:20180301T210000
DTSTAMP:20260403T112527
CREATED:20180223T234751Z
LAST-MODIFIED:20180223T234751Z
UID:608-1519927200-1519938000@lukeolsenphotography.com
SUMMARY:Zun Lee at Blue Sky Gallery
DESCRIPTION:Zun Lee\, Father Figure \nMarch 1st – April 1st\, 2018\nFirst Thursday Opening Reception: March 1st 6:00 – 9:00 PM \nArtist Talk: Saturday\, March 3rd\, 3:00 PM \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \n“My own journey of identity formation and cultural belonging formed the motivation for this visual exploration of fatherhood. I used my lived experience of being nurtured by African American families and father figures since my early childhood while dealing with my personal history of paternal abandonment. This helped me build a specific visual vocabulary that guided me through this work.” \nIn Father Figure\, Zun Lee offers an intimate view of the daily lives of Black fathers with whom he has worked closely since 2011—men from the Bronx\, Harlem\, and Washington Heights in New York who are often parenting within difficult economic and personal circumstances. Through his touching and honest black-and-white portraits\, Lee invites us to see these men as dedicated parents who challenge stereotypes of Black masculinity and absent fathers.\n\nDr. Zun Lee is a Canadian visual artist\, physician\, and educator whose work encourages alternate ways of thinking about community and belonging. He was born and raised in Germany and has also lived in Atlanta\, Philadelphia\, and Chicago. Intersubjectivity and trust dynamics are an important component of Lee’s work as he embeds himself in his subjects’ daily lives to uncover stories of identity and connection. Lee has exhibited solo shows at Duke University\, the Harvey B. Gantt Center for African American Arts + Culture and BAND Gallery in Toronto\, Jefferson School of African American Heritage Center in Charlottesville\, VA\, and Galerie Jed Voras in Paris. Selected honors and awards include: Art Gallery of Ontario Artist-in-Residence (2017)\, Magnum Foundation Fellow (2015)\, Photo District News Photo Annual Winner (2015)\, Paris Photo/Aperture Photobook Awards Shortlist (2014)\, and Photo District News’ 30 New and Emerging Photographers to Watch (2014).\n \n 
URL:https://lukeolsenphotography.com/event/zun-lee-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180301T090000
DTEND;TZID=America/Los_Angeles:20180301T180000
DTSTAMP:20260403T112527
CREATED:20180223T194708Z
LAST-MODIFIED:20180223T194708Z
UID:605-1519894800-1519927200@lukeolsenphotography.com
SUMMARY:Alan Wieder at ProPhotoSupply Lab/Annex
DESCRIPTION:Alan Wieder\, Portraits: Rafael Trejo Boxing Gym — Havana \nMarch 1 – March 31 \nProPhotoSupply Lab/Annex\n1815 NW Northrup St\, Portland\, OR 97209\n503-517-3639\nM-F 9-6\nSat. 9-5 \nThe photographs from Rafael Trejo Boxing Gym are part of my ongoing series of Cuban photographs. Most of the images\, but not all\, focus on the eyes of the various boxers and their coach. These photographs correspond to others that were taken on the streets of Havana & Vinales. In April I will continue the series in the eastern city of Santiago de Cuba.
URL:https://lukeolsenphotography.com/event/alan-wieder-prophotosupply-lab-annex/
LOCATION:Pro Photo Supply – LabAnnex\, 1815 NW Northrup St.\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180225T193000
DTEND;TZID=America/Los_Angeles:20180225T193000
DTSTAMP:20260403T112527
CREATED:20180206T082818Z
LAST-MODIFIED:20180206T082818Z
UID:566-1519587000-1519587000@lukeolsenphotography.com
SUMMARY:Destruction Dance at Blue Sky Gallery
DESCRIPTION:All good things must come to an end\, and\, as mandated by Robert Frank and Gerhard Steidl\, this exhibition must be destroyed.  \nJoin us for the performative dance destruction of the exhibition featuring dancers Lu Yim\, Mike Barber\, Subashini Ganesan\, Pepper Pepper\, Meshi Chavez\, and Linda Austin. \nDancers will sometimes be performing simultaneously in various areas of the gallery. Tickets can be purchased here.  \nSuggested donation of $15\, no one turned away for lack of funds\, but you must pre-register!  Email Amanda at rsvp@blueskygallery.org if you would like to pay a different rate. This event will likely sell out.
URL:https://lukeolsenphotography.com/event/destruction-dance-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180224T170000
DTEND;TZID=America/Los_Angeles:20180224T200000
DTSTAMP:20260403T112527
CREATED:20180222T074109Z
LAST-MODIFIED:20180222T074109Z
UID:598-1519491600-1519502400@lukeolsenphotography.com
SUMMARY:Sarah Graves at Blue Moon Camera and Machine
DESCRIPTION:Sarah Graves\, The Honeymoon Series \nFebruary 12\, 2018 – March 15th 2018.\nReception: Saturday\, February 24th from 5-8pm \nBlue Moon Camera and Machine\n8417 N Lombard Street Portland\, OR 97203\n503-978-0333\nM-F 9-6\, Sat. 9-5\, closed Sundays.\nsales@bluemooncamera.com\nwww.bluemooncamera.com \nSarah Graves will be showing her new series of photographic work at Blue Moon Camera and Machine beginning on February 12th. Join us at the opening reception to celebrate Sarah\, admire her incredible handmade darkroom prints\, and\, of course\, take part in the usual shenanigans. \n“Reflecting on this past years’ work I find myself trying to remember the high points\, as it is all too easy to recount the low ones. On a high note- I got married last year! I’ve been photographing my partner for years and these photographs are part of the most current series I’ve been working on called the Honeymoon Series. The series documents our life as we grow together and includes portraits\, places we’ve traveled and some moments in between. Through this series I hope to prolong the honeymoon. All photographs were made on film and are silver gelatin prints made in my home basement darkroom.” \nwww.sarahtaft.com
URL:https://lukeolsenphotography.com/event/sarah-graves-blue-moon-camera-machine/
LOCATION:Blue Moon Camera and Machine\, 8417 N Lombard St\, Portland\, OR\, 97203\, United States
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