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DTSTART;TZID=America/Los_Angeles:20180622T180000
DTEND;TZID=America/Los_Angeles:20180622T200000
DTSTAMP:20260403T133431
CREATED:20180619T081725Z
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SUMMARY:Clifford Prince King at Melanie Flood Projects
DESCRIPTION:Clifford Prince King\, Colors So True \nJune 22-July 21\, 2018\nReception: June 22 6-8pm \nMelanie Flood Projects\n420 SW Washington Street #301\nPortland\, OR 97204\n(503) 862-7912\nFridays\, Saturdays 12-5 + by appointment\nmelaniefloodprojects@gmail.com\nwww.melaniefloodprojects.com\nArtist Website: http://cargocollective.com/cliffordprinceking \nMelanie Flood Projects is pleased to present Colors So True a solo exhibition of photographic work by Los Angeles based artist Clifford Prince King. The show will open June 22\, 2018 and run through July 21\, 2018\, with an opening reception Friday\, June 22 from 6pm to 8pm. This will be King’s first solo exhibition. \nThe act of archiving is an evolving process. It exists within and outside of bodies and spaces and objects. Queer archiving is an art that stretches\, extends\, and challenges the body and its various constructions. In regards to the black queer body\, archiving can act as a mirror\, a map\, a space of origin\, a way to ask difficult questions. In the creation of a “visual diary\,” Clifford Prince King’s photographs are reflective of this process–his work acting as a way to challenge\, explore\, and negotiate concepts of black gay sexuality\, masculinity\, and community. \nOften it’s subtle\, a referential gesture seen through a staging of a black and queer ephemera. Shown in a tin of Murray’s hair pomade marked by the tips of fingers\, a comb glossy with the grease\, a mango fleshy and exposed. It’s the eroticism of a headboard adorned with wilting flowers wreathed by the elastic waistband of underwear\, framed by RUSH “liquid incense” and an ornamental bust. It is in the documentation of this right after moment that evokes a right before moment\, and vice versa. Through this staging\, the photograph gives a glimpse into a black gay world through scenes and rituals of the everyday. \nArriving at an honest\, critical portrayal of blackness is also a process. It’s constantly negotiating the “fear of rejection\, exposure\, and ridicule” that one encounters when existing in a world that has conceived notions of black masculinity\, specifically black gay masculinity that puts them at risk for violence and marginalization. It’s in calling to past\, present\, and future understandings of the ways in which queerness and blackness intersect on bodies and in spaces that King approaches this negotiation of existing while queer and black. \nNotions of anti-blackness and queer-erasure are challenged in the creation of images; dark skin is contrasted with white milk seeping over shoulders\, drenched yet unsaturated. Fatherhood is given a tender and intentional gaze. There is no shame\, no shyness in the occupation of the frame in this portrayal of blackness that fills the space with potentiality. \nMelancholia often marks scenes of black queerness\, reflective of the “stigma\, injustice\, and hardships” that afflict gay black men. Through a display of vulnerability and intimacy\, the black gay body gently exposed in King’s work remedies this trauma through the act of knowing and being known. In opening up and expanding into “the transhistorical space of gay life*” through evoking the ghosts of Baldwin\, Hughes\, and Basquiat\, the exposure and the laying of bodies together does not reproduce the act of being gazed upon but rather evokes a sense of familiarity. It is a call to not be seen as other\, but as part of a resilient and expansive collective. \nIt is in the layering of spaces that King’s work is not simply an act of archiving; it is a part of a collective world making\, of sustaining and imagining black queer existence defined by the lived experience of those who are black and queer. \n-Text by Sydney Haliburton\nSydney Haliburton is a queer black student\, writer\, and musician based in Chicago\, IL\n*Munoz\, Jose Esteban. Disidentifications Queers of Color and the Performance of Politics. Minneapolis: U of Minnesota\, 2015. Print.
URL:https://lukeolsenphotography.com/event/clifford-prince-king-at-melanie-flood-projects/
LOCATION:Melanie Flood Projects\, 420 SW Washington Street #301\, Portland\, OR\, 97204\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180620T120000
DTEND;TZID=America/Los_Angeles:20180620T130000
DTSTAMP:20260403T133431
CREATED:20180608T214450Z
LAST-MODIFIED:20180608T214450Z
UID:778-1529496000-1529499600@lukeolsenphotography.com
SUMMARY:Rebecca Akporiaye at the Portland Art Museum
DESCRIPTION:Rebecca Akporiaye\, In Case I Haven’t Told You\n\nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, June 20th\, 2018 \nPortland Art Museum\nThe Miller Room\, Mark Building\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public. \nRebecca is an artist who expresses her experiences through photography. Her book and presentation\, In Case I Haven’t Told You\, is a personal narrative that spans more than a decade of her work. Its chapters offer an exploration of memory and family\, a testimony of living as a woman in the Middle East\, and the experience of living through cancer treatments. The final chapter\, War with My Father\, is comprised of photos taken by the author using her father’s 1930’s Leica camera and loosely tracing his deployment in WWII and includes the original 1944-45 photos taken by her father using the same camera. \nRebecca received her fine art degree from New Mexico Highland University in 1978 and her MBA from the University of Phoenix in 2002. Her artistic endeavors include working in large scale fine art sculpture\, fine art printing and publishing. She realized that individuals and organizations who have great visions sometimes lacked business proficiency. To meet this need she started a consultancy to help them with strategic planning\, capacity building and fundraising. She is past president at Newspace Center for Photography and is currently serving on the board of the Portland Art Museum Photography Council. Her photography has been curated into many shows at locations including Lightbox Gallery\, BlackBox Gallery\, Lakewood Featured Art Show\, and Photo Place\, and has appeared in Diffusion Magazine\, PrintedArt.com\, and others. \n 
URL:https://lukeolsenphotography.com/event/rebecca-akporiaye-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180609T180000
DTEND;TZID=America/Los_Angeles:20180609T210000
DTSTAMP:20260403T133431
CREATED:20180607T173934Z
LAST-MODIFIED:20180607T173934Z
UID:772-1528567200-1528578000@lukeolsenphotography.com
SUMMARY:The Plastic Fantastic Show IX at LightBox Photographic Gallery
DESCRIPTION:The Plastic Fantastic Show IX \nJune 9th – July 10th\, 2018\nOpening and Artists’ Reception: Saturday\, June 9th\, 6-9pm \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com\nhttp://lightbox-photographic.com/shows/plastic_fantastic_show_ix \nLightBox Photographic Gallery celebrates its 9th birthday with the opening and artists’ reception of the Plastic Fantastic Show IX on Saturday\, June 9\, from 6-9pm. \nThis annual group exhibit originated with LightBox’s love for images made with basic\, plastic “toy” film cameras as a way to celebrate the gallery’s anniversary each year. A large number of photographers from around the world shoot images with basic cameras\, creating unique photos that are captured on film. The images achieved from this photographic method using cameras with less than perfect optics and control lead to unpredictable and sometimes extraordinarily beautiful results. \nInternationally renowned fine art photographer Susan Burnstine of Los Angeles once again juried the exhibit. Susan is a highly acclaimed photographic artist shooting with film using rudimentary homemade cameras of her own design\, consisting of plastic lenses and vintage camera and household parts. \n“Once again\, it’s been a great honor and pleasure to act as juror for the annual Plastic Fantastic Show. It was thrilling to see the work of so many old friends mixed in with a number of refreshing new artists. I’d like to acknowledge every photographer who submitted this year. You made my selection process very difficult as the quality and artistry exceeded my expectations.” ~ Susan Burnstine \nCongratulations to the photographers accepted into\nThe Plastic Fantastic Show IX \nJim Rohan • James Malsich • Alyson Bowen • Diane Peterson\nLilyan Aloma • Bob Gervais • Ryan Synovec • Vera Dohrenbusch\nCeline Dowden • Michael Weitzman • Ky Lewis • Christine Eagon\nRonald Butler • Brian Franczyk • Ellen Davis • Jennifer Walton\nBarbara Murray • Kerry Jeffrey • Priscilla Kanady • Ian Thompson\nBill Kirby • Stephen McNally • Kathrena Rivera • Myles Katherine\nJocelyn Mathewes • Marko Umicevic • April Rocha • Katy Tuttle\nKenneth Stevens • Jacqueline Walters • Richard Bonvissuto \nThis year Ryan Synovec of Seattle\, Wa. received the juror’s top award for the image\, “Monumental Cactus”\, Lilyan Aloma from New York\, N.Y. received the Second Award for “Herald Square”\, Priscilla Kanady from The Woodlands\, Tx. received the Third Award for “Meghan in the Shadows\, and Jim Rohan of Wakefield\, Ma. received the Honorable Mention. \nFirst Place: Ryan Synovec “Monumental Cactus”.\nRyan Synovec’s double exposure of a cactus in Monument Valley transports viewers to a magical and haunting place where time stands still. The narrative is direct yet complex and keeps us coming back for more. \nSecond Place: Lilyan Aloma – Herald Square.\nLilyan Aloma has done it again. She’s been selected as an award winner in Plastic Fantastic exhibits prior\, but this time she delivers abeautiful and evocative city scene that resonates between the layers of time. \nThird Place: Priscilla Kanady – Meghan In The Shadows.\nPriscilla Kanady’s Meghan In The Shadows invites you to look again and again. At first glance\, viewers may miss the ghostly glow of Meghan’s outline\, but as one looks closer the grasp of her hand appears mysteriously and quiet melancholy settles in. \nHonorable Mention: Jim Rohan – Brooklyn Bridge.\nMany might assume they’ve seen every possible view photographed of the Brooklyn Bridge\, but Jim Rohan proves everyone wrong with this humorous vantage point. A former exhibitor of several Plastic Fantastic exhibitions in years past\, Rohan returns with a fresh and witty perspective that offers a much welcome smile to all. \n 
URL:https://lukeolsenphotography.com/event/the-plastic-fantastic-show-ix-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180609T150000
DTEND;TZID=America/Los_Angeles:20180609T170000
DTSTAMP:20260403T133431
CREATED:20180607T172533Z
LAST-MODIFIED:20180607T172533Z
UID:770-1528556400-1528563600@lukeolsenphotography.com
SUMMARY:Cinthya Santos-Briones at Blue Sky Gallery
DESCRIPTION:Cinthya Santos-Briones\, Abuelas \nJune 7–July 1\, 2018 \nFirst Thursday opening reception: June 7\, 6:00–9:00 PM\nArtist talk: Saturday\, June 9\, 3:00 PM \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \nPORTLAND\, Oregon – This June 2018\, photographers Cinthya Santos-Briones and Daesha Devón Harris will each present solo exhibitions at Blue Sky\, the Oregon Center for the Photographic Arts\, as the first winners of the En Foco Photography Fellowship Exhibition Prize at Blue Sky. The Exhibition Prize is a collaboration between the two organizations to increase visibility for En Foco and its Photography Fellows program and expand the diversity of artists shown at Blue Sky. \nAbuelas is a portrait series that honors the culture and experiences of Mexican immigrant women living in New York. Having come to the United States decades ago in search of opportunity for themselves and their families\, these women are now the elders—the abuelas—in their communities. Although they are well established here\, many have children and grandchildren living on both sides of the US-Mexico border and some must work unstable or exploitative low-wage jobs due to their immigration status. For these collaborative portraits\, Cinthya Santos-Briones invites each sitter to choose where and how she would like to be photographed in her home in order to reflect each woman’s sense of self. The artist writes that “in these photographs\, the homes´ decorations become part of the women’s wider symbolic recreation of culture\, memory\, and ownership beyond borders.” \nBefore becoming a documentary photographer\, Santos-Briones studied anthropology and history\, which led her to work as a researcher in institutions in Mexico focused on the study of indigenous and rural communities. Her work as a photographer is centered on community\, migration\, gender\, identity\, and the struggle for human rights. Santos-Briones is a recent graduate of the Visual Journalism And Documentary Practice Program at the International Center Of Photography in New York City. In the autumn of 2016 she received a fellowship granted by the Magnum Foundation.
URL:https://lukeolsenphotography.com/event/cinthya-santos-briones-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180607T170000
DTEND;TZID=America/Los_Angeles:20180607T210000
DTSTAMP:20260403T133431
CREATED:20180607T171812Z
LAST-MODIFIED:20180607T171944Z
UID:767-1528390800-1528405200@lukeolsenphotography.com
SUMMARY:Daesha Devón Harris at Blue Sky Gallery
DESCRIPTION:Daesha Devón Harris\, My Soul Has Grown Deep Like the Rivers \nJune 7–July 1\, 2018 \nFirst Thursday opening reception: June 7\, 6:00–9:00 PM\nArtist talk: Thursday\, June 7\, 5:00 PM \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/ \nPORTLAND\, Oregon – This June 2018\, photographers Cinthya Santos-Briones and Daesha Devón Harris will each present solo exhibitions at Blue Sky\, the Oregon Center for the Photographic Arts\, as the first winners of the En Foco Photography Fellowship Exhibition Prize at Blue Sky. The Exhibition Prize is a collaboration between the two organizations to increase visibility for En Foco and its Photography Fellows program and expand the diversity of artists shown at Blue Sky. \n“This series is about the Black experience that is deeply connected to the landscape\, the idea of home\, and its intersections with water. Water becomes symbolic of Freedom\, whether it is in this world or the next\, and at the same time is evidence of social and cultural boundaries. Water has to be crossed on the journey to Freedom.”\nMy Soul Has Grown Deep Like the Rivers is a series of portraits inspired by African American folklore\, slave narratives\, and Harlem Renaissance poetry. Through this work\, Daesha Devón Harris examines current and historical racial ideologies in this country while highlighting Black Americans’ ongoing struggle for freedom. The artist begins her process with extensive research\, which includes collecting stories\, imagery\, and other memorabilia. She then makes transparencies of vintage cartes de visite and cabinet card portraits she has collected and places them in water alongside rocks and flora to create aquatic still lifes. All of Harris’ work is photographed in her hometown of Saratoga Springs and the surrounding region at sites chosen for their personal or historical significance. The final prints are encased in wooden shadow boxes alongside small keepsakes and covered with etched glass\, creating additional visual and narrative layers through which to view Harris’s already complex photographic imagery. \nDaesha Devón Harris is a Saratoga Springs\, New York native\, artist\, and photographer who has spent time in Buffalo\, NY and San Francisco\, CA. Both her multi-cultural family and the unexpected death of her young father have greatly shaped her life. She holds a BFA in Studio Art from the College Of Saint Rose and a MFA in Visual Art from The University at Buffalo. Harris has been featured in numerous exhibitions in New York State\, Philadelphia\, PA\, Louisville\, CO\, and beyond. \n 
URL:https://lukeolsenphotography.com/event/daesha-devon-harris-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180602T090000
DTEND;TZID=America/Los_Angeles:20180602T170000
DTSTAMP:20260403T133431
CREATED:20180524T202520Z
LAST-MODIFIED:20180524T202520Z
UID:756-1527930000-1527958800@lukeolsenphotography.com
SUMMARY:Thomas Alleman at Camerawork Gallery
DESCRIPTION:Thomas Alleman\, Dancing in the Dragon’s Jaws \nJune 2 – June 29\, 2018 \nCamerawork Gallery\nPeterson Hall\, Linfield Portland School of Nursing Campus\n2255 NW Northrup Street\, Portland\, OR\n503-701-5347\nHours: 9am-4pm\, Monday-Friday\, Saturday 9am-5pm\nFree and Open to the Public\nwww.TheCameraworkGallery.org\nwww.Facebook.com/cameraworkgallery \nLos Angeles photographer Thomas Alleman notes\, “I moved to San Francisco from Michigan in 1985\, with hopes of becoming a newspaper photojournalist. But I was young and ornery and a little weird\, and I didn’t fancy the unobtrusive\, “objective” photographic style that daily newspapers practiced in those days. I had something in mind that was more personal\, more astringent\, and somewhat kookier\, based on my near obsession\, in those days\, with Garry Winogrand’s “Public Relations” book\, Lee Friedlander’s party pictures\, and Mark Cohen’s very aggressive flash-on-camera street-shots from Pennsylvania. \n“More than all that\, though\, I was a great\, great admirer of Sylvia Plachy and the groundbreaking “New Photojournalism” she and others were producing for the Village Voice in New York\, and throughout Western Europe. In the Fall of ‘85\, I went searching for a San Francisco version of the Voice\, and found it in a scrappy\, very design-y\, very political weekly tabloid called the Sentinel\, which reported on the Gay community and used my kind of pictures nice and big\, and often. \n“I began freelancing for the Sentinel in early 1986\, shortly after the death of Rock Hudson brought sudden national attention to the scope of the AIDS epidemic. Almost overnight\, the\ninternational media descended on San Francisco\, shining a spotlight on the crisis’ perceived Ground Zero\, the Castro District. Correspondents and cameramen parachuted in from everywhere\, making their way to the hospitals and hospices that were filled with gaunt\, desperate (young) men. \n“But the Sentinel and the other gay publications I worked for—locally and\, later\, nationally—chose deliberately to turn their gaze from the stark documentary images of individual carnage that the “straight press” pursued. Their own readers\, they knew\, were already too aware of bedside vigils and funeral arrangements; they didn’t need their “hometown” weekly to recapitulate that dreary\, daily horror. Instead\, we maintained our focus on the community at large\, and reported on the public\, communal response of that very diverse group to the descending nightmare. \n“But not every drumbeat was martial\, of course. Often it was syncopated and disco-y\, and I watched countless partiers dance do it with a shimmy and a bounce\, and with life-affirming joy. Indeed\, I had a ball\, in bars and pavilions and on street corners in the Castro\, photographing gala parties and “scenes”\, drag shows and leather festivals and Halloween extravaganzas. In quieter moments and milieus\, much-deserved attention was also paid to the artists who were creating a home-grown\, alternate gay culture that spoke directly to the experiences and aspirations of Castro audiences: I made intimate portraits of writers\, dancers\, directors\, painters\, and actors. \n“The Castro had been an incredibly vital place in the 1970s and early 80s\, perhaps as Harlem had been during its famous “Renaissance” in the 20s. A group of people\, who for countless years had been marginalized\, cast-out and despised\, came together to live in a neighborhood where they built their own very vibrant culture. Because of San Francisco’s legendary openness and “tolerance”—which was often real\, and sometimes an illusion—they were mostly left to live in sufficient peace; because of their advantages in education and numbers\, and driven by ambition and anger\, they carved out a political presence that couldn’t be ignored\, which beckoned others from around the world\, furthering their security and allowing the culture to flower even more fearlessly. \n“People who’d lived through those years—and folks who came to the Castro in the 80’s to join the party—didn’t forget the joy and promise of all that. They were still the same \nbeautiful\, brilliant\, lovers-of-life that they’d always been. But many of them died\, and others were heartbroken and horrified and very afraid\, and the spirit of the tribe suffered from that toll. Still\, that “liveliness”—that passion—was so essential\, so much a part of the community that it just couldn’t be extinguished by something as dispassionate as a plague. So\, while many of the pictures in this exhibition demonstrate a community in lamentation\, many others are about anger and resolve\, and most are about love and life. And disco and drag. \n“During those years I shot black-and-white film in great bulk\, and processed negatives in my kitchen sink and made prints in a darkroom on the back porch\, holding back the daylight with curtains of felt and ribbons of duct tape. And then I threw those negatives into folders and drawers\, wiped the slate clean\, and raced away down Mission Street to deliver my pictures to editors and designers\, waiting anxiously. \n“Twenty-five years later\, I finally rehabilitated that menagerie of celluloid\, which had long lived in banker’s boxes and fruit cartons\, moving from apartment to house to garage a dozen times. In early 2008 I began searching-out and organizing those rolls of film from my sojourn in gay San Francisco; I started making electronic contact sheets on a flatbed scanner that summer\, and edited throughout the winter of 2009. That April I started scanning what I thought were the best of those pictures\, and once a year since then I revisit those contacts to cull what I might’ve missed the last time; just last summer I found three very important frames that I’d somehow overlooked on all those other editing forays. \n“I hope these photographs\, from San Francisco’s gay community in the mid-eighties\, remind viewers of that moment in our social history—so long ago\, and so very recent—when the first wave of the AIDS epidemic crashed onto one of our country’s most vibrant neighborhoods. And\, while that tribe convulsed with well-earned fear\, heartbreak and anger\, some still found the courage and the will to celebrate the dream of life they’d come to San Francisco for\, and they danced in the dragon’s jaws.” \nABOUT THE ARTIST\nThomas Alleman was born and raised in Detroit\, where his father was a traveling salesman and his mother was a ceramic artist. He graduated from Michigan State University with a degree in English Literature. \nDuring a fifteen-year newspaper career\, Tom was a frequent winner of distinctions from the\nNational Press Photographer’s Association\, as well as being named California Newspaper\nPhotographer of the Year in 1995 and Los Angeles Newspaper Photographer of the Year in 1996. \nAs a magazine freelancer\, Tom’s pictures have been published regularly in Time\, People\, Business Week\, Barrons\, Smithsonian and National Geographic Traveler\, and have also appeared in US News & World Report\, Brandweek\, Sunset\, Harper’s and Travel Holiday. Tom has shot covers for Chief Executive\, People\, Priority\, Acoustic Guitar\, Private Clubs\, Time for Kids\, Diverse and Library Journal. \nTom exhibited “Social Studies”\, a series of street photographs\, widely in Southern California. “Sunshine & Noir”\, a book-length collection of black-and-white urban landscapes made in the neighborhoods of Los Angeles\, had its solo debut at the Afterimage Gallery in Dallas in 2006. Subsequent solo exhibitions include: the Robin Rice Gallery in New York in 2008 and 2013; the Blue Sky Gallery in Portland\, OR in 2009 and 2015; the Xianshwan Photo Festival in Inner Mongolia\, China\, in 2010; and the Duncan Miller Gallery in Los Angeles\, February 2013. “The American Apparel” debuted at the Redline Arts Center in Denver in 2015. Finally: Fifty-three of Tom’s photographs of gay San Francisco\, shot between 1985 and 1988\, debuted at the Jewett Gallery in San Francisco in December\, 2012\, under the title\, “Dancing in the Dragon’s Jaws”. \nThe workshops Tom teaches at the Los Angeles Center of Photography include “The Photographer’s Eye” and “Photographing in the Social Landscape.”\nwww.AllemanPhoto.com
URL:https://lukeolsenphotography.com/event/thomas-alleman-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180602T090000
DTEND;TZID=America/Los_Angeles:20180602T163000
DTSTAMP:20260403T133431
CREATED:20180408T163300Z
LAST-MODIFIED:20180408T163300Z
UID:699-1527930000-1527957000@lukeolsenphotography.com
SUMMARY:SEO Workshop with Aaron Hockley at Pro Photo Supply Event Center
DESCRIPTION:Aaron Hockley\, The Evolving World of SEO for Photographers (Workshop) \nSaturday June 2nd\, 9:00am-4:30pm \nPro Photo Supply Event Center\n1801 NW Northrup\nPortland\, OR 97209\n503-241-1112 \nRegistration: https://www.oregonppa.org/event-2807452 \nSearch Engine Optimization (SEO) brings people to your website. Your website brings people to your business. After word-of-mouth\, internet and web traffic can be the number two source of new clients for your business. SEO isn’t just about getting more traffic to your website\, but getting the right traffic to your website. \nThe long-term effort of improving your SEO will lead to long-term success. \n**SEO tactics evolve; what worked a few years ago might harm you in 2018.** \nPhotographers walk away with an understanding of concepts and tactics that will enable them to start making positive SEO changes immediately and learn how their website fits into a long-term web marketing strategy. \nThis full-day workshop explores: \n– A holistic look at SEO\n– Identifying and framing things for your ideal client\n– Google’s current search ranking signals\n– Technical factors of speed\, security\, and mobile\n– How content strategy trumps keywords\n– Optimizing images for search\n– A web publishing checklist for SEO success\n– A gaze into the future: what Google’s artificial intelligence for photos might mean for SEO \nAaron Hockley\, Cr.Photog.\, FP-OR brings a mixture of expertise in both the technology and photography worlds. He’s worked in the online publishing space for over ten years and has spoken at events such as BlogWorld and New Media Expo. In the photographic world\, he’s recognized by PPA as a Photographic Craftsman as as a Fellow of Photography by the Oregon Professional Photographers Association. In 2015\, he was awarded third place for Illustrative/Commercial images at PPA’s Grand Imaging Awards and was a World Photographic Cup finalist. \nhttps://photowebo.com \n 
URL:https://lukeolsenphotography.com/event/seo-workshop-with-aaron-hockley-at-pro-photo-supply-event-center/
LOCATION:Pro Photo Supply – Event Space\, 1801 NW Northrup St\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180601T180000
DTEND;TZID=America/Los_Angeles:20180601T200000
DTSTAMP:20260403T133431
CREATED:20180524T203920Z
LAST-MODIFIED:20180524T203920Z
UID:759-1527876000-1527883200@lukeolsenphotography.com
SUMMARY:Fraction\, 30 From 10 at Pushdot Studio
DESCRIPTION:Fraction\, 30 From 10 \nJune 1-July 31\, 2018\nOpening reception on June 1st from 6-8pm for First Friday. *Editor-in-Chief\, David Bram\, will be present as well as some of the artists featured. \nThis year marks Fraction’s 10-year anniversary! Pushdot is honored to work in conjunction with Fraction to present 30 From 10\, an intimate retrospective\, showcasing photographs by select artists who have been featured in Fraction over the past 10 years. \nAbout Fraction: Fraction Magazine features the best of contemporary photography\, bringing together diverse bodies of work by established and emerging artists from around the globe. Each monthly on-line issue focuses on a central theme\, creating an implicit dialogue between differing photographic perspectives. Fraction also offers indepth photography book reviews. \nThe Featured Artists: \nAmy Friend • Antone Dolezai • Aziza Murray • Bree Lamb • Carol Golemboski • Dana Stirling • David Ondrick • Doug Lowell • Emily Shur • Emma Powell • Fetemeh Baigmoradi • Galina Kurlat • Jasmine Clark • Jesse + Jason Pearson • Kerry Mansfield • Margeaux Walter • Matt Williams • Missy Prince • Nathan Pearce •Nick Schietromo • Paul Sisson • Polly Chandler • Sean Carroll • Shawn Bush • Suzanne Revy • Terri Bright • Tim Hyde •Yoav Friedlander • Zachariah Szabo
URL:https://lukeolsenphotography.com/event/fraction-30-from-10-at-pushdot-studio/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180526T190000
DTEND;TZID=America/Los_Angeles:20180526T210000
DTSTAMP:20260403T133431
CREATED:20180522T064802Z
LAST-MODIFIED:20180522T064859Z
UID:751-1527361200-1527368400@lukeolsenphotography.com
SUMMARY:A Portrait Exhibit Honoring Muslim Women in Our Community at the Muslim Educational Trust
DESCRIPTION:WHO WE ARE\,  A Portrait Exhibit Honoring Muslim Women in Our Community \nSaturday\, May 26\, 2018\, at 7:00 PM \nMuslim Educational Trust\n10330 SW Scholls Ferry Road\nTigard\, Oregon\, 97223\nhttps://www.metpdx.org/ \nIn conjunction with the Muslim Educational Trust (MET) and as part of an interfaith service to honor those affected by the horrific attack on the MAX train on May 26\, 2017\, ​The Immigrant Story​ is proud to help tell the stories of six Muslim women in our community. Collected over the past year\, these stories represent voices of healing and those of our community’s Muslim women. \nThe exhibit will feature portraits and stories displayed side by side so that viewers can make a human connection with the subjects. Our hope is that this display will provide an opportunity for visitors to explore the emotions of this particular community\, which continues to bear the brunt of hate speech in the United States. \nThe event will begin at MET immediately after the interfaith service\, which is scheduled for Saturday\, May 26\, 2018\, at 7:00 PM. The Muslim Educational Trust is located at 10330 SW Scholls Ferry Road\, Tigard\, Oregon\, 97223. \nFor additional information: Sankar Raman\, 971-221-4802\, s​ankar@theimmigrantstory.org Paige Stoyer\, 503-830-3449\, paige@paigestoyer.com http://theimmigrantstory.org/who-we-are/ \nThe Immigrant Story is a volunteer led non-profit organization based in Portland\, Oregon\, that documents and archives stories of immigrants. \n 
URL:https://lukeolsenphotography.com/event/a-portrait-exhibit-honoring-muslim-women-in-our-community-at-the-muslim-educational-trust/
LOCATION:Muslim Educational Trust\, 10330 SW Scholls Ferry Road\, Tigard\, OR\, 97223\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180519T150000
DTEND;TZID=America/Los_Angeles:20180519T180000
DTSTAMP:20260403T133431
CREATED:20180503T155211Z
LAST-MODIFIED:20180503T155211Z
UID:729-1526742000-1526752800@lukeolsenphotography.com
SUMMARY:Charles Jones at The O’Brien Photo Gallery
DESCRIPTION:Charles Jones\, Flower Abstractions \nThe show runs from May 14th through July 12th.\nThere will be an artist’s reception on Saturday May 19th from 3-6 pm. \nThe O’Brien Photo Gallery\n2833 Willamette\, Ste. B.\nEugene\, OR 97405\n(541) 729 3572\nOpen Weekdays\, call for open hours\nor to make an appointment.\nEmail: waltobrien@gmail.com\nGallery Website:  http://obrienimaging.com/gallery.htm \nWhen I dive into the depths of a flower\, I am fascinated by the variety of shapes\, colors\, and textures. The use of photo stacking allows me to capture portions of flowers as small as ¼ inch and produce images at up to 50 times magnification. I strive for abstract and surreal images while maintaining tack sharp focus. Some of my images involve stacking over 100 photos taken at different focal distances (using Zerene Stacker software.) \nI am a retired mathematician currently doing part time consulting. I had a career in the aerospace industry including coordinating research with small businesses and universities. Besides photography\, I have a variety of interests including science\, philosophy\, marble collecting\, and playing saxophone. I organize the Eugene Atheists Pub Social Meetup group. (Come join us\, details on meetup.com.) More info and photos on my website.
URL:https://lukeolsenphotography.com/event/charles-jones-at-the-obrien-photo-gallery/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180517T180000
DTEND;TZID=America/Los_Angeles:20180517T190000
DTSTAMP:20260403T133431
CREATED:20180506T211033Z
LAST-MODIFIED:20180506T211033Z
UID:744-1526580000-1526583600@lukeolsenphotography.com
SUMMARY:Rich Bergeman at High Desert Museum
DESCRIPTION:Rich Bergeman\, High Desert Dreams: The Lost Homesteads of the Fort Rock Basin \nMay 12 – Oct. 14\, 2018\nPanel Discussion: Thursday\, May 17\, 6-7pm \nHigh Desert Museum\n59800 S. Hwy 97\nBend\, OR 97702\n541-382-4754\nHours: 9am – 5pm daily\nwww.highdesertmuseum.org \n“High Desert Dreams: The Lost Homesteads of the Fort Rock Basin” chronicles a nearly forgotten chapter in Oregon history\, when hundreds of pioneers flooded the high desert in the early 1900s\, only to abandon their homesteads within a decade\, leaving the landscape littered with deserted cabins\, idle windmills and hollowed-out towns. \nOver the decades since then\, nearly all evidence of that era has gradually disappeared. Enough remnants remain into the 21st century\, however\, to allow the photographer to bring the story back to life through more than 25 black-and-white images of decaying homesteads and vanished town sites. \nRich Bergeman of Corvallis is a retired journalism and photography instructor at Linn-Benton Community College in Albany\, Ore.\, who has also been an exhibiting fine art photographer for the past 30 years. In recent years his focus has been on investigating and interpreting local histories in the Pacific Nortwest through photographs and stories of what’s been left behind. \n 
URL:https://lukeolsenphotography.com/event/rich-bergeman-at-high-desert-museum/
LOCATION:High Desert Museum\, 59800 S. Hwy 97\, Bend\, OR\, 97702\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180516T120000
DTEND;TZID=America/Los_Angeles:20180516T130000
DTSTAMP:20260403T133431
CREATED:20180514T070303Z
LAST-MODIFIED:20180514T070725Z
UID:747-1526472000-1526475600@lukeolsenphotography.com
SUMMARY:Harley Cowan at the Portland Art Museum
DESCRIPTION:Harley Cowan\, A Cathedral of Science \nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, May 16th\, 2018 at Noon \nPortland Art Museum\nThe Whitsell Auditorium\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public. \n“I travel to historically significant but largely unrecorded sites in the Pacific Northwest in order to create photography eligible for the Historic American Buildings Survey (HABS) and the Historic American Engineering Record (HAER). HABS was established in 1933 as a joint venture between the National Park Service\, the American Institute of Architects\, and the Library of Congress as a way to preserve American built history. HAER was added in 1969 to record American industry and infrastructure. \n“There was a time when photographers established themselves with work produced for a private or federal documentation program such as the Farm Security Administration or Works Progress Administration. Unlike other federal programs following the Great Depression\, HABS/HAER are on-going and active today. They continue to follow strict guidelines for black & white\, large format\, film photography. As a contemporary photographer\, it is an intriguing starting point. \n“I grew up in Richland\, Washington next to the Hanford Nuclear Reservation. B Reactor\, brainchild of physicist Enrico Fermi\, built in 1944 as part of the Manhattan Project\, was the world’s first full-scale nuclear reactor which produced plutonium for the Trinity Test and the Fat Man bomb dropped on Nagasaki\, Japan. Arguably the greatest engineering feat of the 20th Century\, and the most terrible\, a Promethian altar of science\, it has long held a fascination. In 2017\, I was granted four days of access to photograph the reservation and the reactor.” \nHarley Cowan is a photographer based in Portland\, Oregon. He is also a practicing architect. His interest in large format photography led to a research fellowship in architectural heritage documentation and preservation with work in the Library of Congress. Cowan won the 2018 Access Award from the Vernacular Architecture Forum. He has lectured before the Society of Architectural Historians at their 2017 conference in Victoria\, B.C.\, DoCoMoMo_Oregon\, University of Oregon’s Historic Preservation Program\, and the Pacific Northwest Preservation Field School. His work is included in SAH Archipedia\, an online encyclopedia of historic sites\, and his Manhattan Project portfolio is presently in the Pacific Northwest Viewing Drawers at Blue Sky Gallery in Portland and the “PDX 30” group show at LightBox Gallery in Astoria. \nA graduate of Washington State University\, Cowan is a member of the Professional Advisory Board for WSU’s School of Design & Construction. Early in his career\, he spent six years working in nuclear industry. His studies also took him to Far Eastern State Technical University in Vladivostok\, Russia. \nHarley Cowan\nwww.harleycowan.com
URL:https://lukeolsenphotography.com/event/harley-cowan-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180512T170000
DTEND;TZID=America/Los_Angeles:20180512T200000
DTSTAMP:20260403T133431
CREATED:20180506T210348Z
LAST-MODIFIED:20180506T210348Z
UID:741-1526144400-1526155200@lukeolsenphotography.com
SUMMARY:Extending Tradition:Large Format at LightBox Photographic Gallery
DESCRIPTION:Extending Tradition:Large Format \nMay 12th – June 6th\, 2018 \nOpening and Artists’ Reception: Saturday\,  May 12th\, 5-8pm \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com\nhttp://lightbox-photographic.com/shows/extending_tradition_large_format \nLightBox Photographic Gallery will host the artists’ opening reception of “Extending Tradition: Large Format on Saturday\, May 12th\, from 5-8pm. pm. Thirty Photographers from around the world will show work in this exhibit celebrating the traditional approach and beauty of large format film photography. \nExtending Tradition: Large Format features work from photographers who continue the tradition of using large format film or plates\, generally 4 x 5 inches and larger. The call went out for work from photographers who use large format film or plates and who print in any analog process. One image each from 30 individual photographers is shown in the exhibit with work printed in many unique analog processes giving recognition to those whose interest and talent follow the masterful path of traditional large format photography. \nCongratulations to the Photographers of Extending Tradition:Large Format \nEmily Lint • Ritch Winokur • Rory Earnshaw • Patrick Whitaker • Elizabeth King\nSara Silks • Tri Tran • Aleksandra Wolter • Hendrik Faure • Katt Jansen Merilo\nRich Caramadre • Norman Riley • Jason Windingstad • Tim Scott • Logan Clark\nPaul Cunningham • Henrietta’s Eye • Loren Nelson • David Vic • Walt O’Brien\nCarol Glassman • Ronald Butler • Emily Gomez • Matthew Blais • Dave Roberts\nMichael Weitzman • Bob Sanov • Ryan Gillespie • Austin Granger • Rich Bergeman \nLightBox was honored to have an amazing panel of Jurors for the exhibit. \nTerry Thompson • John Wimberley • Jim Fitzgerald \nTerry Thompson’s background in photography includes an art education at the legendary School of Visual Arts in N.Y.C. He was one of the first photographic artists to revive the Platinum print process in the 1960’s. Terry currently lives in Portland\, Oregon. \nJohn Wimberley stands alone among current large format masters for his substantive and refined imagery and his prowess and technical mastery of the Silver Gelatin Process. His beautiful writings muse about the human element in the eternal search for the perfect photographic image. \nJim Fitzgerald is a Large and Ultra Large Format camera builder\, photographer and educator living in Vancouver\, Wa. working exclusively in the monochrome carbon transfer process using in camera negatives from his 8 × 10\, 11 × 14\, 8 × 20 or 14 × 17 hand crafted cameras. \n“Extending Tradition: Large Format” will be on display in the gallery through June 6th. Please visit the gallery during the month to see the collection of work. Complete show info is on the LightBox website at http://lightbox-photographic.com/shows/. LightBox memberships are a way to become part of the community that helps to further the mission of the gallery. Contact LightBox at 503-468-0238 or info@lightboxphotographic.com. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday\, 11 – 5:30. \n 
URL:https://lukeolsenphotography.com/event/extending-traditionlarge-format-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180512T160000
DTEND;TZID=America/Los_Angeles:20180512T200000
DTSTAMP:20260403T133431
CREATED:20180504T065845Z
LAST-MODIFIED:20180504T065924Z
UID:736-1526140800-1526155200@lukeolsenphotography.com
SUMMARY:Jim Fitzgerald: Revealed in Carbon at LightBox Photographic Gallery
DESCRIPTION:Jim Fitzgerald: Revealed in Carbon \nMay 12th – June 6th\, 2018 \nOpening and Artists’ Reception: Saturday\,  May 12th\, 5-8pm\nArtist Talk\, 4-5pm\, Call for Seating. \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238 \nlightbox-photographic.com\nhttp://lightbox-photographic.com/shows/revealed_in_carbon \nLightBox Photographic Gallery host the opening reception of Jim Fitzgerald’s exhibit\, “Revealed in Carbon” on Saturday\, May 12th\, from 5-8pm. Please join us for an artist’ talk from 4-5pm immediately before the opening reception. Please contact the gallery at info@lightbox-photographic.com for seating reservations for the artist talk. \nLightBox is proud to exhibit the work of this very passionate photographer. Jim is a Large and Ultra Large Format camera builder\, photographer and educator currently living in Vancouver\, Washington. Jim prints his images using the 150 year old Carbon Transfer process in all of his work. On this night\, Jim will present a special carbon transfer book project that has taken eleven years to complete. Additionally\, the artist will discuss this project and share a series of carbon transfer prints in a limited edition collection. \nA self-educated photographer\, Jim works exclusively in the monochrome carbon transfer process using in camera negatives from either his 8 × 10\, 11 × 14\, 8 × 20 or 14 × 17 hand crafted cameras. Carbon transfer is a process perfected in 1864 and is a highly labor intensive process that yields prints of the finest quality. The photographer has total control of the image tonality due to the blending of pigments and manufacturing of tissue unique to the artist’s vision. Carbon prints require several days to produce one finished print. Jim is one of a handful of artists who works exclusively in carbon transfer and he teaches Carbon transfer printing in his home studio in Vancouver\, Washington. \njimscarbonartphotography.com \n“To be one with your subject\, completely\, is how I work as an artist.\nI hear\, smell\, sense and always see what moves my soul. These fleeting moments are what I share\, what I hope will open the eyes and most importantly the hearts of the viewers to the beauty that is all around us.\nThe overwhelming joy with which I work has set me free. My methods and the final presentation of my vision\, carbon transfer prints\, are the gateway to my inner self. One only has to “let go” and experience the feeling of the images. I found my way long ago and the journey continues every waking moment.\nAs an artist my hope is to inspire others with my methods\, philosophy and images in a way that will allow them to touch their own inner self and share their vision with the world.\nPlease enjoy the carbon transfer prints I present as they are the culmination of my vision for they live and breathe for all to see.”\n~ Jim Fitzgerald \n“Revealed In Carbon” will show in the gallery from May 12th until June 6th. LightBox offers memberships to be part of the community that helps further the mission of the gallery. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday 11 – 5:30. Contact LightBox at 503-468-0238 or at info@lightbox-photographic.com\, and visit lightbox-photographic.com for more info on this exhibit and to enjoy past\, current and upcoming exhibits. \n 
URL:https://lukeolsenphotography.com/event/jim-fitzgerald-revealed-in-carbon-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180510T180000
DTEND;TZID=America/Los_Angeles:20180510T210000
DTSTAMP:20260403T133431
CREATED:20180504T064612Z
LAST-MODIFIED:20180504T064612Z
UID:733-1525975200-1525986000@lukeolsenphotography.com
SUMMARY:Conversations: A Small Talk Social at Disjecta Contemporary Art Center
DESCRIPTION:Conversations: A Small Talk Social\n\nMay 10th\, 2018 from 6:00-9:00pm\nDisjecta Contemporary Art Center\n8371 N Interstate Ave\, Portland\, Oregon 97217\nwww.disjecta.org \nPlease join Small Talk Collective for a party\, pop-up exhibition and live photographic collaboration on May 10th at Disjecta Contemporary Art Center. \nWe will display our ongoing collaborative project “Conversations” for one night only! Additionally\, we will reserve space for a live photo conversation open to everyone. Bring an image on your phone and we will make a 4×6 print for you to add to the wall. Make a connection or respond to someone else’s photo and watch how this visual web builds organically throughout the evening! \nAnd if you haven’t purchased We’re Always Touching by Underground Wires\, we will have signed copies available at the event. \nThis is the third and final installation of our RACC Project Grant\, which began with our book launch and current exhibition at Pushdot Studio for Portland Photo Month. We hope you’ll join us for a night of celebration. \nPhotos! Drinks! Music! Books! Snacks! And many\, many thanks! \nwww.smalltalkcollective.com\nhttps://www.facebook.com/events/199996154120566/
URL:https://lukeolsenphotography.com/event/conversations-a-small-talk-social-at-disjecta-contemporary-art-center/
LOCATION:Disjecta Contemporary Art Center\, 8371 N. Interstate Ave.\, Portland\, OR\, 97217\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180510T100000
DTEND;TZID=America/Los_Angeles:20180510T150000
DTSTAMP:20260403T133431
CREATED:20180426T231002Z
LAST-MODIFIED:20180426T231002Z
UID:722-1525946400-1525964400@lukeolsenphotography.com
SUMMARY:Photography at Oregon On-Line Photography Auction
DESCRIPTION:Eugene-based Photography at Oregon (PAO) is having their 40th annual photography auction of original photographs. \nPhotographs by Wynn Bullock\, Christopher Burkett\, Carl Chiarenza\, Monte Gerlach\, Stewart Harvey\, Don Kirby\, Stu Levy\, Richard Man\, Suzanne Opton\, Bill Owens\, Alan Ross\, George Tice and many other photographers are being offered. \nPAO has supported the area’s photography teaching programs for more than 50 years. \nAuction proceeds support PAO’s public lectures\, exhibitions\, workshops\, visiting artists and community fine-art photography nights. \nAuction bids can be made through June 1. Please bid on a photograph and help support photography in our community!
URL:https://lukeolsenphotography.com/event/photography-at-oregon-on-line-photography-auction/
LOCATION:Dot Dotson’s\, 1668 Willamette\, Eugene\, OR\, 97401\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180505T150000
DTEND;TZID=America/Los_Angeles:20180505T170000
DTSTAMP:20260403T133431
CREATED:20180426T232932Z
LAST-MODIFIED:20180426T232932Z
UID:725-1525532400-1525539600@lukeolsenphotography.com
SUMMARY:2018 Curatorial Prize: Ultra Vivid Dreaming at Blue Sky Gallery
DESCRIPTION:2018 Curatorial Prize: Ultra Vivid Dreaming\nphotography and video by Elliott Jerome Brown Jr. and Shikeith\ncurated by Ashley Stull Meyers \nMay 3–June 3\, 2018\nFirst Thursday Opening Reception\, May 3rd\, 6:00–9:00 PM\nArtist Talk: Saturday\, May 5th\, 3:00 PM\nClosing lecture for Ultra Vivid Dreaming with Dr. Derrais Carter: Saturday\, June 2nd\, 3:00 PM \nCurated by Ashley Stull Meyers\, Ultra Vivid Dreaming features photography and video work by two emerging artists that upends art historical legacies of portrait making and instead introduces contemporary studies of the body that are divorced from notions of “revealing”. Shikeith and Elliott Jerome Brown Jr. create images that are “ultra vivid” in color\, composition\, and focus on seemingly mundane environments with surreal undertones. The bodies pictured exist as if in a dream-state\, where the subject’s formal attributes and vulnerabilities are carefully considered by the photographer. While these works exist as contemporary representations of Black bodies and Queerness\, they also critique the pervasive consumption of Black imagery and culture by an otherwise negligent audience. The subjects of the photos obstruct access to their identities and innermost selves through intentional postures that obscure full visibility\, providing only a level of detail tangible in an ultra vivid dream. \nElliott Jerome Brown Jr. (b. 1993) is a conceptual photographer based in Brooklyn\, New York\, whose work focuses on intimacy\, vulnerability\, and social perception. He graduated in 2016 with a BFA from New York University and recently finished a residency at Skowhegan School of Painting & Sculpture in Maine. His work has been exhibited in New York City\, Baltimore\, Philadelphia\, Prague\, and Michoacán\, Mexico\, where he also did a residency at RedLab Laboratorio de Gestión y Vinculación Cultural A.C. In addition to a visual practice\, he is also the curator of DATE NIGHT\, an interdisciplinary exhibition set in various homes. \nShikeith (b. 1989) is a multi-disciplinary visual artist and filmmaker originally from Philadelphia\, PA. He holds a BA from The Pennsylvania State University and he is a 2018 MFA candidate in the sculpture department of Yale School of Art in New Haven\, Connecticut\, where he currently lives. Shikeith’s public programs and group and solo exhibitions have been held at national and international venues such as the MAK Gallery in London; the Wright Museum of African American History in Detroit; MoMA\, the Aperture Foundation\, and the Vera List Center in New York City; Pittsburgh’s Kelly-Strayhorn Theatre; Massachusetts Institute of Technology (MIT); Morehouse College in Atlanta; the Seattle Art Museum; and the Wrocław Contemporary Museum in Poland\, among others. Shikeith’s critically acclaimed documentary “#Blackmendream” (featured in this exhibition) was made possible by funding from multiple grants from The Pittsburgh Foundation and was named by the Tribeca Film Institute as one of ten films that capture the meaning of Black life in America. Shikeith is also the founder of Emerging Black Art. \nAshley Stull Meyers is a writer\, editor\, and curatorial collaborator. She has curated exhibitions and programming for the Wattis Institute (San Francisco)\, Eli Ridgway (San Francisco)\, the Oakland Museum of California\, Newspace Center for Photography\, Blue Sky Gallery\, and Bridge Productions (Seattle\, WA). She has been in academic residency at the Bemis Center for Contemporary Art (Omaha\, NE) and the Banff Centre (Banff\, Alberta). She is Northwest Editor for Art Practical\, and has contributed writing to Bomb Magazine\, Rhizome\, Arts.Black and SFAQ/NYAQ. In 2017 Meyers was named the The Robert and Mercedes Eichholz Director and Curator of the Art Gym and Belluschi Pavilion. \n  \n 
URL:https://lukeolsenphotography.com/event/2018-curatorial-prize-ultra-vivid-dreaming-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180503T170000
DTEND;TZID=America/Los_Angeles:20180503T180000
DTSTAMP:20260403T133431
CREATED:20180426T233841Z
LAST-MODIFIED:20180426T233841Z
UID:727-1525366800-1525370400@lukeolsenphotography.com
SUMMARY:Laurie Lambrecht\, Jungle Road
DESCRIPTION:Laurie Lambrecht\, Jungle Road \nMay 3–June 3\, 2018 \nFirst Thursday Opening Reception: May 3\, 6:00–9:00 PM\nArtist talk: Thursday\, May 3\, 5:00 PM \nIntermittently over a period of two years\, Laurie Lambrecht photographed the lush habitat surrounding the Robert Rauschenberg Residency on Captiva Island\, Florida. Inspired by the multi-layered and textured environment as well as the formal relationships between the plant and human life found there\, she began printing her images on the soft surface of recycled newsprint to convey the irresistibly tactile nature of the place. This focus on patterns and texture\, as well as a desire to work more directly with her hands\, soon led to Lambrecht’s Bark Cloth series\, which is also included in this exhibition. Close-up photographs of trees are printed on linen and embroidered by the artist along the unique lines and patterns of the bark. Lambrecht writes\, “I love that the bark of a tree can appear to be a topographical map\, and how the outlines of the bark’s scales can read like rivers or mountains. I am using lines of embroidered thread as a visual guide through the bark’s imagined landscape.” \nLaurie Lambrecht was born in Bridgehampton\, New York and resides there today. She earned her undergraduate degree at Marymount College in Tarrytown\, New York\, and has studied in graduate programs at the University of Colorado at Boulder and the Visual Studies Workshop in Rochester\, New York\, where she also worked at the George Eastman House. Lambrecht’s projects include documenting Roy Lichtenstein’s studio in the early 1990s while she was his assistant. Inside Roy Lichtenstein’s Studio was exhibited in Houston at the Bank of America Center during the FotoFest 2010 Biennial\, as well as at Blue Sky\, and abroad. China 2009\, a series of landscapes\, taken during her first trip east\, was exhibited at Rick Wester Fine Art\, New York in 2012. Lambrecht participated in Centro Colombo Americano de Medellín’s 2013 Zoomlab in Colombia\, working with high school and university students for two weeks. While in Colombia\, she had a solo exhibition at El Museo Universidad de Antioquia. This is Lambrecht’s second solo show at Blue Sky. \n 
URL:https://lukeolsenphotography.com/event/laurie-lambrecht-jungle-road/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180503T080000
DTEND;TZID=America/Los_Angeles:20180503T170000
DTSTAMP:20260403T133431
CREATED:20180503T160012Z
LAST-MODIFIED:20180503T160012Z
UID:731-1525334400-1525366800@lukeolsenphotography.com
SUMMARY:Alan Wieder at Gallery 114
DESCRIPTION:Alan Wieder\, My Cuba — Santiago de Cuba \nMay 3 to May 27 \nGallery 114\n100 NW Glisan\nThursday\, Friday\, Saturday\, Sunday Noon to 6\nFirst Thursday — May 3 from 6 to 9 \nThis show is in Gallery 114 as part of member Al Stone’s sculpture exhibit. Included in the show are street photographs taken in early April in Santiago de Cuba.
URL:https://lukeolsenphotography.com/event/alan-wieder-at-gallery-114/
LOCATION:Gallery 114\, 1100 NW Glisan\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180430T233000
DTEND;TZID=America/Los_Angeles:20180430T233000
DTSTAMP:20260403T133431
CREATED:20180206T075011Z
LAST-MODIFIED:20180206T075011Z
UID:560-1525131000-1525131000@lukeolsenphotography.com
SUMMARY:“The Immigrant Story” photography contest - submissions due
DESCRIPTION:Submissions will be accepted from February 1 through April 30\, 2018 (12:00 midnight PST).http://theimmigrantstory.org/our-strength/ \nA photo contest telling the story of immigrants in our community \nTo highlight the diversity and strength of our community\, “The Immigrant Story” is hosting a photography contest to address an issue that is prevalent in our country today: xenophobia. The contest\, open from February 1 through April 30\, 2018\, welcomes submissions of photographs that depict the stories of immigrants who have added to our diverse cultural landscape. \n  \n 
URL:https://lukeolsenphotography.com/event/immigrant-story-photography-contest-submissions-due/
LOCATION:OR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180428T150000
DTEND;TZID=America/Los_Angeles:20180428T200000
DTSTAMP:20260403T133431
CREATED:20180313T075727Z
LAST-MODIFIED:20180313T075727Z
UID:640-1524927600-1524945600@lukeolsenphotography.com
SUMMARY:CALL FOR ART: Corvidae Family-Inspired Art at Angst Gallery
DESCRIPTION:CALL FOR ART: Family Corvidae  \nMay 4-26\, 2018\nFirst Friday Opening Reception: 5-9pm May 4 \nDue: Intake of artwork will happen on Saturday\, April 28\, 2018 between 3pm and 8pm\, Tuesday\, May 1 between 3 and 8. \nAngst Gallery\n1015 Main Street\nVancouver\, WA 98660\nWed\, Thurs\, Fri\, Sat 12-4pm\n(or by appointment)\n360-553-1014\nangstgallery.com \nAngst Gallery invites you to submit art for Family Corvidae\, a celebration of nutcrackers\, jackdaws\, ravens\, crows\, jays\, magpies\, ground jays and and treepies which will be displayed May 4-26. \nEach artist can submit up to three pieces for a submission fee of five dollars per artist. Artwork can only be delivered during the two drop off days specified below. Angst Gallery reserves the right to disqualify any artwork that does not fit into the theme of corvidae or that is not ready for hanging. \nUnsold artworks can be picked up from two until eight pm on Tuesday\, May 29 and Thursday\, May 31 between 3 and 8. \nFamily Corvidae is being presented in conjunction with “Escape From Audubon\,” presented by our neighbors at Art at the Cave (108 EAST EVERGREEN BOULEVARD\, VANCOUVER\, WA\, 98660) and featuring art by Cynthia Heise\, Anne John\, William Park\, Kathi Rick\, and Michael Smith. According to Cave co-founder Anne John\, “their show is based on the little- known fact that the Audubon Society is named after a prolific artist who prolifically killed his subject matter in order to paint them. As a bird lover\, the dichotomy is striking. Our intention is not to invite the disapproval of the Audubon Society\, which does wonderful work saving and protecting avian creatures. However\, as artists\, we just can’t help ourselves sometimes.” \nFor inspiration: http://www.oiseaux-birds.com/page-family-corvidae.html
URL:https://lukeolsenphotography.com/event/call-art-corvidae-family-inspired-art-angst-gallery/
LOCATION:Angst Gallery\, 1015 Main Street\, Vancouver\, OR\, 98660\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180428T090000
DTEND;TZID=America/Los_Angeles:20180428T160000
DTSTAMP:20260403T133431
CREATED:20180417T222753Z
LAST-MODIFIED:20180417T222753Z
UID:719-1524906000-1524931200@lukeolsenphotography.com
SUMMARY:JP Terlizzi at Camerawork Gallery
DESCRIPTION:JP Terlizzi\, Mother \nApril 28th – June 1st\, 2018 \nCamerawork Gallery\n2255 NW Northrup Street\n(Linfield School of Nursing – Peterson Hall)\nPortland\, OR 97210\nhttp://www.TheCameraworkGallery.org\nhttp://www.facebook.com/cameraworkgallery\nGallery Hours: 9am-4pm\, Monday-Friday\, Saturday 9am-5pm \nThe course of a life can be determined by a single\, sharp moment; one that is inevitable and ultimately essential. A moment of trauma\, setback or challenge reverberates for years to come\, daring us to keep moving forward\, and shaping our capacity to connect and flourish. \nTerlizzi notes\, “My mother was devastated by my father’s infidelity\, which led to a bitter divorce that had a profound impact on our family. As I witnessed her life unravel\, I thought about strength of character\, and began to wonder whether it was an innate quality or a personal choice. How is it that some emerge from the most difficult of moments better and stronger\, while others find comfort in solitude\, anger\, jealousy and despair? \n“It’s been over 45 years since that traumatic event\, yet my mother has never fully recovered nor has she felt the need to seek professional help for her mental stability. Instead\, I witnessed a woman who thrived on self-pity and detached herself from loved ones. As a result\, her extreme actions and behavior were a detriment to the entire family. \n“Mother explores the emotional and psychological terrain surrounding the ending of relationships and the loss of personal identity. I use photography as a means to interpret and understand my mother’s experiences\, and piece together a tattered family narrative scarred by emotional trauma. For me\, the process was one of personal discovery\, but more importantly\, it provided closure. A therapeutic process emerged where the feelings of sorrow\, disappointment and anger resurfaced\, and I was able to tame those feelings through acceptance and forgiveness.” \nABOUT THE ARTIST JP Terlizzi is a visual storyteller who uses photography to explore themes of memory\, relationship\, and identity. Drawing inspiration from his personal\nexperiences he captures moments that convey narratives—whether the story is a framed moment that reveals something about family and home\, or a poetic interpretation of a fading reality\, the feeling of loss and detachment are recurring themes in his work. \nBorn and raised in the farmlands of Central New Jersey\, JP currently lives in Manhattan. His career spans thirty plus years as creative director for a boutique agency specializing in retail design. He earned a BFA in Communication Design at Kutztown University of Pennsylvania and has studied photography at the International Center of Photography in New York and Maine Media College in Rockport ME. His work has been exhibited in the United States and abroad including shows at The Center for Fine Art Photography\, Fort Collins\, CO\, Umbrella Arts Gallery\, New York\, NY\, Soho Photo Gallery\, New York\, NY\, The Griffin Museum\, Winchester\, MA\, Tilt Gallery\, Scottsdale\, AZ\, A Smith Gallery\, Johnson City\, TX\, The Los Angeles Center of Photography\, Texas Photographic Society\, Dallas TX\, Project Basho Gallery\, Philadelphia\, PA\, Municipal Heritage Museum\, Malaga\, Spain\, and \nThe Berlin Foto Biennale\, Berlin\, Germany\, among others. In 2018\, his series Descendants was selected as a Finalist and was awarded a solo show with the Soho Photo Gallery in Manhattan. In addition\, work from his series The Cedars Run Silent was selected in 2018 Photo Emerge as twenty emerging photographers with the Midwest Center of Photography in Wichita\, KS. He was named a Photolucida 2016 Critical Mass Finalist for his series Mother and was a 2015 Critical Mass Finalist for his series Hunter’s Calling\, which was also selected for the C4FAP Portfolio ShowCase Vol. 9 and ONWARD Compé ’16. His work has been featured in PDN\, Lenscratch\, L’oeil de la Photographie\, All About Photo\, The Photo Review\, F-Stop and Abridged Magazine. \nwww.JPTerlizziPhotography.com \n 
URL:https://lukeolsenphotography.com/event/jp-terlizzi-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180420T163000
DTEND;TZID=America/Los_Angeles:20180420T204500
DTSTAMP:20260403T133431
CREATED:20180411T025042Z
LAST-MODIFIED:20180411T025042Z
UID:715-1524241800-1524257100@lukeolsenphotography.com
SUMMARY:Photographer Speaker Series (3/3) at Portland Community College - Cascade Campus
DESCRIPTION:Photographer Speaker Series\nPortland Photography Month \nFriday\, April 20 \n4:30 – 5:45  Katharine T Jacobs\n6:00 – 7:15  Blue Mitchell\n7:30 – 8:45  Zeb Andrews \nPortland Community College – Cascade Campus\nMoriarty Arts and Humanities Building\n705 N Killingsworth St\, Portland\, OR 97217\nAuditorium  Room 104 \nContact:\nKelli Pennington\nInstructor of Photography\nPortland Community College – Cascade Campus\nKellipenni@gmail.com \nPortland Community College – Cascade Art Department is pleased to announce a Photographer Speaker Series in support of Portland Photography Month.  All students and community members are welcome to attend.  Featuring nine photographers\, who photograph a wide range of subjects and utilize various forms of the medium\, will speak about their life path\, artistic practice\, and thoughts on the state of photography. Each artist will lecture for 60 minutes and answer questions. \nFriday April 20 \n4:30pm – Katharine T Jacobs \nKatharine T Jacobs is a graduate of Oregon College of Art and Craft. Originally from the rural foothills of the Sierra Nevada Mountains. Katharine began her education at California College of the Arts in Oakland\, California. There she learned to shoot with a large format camera and discovered Polaroid type 55 film. In 2007 she moved to Portland\, purchased her own 4×5 camera and started photographing friends\, family and countless strangers. Her focus in street photography and large format shooting would inspire her journey across the United States and the production of her largest body of work to date; American Strangers. \nKatharine continues to use portraiture as a main focus in her work. In junction with multiple exposures and mixed media she uses the photograph as a vehicle and a reference point that empowers the viewer to interact with objects and items they may not have. Katharine Jacobs lives and works in Portland\, Oregon and is inspired by her family and the nature of the Pacific Northwest. \n6:00pm – Blue Mitchell \nBlue Mitchell is an independent publisher\, curator\, educator\, and photographer. Based in Portland\, Oregon\, he has been involved with many facets of the photographic arts. Mitchell received his BFA from Oregon College of Art & Craft where he has also taught studio school classes and workshops. In his personal work\, he implements many photographic techniques including toy cameras\, pinhole\, alternative processes\, mixed media\, and hand drawing. Most recently Mitchell has been specializing in acrylic lifts–this process and artwork have been published in Photographic Possibilities\, 3rd edition by Robert Hirsch and Alternative Photographic Processes:  Crafting Handmade Images by Brady Wilks. \n7:30pm – Zeb Andrews \nZeb Andrews is a Portland-based photographer who has lived his entire life in the Pacific Northwest.  The majority of his work week is spent immersed in photography while working at Blue Moon Camera and Machine in North Portland.  Much of his inspiration comes from the photographers and photography he sees circulate through that store on a daily basis\, and he in turn loves passing that along.  Zeb was an instructor at Newspace Center for Photography for seven years and frequently gives presentations to local high school and college photography programs on all things photographic.  When he isn’t at work or enthralled in a class lecture he can often be found on some windswept beach or quietly verdant forest\, camera in hand. \n 
URL:https://lukeolsenphotography.com/event/photographer-speaker-series-3-3-at-portland-community-college-cascade-campus/
LOCATION:PCC Cascade\, 705 N Killingsworth St.\, Portland\, OR\, 97217\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180420T093000
DTEND;TZID=America/Los_Angeles:20180420T170000
DTSTAMP:20260403T133431
CREATED:20180408T164231Z
LAST-MODIFIED:20180408T164231Z
UID:702-1524216600-1524243600@lukeolsenphotography.com
SUMMARY:Minor White’s Beginnings - A Public Symposium at the Portland Art Museum
DESCRIPTION:Minor White’s Beginnings\nA Public Symposium \nApril 20\, 9:30am – 5pm \nWhitsell Auditorium\nPortland Art Museum\n1219 SW Park Avenue\nPortland\, OR 97205\nportlandartmuseum.org\n503-226-2811 \nFree and open to the public\, no reservations required \nIn this daylong symposium co-organized by the Portland Art Museum and the Princeton University Art Museum\, scholars of art and art history\, archivists\, and artists will explore Minor White’s early career and works\, and discuss the ways that White’s art and archives are being cared for and accessed by the public. Please join us on April 20 for part or all of this free event\, which celebrates the museum’s current exhibition In the Beginning: Minor White’s Oregon Photographs. \nThis symposium is supported by the Minor White Archive\, Princeton University Art Museum. \n\nSchedule \n9:30AM\nPortland Art Museum’s Photographic Beginnings: Minor White’s WPA Images of Oregon\nJulia Dolan\, PhD\, Minor White Curator of Photography\, Portland Art Museum \nDr. Dolan will discuss the Portland Art Museum’s holdings of Minor White’s photographs of Oregon and how they became the institution’s first fine art photography acquisitions. \n10:15AM\nSeeing like a Westerner—Oregon Landscapes around 1940\nW. Ian Bourland\, PhD\, Assistant Professor\, Department of Art History\, Maryland Institute College of Art\nProfessor Bourland will explore White’s Eastern Oregon landscapes and his time in Portland\, where he engaged with the teachings of the f.64 group and joined a deeper history of picturing the American West. \n11:00AM\nBehind the Scenes: Minor White’s Archives in Portland and at Princeton\nVal Ballestrem\, Education Manager\, Architectural Heritage Center\nMatthew Cowan\, Archivist for Photography and Moving Images\, Oregon Historical Society\nJulia Dolan\, PhD\, Minor White Curator of Photography\, Portland Art Museum\nCathryn Goodwin\, Manager of Collections Information\, Princeton University Art Museum\nKenneth Hawkins\, PhD\, archivist and author \nA conversation consisting of multiple perspectives\, the panel will discuss the nature of White’s archival materials\, how they are accessed by the public and used by outside institutions\, and the valuable information they hold. \n12:00PM\nBREAK \n1:30PM\nFrom Expression to Creation: Minor White’s Theater\nTodd Cronan\, PhD\, Associate Professor of Modern Art\, Department of Art History\, Emory University \nWhite provocatively declared “candid” photography a “dead end.” White’s alternative to the subject “caught unawares” was what he called the “camera-conscious” approach. Professor Cronan contends that White’s engagement with theater that began at the Portland Civic Theatre changed the course of his photography. Moving from caught to conscious photography\, his staged scenes opened up an influential course for the future of photographic practice. \n2:15PM\nCharacteristic Photography for Students of the Art\nBrendan Fay\, PhD\, Assistant Professor\, School of Art and Design\, Eastern Michigan University \nProfessor Fay will discuss White’s growing need to provide students a systematic introduction to photography and its possibilities\, and his resulting reuse and repackaging of his Oregon pictures at the California School of Fine Arts in the 1940s and 1950s. \n3:00PM\nLegacy: Minor White’s Relevance to Contemporary Practice\nAspen Mays\, Artist and Assistant Professor in Graduate Fine Arts and Undergraduate Photography\, California College of the Arts\nKatherine Bussard\, PhD\, Peter C. Bunnell Curator of Photography\, Princeton University Art Museum \nThis conversation will consider the impact of White’s photographs and teachings on a contemporary artist and photography professor. \n4:00PM\nConcluding discussion \n 
URL:https://lukeolsenphotography.com/event/minor-whites-beginnings-a-public-symposium-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180419T160000
DTEND;TZID=America/Los_Angeles:20180419T180000
DTSTAMP:20260403T133431
CREATED:20180406T023907Z
LAST-MODIFIED:20180406T023907Z
UID:696-1524153600-1524160800@lukeolsenphotography.com
SUMMARY:Randall L. Milstein at OSU Center for the Humanities
DESCRIPTION:Randall L. Milstein\, Character \nApril 6 – June 30\, 2018\nReception Thursday\, April 19\, 4-6pm \nOSU Center for the Humanities\n811 SW Jefferson\nCorvallis\, Oregon\n541-737-2450\ncenterforthehumanities@oregonstate.edu\nGallery Hours: 10am-4pm\, Monday-Friday \nAn exhibit of color portraits of cosplayers (costumed participants attending popular culture conventions\, such as ComicCon). “Regardless of the elaborate makeup\, costumes and affectations of the cosplayers\, there is always a face within a face\,” says Milstein. \n 
URL:https://lukeolsenphotography.com/event/randall-l-milstein-at-osu-center-for-the-humanities/
LOCATION:OSU Center for the Humanities\, 811 SW Jefferson\, Corvallis\, OR\, 97333\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180418T120000
DTEND;TZID=America/Los_Angeles:20180418T130000
DTSTAMP:20260403T133431
CREATED:20180405T225122Z
LAST-MODIFIED:20180405T225309Z
UID:693-1524052800-1524056400@lukeolsenphotography.com
SUMMARY:Jim Lommasson at the Portland Art Museum
DESCRIPTION:Jim Lommasson\, What We Carried: Fragments from the Cradle of Civilization \nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, April 18th\, 2018\, Noon – 1pm \nPortland Art Museum\nFields Ballroom\, first floor\, Mark building\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public. \nWhat We Carried: Fragments from the Cradle of Civilization reveals the stories of refugees fleeing the Iraq and Syrian wars through the objects they brought with them to the United States. Lommasson photographs these precious items—family snapshots\, an archaeology book\, heirloom china dishes\, the Quran—on a white background\, asking their owners to write directly within the open space left in the prints and elaborate upon each object’s significance. The resulting images are as beautiful as they are heartbreaking\, providing viewers with only a small glimpse of what each person has lost while serving as a poignant reminder that\, as Jim asserts\, “we must take responsibility for the aftermath of the war in Iraq and Afghanistan as well as at home.”\n– Zemie Barr\,  Oregon Center for the Photographic Arts \nJim Lommasson is a freelance photographer and author living in Portland\, Oregon. He received the Dorothea Lange–Paul Taylor Prize from The Center for Documentary Studies at Duke University for his first book\, Shadow Boxers: Sweat\, Sacrifice & the Will to Survive in American Boxing Gyms.\nLommasson’s recent book and traveling exhibition Exit Wounds: Soldiers’ Stories – Life after Iraq and Afghanistan is about American Veterans’ lives after their return from war. Exit Wounds includes Lommasson’s photographs\, interviews\, and photographs by the participants. He is a 2012-2016 Oregon Humanities Conversation Project Grant Recipient for his public discussion “Life after War: Photography and Oral Histories of Coming Home.” Lommasson was awarded a Regional Arts and Culture Council Project Grant for his current project: What We Carried: Fragments from the Cradle of Civilization. What We Carried is an ongoing collaborative storytelling project with displace Iraqi and Syrian refugees who have fled to the U.S. The Arab American National Museum is traveling the What We Carried exhibition around America.
URL:https://lukeolsenphotography.com/event/jim-lommasson-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180414T180000
DTEND;TZID=America/Los_Angeles:20180414T210000
DTSTAMP:20260403T133431
CREATED:20180408T165613Z
LAST-MODIFIED:20180408T165613Z
UID:704-1523728800-1523739600@lukeolsenphotography.com
SUMMARY:PDX 30 and The LightBox Files Exhibit at LightBox Photographic Gallery
DESCRIPTION:PDX 30 and The LightBox Files Exhibit \nApril 14th – May 8th\, 2018\nOpening and Artists’ Reception: Saturday\, April 14th\, 6-9pm \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com\nhttp://lightbox-photographic.com/shows/pdx_30_2018\nhttp://lightbox-photographic.com/shows/the_lightbox_files_2018 \nLightBox Photographic Gallery recognizes the Portland photographic community for their incredible talent in the 7th annual “PDX 30 Exhibit”. This group exhibit opens with an artists’ reception on Saturday\,\nAril 14th from 6-9 pm. In honor of Portland Photo Month\, April 2018\, this group exhibit celebrates LightBox’s appreciation of the Portland Photographic Community by showcasing their work. One image each from 30 photographers was chosen to be featured in the exhibit\, work that exhibits the unique vision and creativity of the photographer and stood out above the crowd. This year Portland Photographer Zeb Andrews of Blue Moon Camera served as juror. \nCongratulations to the Photographers accepted into PDX 30\nKate Ampersand • Heather Binns • Briana Morrison • Cecily Caceu • Gary Canazzi • Harley Cowan\nAngela Holm • Randahl Finnessy • Jim Fitzgerald • Keri Friedman • Bob Gervais • Austin Granger\nShane Eldridge • Jarred Decker • Ashley Jennings • Jonathon Moore • Brian Kosoff • Nathan Lucas\nLloyd Lemmermann • Luke Olsen • Blue Mitchell • Mia Krys • Angel O’Brien • Jeffrey Rooney\nIsaac Sachs • Scott David Schaerer • Shelbi Schroeder • Ken Hawkins • Olivia Stonner • Adam Bacher \nAlso opening on this night is the LightBox Files Exhibit. The LightBox Files are entering the third year\, honoring the complete photographer by recognizing those that pursue the art of fine printing\, in whatever medium that may be. On this night seven photographers will be featured with a series of prints on the walls and a collection in the drawers. Photographers work will be featured in the viewing drawers at the gallery for the 2018 calendar year. \nCongratulations to the Photographers of the LightBox Files\nJim Fitzgerald • Laura Kurtenbach • Donald MacDonald\nRoger Dorband • Mike Demkowitz • Ken Hochfeld • Robert Potts \n“The PDX 30 Exhibit” and “The Lightbox Files Exhibit” will be on display in the gallery through May 8th. Please visit the gallery during the month to see the collection of work. \nComplete show info is on the LightBox website at http://lightbox-photographic.com/shows/. LightBox memberships are a way to become part of the community that helps to further the mission of the gallery. \nContact LightBox at 503-468-0238 or info@lightbox-photographic.com LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday\, 11 – 5:30. \n 
URL:https://lukeolsenphotography.com/event/pdx-30-and-the-lightbox-files-exhibit-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180414T133000
DTEND;TZID=America/Los_Angeles:20180414T174500
DTSTAMP:20260403T133431
CREATED:20180411T024809Z
LAST-MODIFIED:20180411T024809Z
UID:713-1523712600-1523727900@lukeolsenphotography.com
SUMMARY:Photographer Speaker Series (2/3) at Portland Community College - Cascade Campus
DESCRIPTION:Photographer Speaker Series\nPortland Photography Month \nSaturday\, April 14 \n1:30 – 2:45   Rachel Wolf\n3:00 – 4:15  Margaret Jacobsen\n4:30 – 5:45   Davis Hilton \nPortland Community College – Cascade Campus \nMoriarty Arts and Humanities Building\n705 N Killingsworth St\, Portland\, OR 97217\nAuditorium  Room 104 \nContact:\nKelli Pennington\nInstructor of Photography\nPortland Community College – Cascade Campus\nKellipenni@gmail.com \nPortland Community College – Cascade Art Department is pleased to announce a Photographer Speaker Series in support of Portland Photography Month.  All students and community members are welcome to attend.  Featuring nine photographers\, who photograph a wide range of subjects and utilize various forms of the medium\, will speak about their life path\, artistic practice\, and thoughts on the state of photography. Each artist will lecture for 60 minutes and answer questions. \nSaturday April 14 \n1:30pm – Rachel Wolf \nRachel Wolf specializes in Photography and Light Installations. Many of her projects are experiments in which the external world is lensed in a way that considers inner reality and visual perception; photography implies an objectivity\, whose impossibility masks potent subjectivities. One of her principal methods of working with photography is without a camera\, and involves directly exposing photographic paper to light and chemicals. She chooses to return to these irreducible elements\, the invisible tools of analogue photography\, in order to produce a new\, tangible photographic subject. This way of working with light in the dark led her to start producing light-based installations. These are spaces in which a viewer may find themselves in a liminal space between sensory  experience and knowledge\, the analytical and the corporeal\, perception and apprehension. Rachel exhibits her work nationally\, and is an educator and speaker in the field. Originally from Anchorage\, Alaska\, Rachel earned her BA from Hampshire College and her MFA from Pacific Northwest College of Art. \n3:00pm – Margaret Jacobsen \nI’m a non-binary parent who loves dance parties in the kitchen\, all day naps\, brunch at anytime\, writing articles that challenge\, raising plant babies\, and leading discussions around dismantling patriarchy\, societies expectations with relationships\, how to take care of our mental health\, and how to build community in all that we do. A photographer + writer by trade\, who has fallen into strategy + branding\, while teaching fellow humans about race\, queerness\, gender\, and often times plants\, and pop culture. I try to do as many things as possible\, because why not? \n4:30pm – Davis Hilton \nI am a 23-year-old photographer living in Portland\, and I love taking portraits. To be honest\, I could photograph people for the rest of my life and be the happiest person alive. \nI am a college student\, currently working on earning my degree in advertising at Portland State University. I’m also a proud member of the LGBT community\, and a Game of Thrones fanatic. \n 
URL:https://lukeolsenphotography.com/event/photographer-speaker-series-2-3-at-portland-community-college-cascade-campus/
LOCATION:PCC Cascade\, 705 N Killingsworth St.\, Portland\, OR\, 97217\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180413T200000
DTEND;TZID=America/Los_Angeles:20180414T220000
DTSTAMP:20260403T133431
CREATED:20180313T074139Z
LAST-MODIFIED:20180313T074139Z
UID:636-1523649600-1523743200@lukeolsenphotography.com
SUMMARY:Joni Kabana in Astoria
DESCRIPTION:Joni Kabana\, Where We Began \nApril 13-14\, 2018\,  8-10 PM \nStreets of Astoria\, Oregon\nhttps://www.oldastoria.com/obtainium-studio.php \nCome to Astoria and see the town light up with images projected onto the walls of buildings! As part of Astoria’s IlluminART project conceived by artist Jeff Daly\, Joni will be projecting photographs from her Where We Began series\, images captured in the Afar region of Ethiopia. Music score composed by her son\, Aaron Opsahl. \n 
URL:https://lukeolsenphotography.com/event/joni-kabana-astoria/
LOCATION:Streets of Astoria\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180413T190000
DTEND;TZID=America/Los_Angeles:20180413T210000
DTSTAMP:20260403T133431
CREATED:20180313T210653Z
LAST-MODIFIED:20180313T210653Z
UID:642-1523646000-1523653200@lukeolsenphotography.com
SUMMARY:Photographing Wildflowers In The Field workshop with Don Jacobson
DESCRIPTION:Don Jacobson\, Photographing Wildflowers In The Field Plus workshop \nFriday April 13\, 7-9pm On Campus\, Introductory Lecture\nSaturday April 14\, 8am – 4pm\, Field Trip\nSunday April 15\, 2-4pm\, Critique \nClark College\nLocation: JSH 127\nAddress: 1933 Fort Vancouver Way\, Vancouver\, WA 98663\nPhone: (360) 699-6398\nhttp://ecd.clark.edu/classes/class.php?SKU=R115 \nImprove your skills photographing wildflowers in the field using techniques and appropriate approaches to portray the beauty of native flora. We will also learn valuable techniques for photographing during mid day. Class meets over a three day weekend – Friday: equipment and techniques will be discussed; Sat: a full day in the field to photograph wildflowers in the eastern Columbia River Gorge and Sunday: review photographs taken on Saturday. See webpage for list of equipment. The field trip will include up to 2 miles of easy hiking will be involved. Bring a brown (or any other color) bag lunch. \nDon Jacobson is an award winning photographer who has photographed extensively in western North America. He won first prize in the California Native Plant Society’s photo contest 2016. \nMore of his photographs can be found at: www.donjacobsonphoto.com \n 
URL:https://lukeolsenphotography.com/event/photographing-wildflowers-in-the-field-workshop-with-don-jacobson/
LOCATION:Clark College\, 1933 Fort Vancouver Way\, Vancouver\,\, WA\, 98663\, United States
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END:VCALENDAR