BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Luke Olsen Photography - ECPv6.0.10//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Luke Olsen Photography
X-ORIGINAL-URL:https://lukeolsenphotography.com
X-WR-CALDESC:Events for Luke Olsen Photography
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20190310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20191103T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190629T080000
DTEND;TZID=America/Los_Angeles:20190629T170000
DTSTAMP:20260403T113558
CREATED:20190520T023127Z
LAST-MODIFIED:20190520T023127Z
UID:1305-1561795200-1561827600@lukeolsenphotography.com
SUMMARY:Call for Entry - PhotoZone's 31st Annual Juried Show
DESCRIPTION:Call for Entry – PhotoZone’s 31st Annual Juried Show \nSubmission Dates:  June 29th and June 30thThis submission is made in person only. Prints are brought in by hand\, framed and ready to hang (see below). \nTwo Delivery Locations: The Emerald Art Center500 Main Street\, SpringfieldSaturday June 29th or Sunday June 30th from 11 – 4 each day The Siuslaw Public Library1460 Ninth StreetFlorence\, OregonSaturday only – June 29th from 11-4. \nCash Prizes First Prize $300Second Prize $200Third Prize $100Plus other prizes from our business sponsors \nBring prints framed with hanging wire only (no tape and string or sawtooth hangers)Size limit 36 inch frame\, longest dimensionLimit 2 prints per person – Fee due on delivery One for $15 or Two for $25Cash or Check only. Show location \nJuried Show Exhibit July 3rd – August 2nd\, 2019Opening Reception Friday July 12th at The Emerald Art Center from 5 – 8 pm500 Main Street in Springfield. Refreshments will be served.Gallery Hours Tue. – Sat. 11:00 – 4:00 For complete entry instructions visit the PhotoZone Blogspot at: http://photozonegallery.blogspot.comemail for info:  photozonegalleryoregon@gmail.comCall: 541 729 3572Website: http://members.efn.org/~fotozone/ \n 
URL:https://lukeolsenphotography.com/event/call-for-entry-photozones-31st-annual-juried-show/
LOCATION:Emerald Art Center\, 500 Main St.\, Springfield\, OR\, 97477\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190619T120000
DTEND;TZID=America/Los_Angeles:20190619T130000
DTSTAMP:20260403T113558
CREATED:20190611T031404Z
LAST-MODIFIED:20190611T031404Z
UID:1322-1560945600-1560949200@lukeolsenphotography.com
SUMMARY:Dawn Surratt at the Portland Art Museum
DESCRIPTION:Dawn Surratt\, Art and Death; The Human Universals \nPortland Art Museum Photography Council’sBrown Bag Lunch Talk Series \nWednesday\, June 19th\, 2019\, Noon – 1pm  \nPortland Art MuseumThe Miller Gallery\, Mark Building1219 SW Park Avenue\, Portland\, OR 97205www.portlandartmuseum.org503 226 2811Cost: Free to the public (people are welcome to bring their lunch) \nWorking as a hospice social worker shaped Dawn Surratt’s worldview\, her values\, and her visual perspective. Please join her as she speaks about her experience of making art after working with dying people for over 22 years. \nDawn Surratt earned a B.A. in Studio Arts from the University of North Carolina in Greensboro and a Bachelor and master’s degree in Social Work from the University of Georgia. Her years of work with dying patients in hospice settings is the backbone of her imagery. Surratt’s photographs\, with photo-based book structures\, installations\, and objects are visual meditations exploring concepts of grief\, transition\, healing and spirituality. \nHer work has been widely shown and is held in private and permanent collections across the United States. She is a 2016 Critical Mass Finalist and a 2018 nominee for the Royal Photography Society’s 100 Heroines. \nShe is a full-time artist living in rural North Carolina with her husband.
URL:https://lukeolsenphotography.com/event/dawn-surratt-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190609T100000
DTEND;TZID=America/Los_Angeles:20190609T140000
DTSTAMP:20260403T113558
CREATED:20190527T232037Z
LAST-MODIFIED:20190527T232037Z
UID:1315-1560074400-1560088800@lukeolsenphotography.com
SUMMARY:Oliver Klink workshop hosted by Camerawork Gallery
DESCRIPTION:“Turning your travel photography into Fine Art Images. Get Ready and Inspired!”Workshop with professional photographer Oliver Klink hosted by Camerawork Gallery \nJune 9\, 2019 (10AM – 2PM) \nCamerawork Gallery301 N. Graham Street\, Portland\, OR 97227Located in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.Free off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44www.TheCameraworkGallery.orgwww.Facebook.com/cameraworkgallery503-701-5347 \nWorkshop price: $79Register at: https://www.incredibletravelphotos.com/2019-Workshops/2019-1-Day-Workshops/1DayTravelREADY/ \nSynopsis: The workshop retraces the steps Oliver Klink took to progress from an avid travel photographer to one who delivers meaningful messages thru storytelling and compelling images. Klink will discuss his “breakthroughs”\, the technical choices he made to be recognized as one of the best printmakers\, the power of making images of personal nature\, working on “hero shots” versus a longterm project\, how “compelling and different the world of the art is” and be able to embrace it. The format is lecture style\, with Q&A at the end of each segments. \nTopics covered: Segment 1: You don’t need to be a fulltime photographer to make images “that sing”\, Segment 2: Organizing data on the road and at home\, Segment 3: I am not reproducing what I saw (Best tips to improve your post processing)\, Segment 4: I love images on my wall (The smell of the ink vs. the beautiful electronic display)\, Segment 5: I do it for fun (Making images of personal nature) \nAbout Oliver Klink: Oliver Klink is a professional photographer\, originally from Switzerland\, now based in the San Francisco Bay Area. He has photographed in over 120 countries. In 2018\, he published a book – Cultures in Transition: Spirit Heart Soul – which won the prestigious 2019 IPPY GOLD AWARD by the Independent Publisher for best photography book of 2018. The images\, the stories\, the sequencing\, the quality of the printing\, and the cover\, all contributed to the award. He was also awarded 2018 Black and White photographer of the year by Dodho Magazine. \n 
URL:https://lukeolsenphotography.com/event/oliver-klink-workshop-hosted-by-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190608T170000
DTEND;TZID=America/Los_Angeles:20190608T200000
DTSTAMP:20260403T113558
CREATED:20190527T230521Z
LAST-MODIFIED:20190527T230521Z
UID:1313-1560013200-1560024000@lukeolsenphotography.com
SUMMARY:The Plastic Fantastic Show X at LightBox Photographic Gallery
DESCRIPTION:The Plastic Fantastic Show X \nJune 8 – July 10\, 2019Artists’ Opening Reception: Saturday\, June 8\, 5-8pm \nLightBox Photographic Gallery1045 Marine Dr.Astoria\, OR 97103(503) 468-0238lightbox-photographic.com \nLightBox Photographic Gallery celebrates its 10th anniversary with the opening and artists’ reception of The Plastic Fantastic Show X on Saturday\, June 8\, 2019 from 5-8pm. \nThe Plastic Fantastic Show X exhibits images shot using toy\, plastic\, pinhole\, box or homemade cameras. The show is held every year to celebrate the gallery’s anniversary! This method of photography has gained popularity because of the freedom possible using cameras with less than perfect optics and control resulting in unpredictable and sometimes extraordinarily beautiful results. A large number of photographers from around the world shoot images primarily with these basic cameras\, creating unique photos that are captured on film. \nBecky Ramotowski of Taos\, New Mexico juried the exhibit. Becky is the founder of World Toy Camera Day. She has been a photo enthusiast since the age of six when she was given her first camera\, an Imperial Mark XII\, to take on a road trip across the southwestern USA. Her “official” interest in toy cameras came in 2002 after seeing quirky photos made with Holgas and Dianas at a photo lab in Texas where she bought her first Holga. \n“The very first photo I made with my Holga was one I really liked of a statue of “Nike of Samothrace” in a run-down park in San Antonio\, Texas. It was the flawed statue and the run-down park full of weeds and abandonment that lured me in and set the hook for using toy cameras. The photo was vignetted and not quite perfectly focused. Toy cameras communicate a freer sense of photography that feels natural and relaxed at relaying an idea. They aren’t perfect but are addictive and amazing in what they can do in creative hands”. \nCongratulations to the photographers accepted into The Plastic Fantastic Show X \nC B Adams • Lilyan Aloma • Helene Barrette • Stephanie BethelKerry Bishe • Amelia Bjesse-Puffin • Maureen Bond • Larissa BurkeRonald Butler • Claudia Cebrian • Elisabeth Dare • Ellen DavisChristine Eagon • Eddie Erdmann • Joanna Epstein • Liv FergusonBrian Franczyk • Alexa Frangos • Bob Gervais • J. M. GoldingJulie Hamel • Karen Hillier • Kerry Jeffrey • George JohnsonBarbara Justice • Elissa Killian • Jocelyn Matthewes • Bill MoySara Musashi • April Rocha • Denise Ross • Paul Sharratt • Steven TaddeiIan Thompson • Jacqueline Walters • Bonni Wahlquist • Kristin WareMichael Weitzman • Patrick Whitaker • Mike Yoder • Yelena Zhavoronkova \nThis year Sara Musashi from West Hollywood\, Ca. received the juror’s top award for the image\, “Two Suns”\, Bob Gervais of Portland\, Or. received the juror’s second award for “Janitzio\, Mexico”\, and Claudia Cebrian from Miami Fla.. received the Juror’s third award for “Mermaid”. \nLightBox opened in Astoria on June 13\, 2009 when Chelsea and Michael Granger established the venue to educate in the photographic arts. Having hosted over 125 exhibits since opening\, LightBox has become an important Northwest photographic resource\, exhibiting national and regional artists’ with exhibits of fine photography\, conducting artists’ presentations and workshops\, all as part of their goal to provide a center for the promotion of creative and alternative photography on the North Coast of Oregon. \nThe Plastic Fantastic Show X runs from June 8th until July 10th. LightBox offers memberships as a way of becoming part of the community of supporters that help to further the mission of the gallery. LightBox provides fine art reproduction\, restorations\, photographic printing\, and other photographic services. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday 11 – 5:30. Contact LightBox at 503-468-0238 or at info@lightbox-photographic.com\, and visit lightbox-photographic.com for more info and to enjoy past\, current and upcoming exhibits.
URL:https://lukeolsenphotography.com/event/the-plastic-fantastic-show-x-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190608T160000
DTEND;TZID=America/Los_Angeles:20190608T183000
DTSTAMP:20260403T113558
CREATED:20190523T045840Z
LAST-MODIFIED:20190523T045840Z
UID:1308-1560009600-1560018600@lukeolsenphotography.com
SUMMARY:Oliver Klink at Camerawork Gallery
DESCRIPTION:Oliver Klink\, Soul of the Bürkitshi \nJune 1- June 28\, 2019Artist’s talk\, Saturday\, June 8\, 4pm-5pm Artist’s Reception and Book signing\, June 8 5pm-6:30pm \nCamerawork Gallery301 N. Graham Street\, Portland\, OR 97227Located in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.9am – 6pm\, Monday-Saturday\, Sunday\, 10am-4pmFree off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44www.TheCameraworkGallery.orgwww.Facebook.com/cameraworkgallery503-701-5347Event is free and open to the public \nNestled in the snowy mountaintops of Western Mongolia\, the Kazakhs have mastered the ancient and noble art of hunting with eagles. For nomadic tribes\, their survival depends not only on training these majestic birds but in passing on their skills to the younger generation. For centuries\, this knowledge has been transferred from father to son\, but that’s all beginning to change. \nThe young women are becoming Bürkitshi\, the Kazakh word for eagle hunters. This shift is no accident. Eagle hunting has slowly transitioned from a means of survival to a sightseeing attraction. This influx of commercialism has altered their trading power and divided the community. No longer are they exchanging goods and furs\, now they are earning currency through tourism. Teaching the art of eagle hunting to women makes the Kazakh even more interesting to tourists and prevents the sport from becoming diluted or dying out altogether. \nThese images are a glimpse into the soul of the hunters in a time of rapid change. There is a deep bond and a rich unspoken language between the Bürkitshi and their eagles. Yes\, the hunt is violent\, but the Bürkitshi’s intimate connection with their animals instills the sport with a sense of grace and art. \nFor those who truly live as Bürkitshi\, the future doesn’t faze them. They still hunt in the way of their ancestors\, migrate through the rugged terrain and share stories over cups of fermented mare’s milk and baursak (fried dough balls). Only now\, these stories are being told by brave new huntresses. \nGeir Jordahl (Publisher\, True North Editions) writes: “Klink’s images transcend borders without homogenizing very distinct peoples\, nationalities\, and cultures. The uniqueness of each is present\, yet Klink asks us to see the links between them and to see ourselves within each tribe. He connects us through the use of common bonds\, gestures\, and expressions. In this way the personalities of his subjects shine through – their emotion\, their joy\, their connections with each other and\, by association their connection to the viewer.” \nPrinting Technique: The images were photographed with high-resolution cameras\, ranging from medium format digital Hasselblad to full frame mirrorless Sony. The images are printed with a special technique called Piezography. Piezography is the first fine-art archival black & white digital printing process\, which has a unique combination of surface reflection\, high fidelity\, and tone due to a proprietary pigment manufacturing. ABOUT THE ARTIST Oliver Klink was educated as a physicist and photographer. He was awarded 2019 IPPY GOLD AWARD by the Independent Book Publisher for best photography book of 2018 (Cultures in Transition: Spirit Heart Soul)\, Black and White Photographer of the year (2018) by Dodho Magazine\, Top 50 Artist (2016 & 2018) Photolucida Critical Mass\, Spotlight winner of Black and White Magazine Portfolio edition (2018)\, Best of the Best Black and White Emerging Photographers by BWGallerist (2016).  \nHe has had solo exhibits at Middlebury Institute of International Studies\, Monterey\, California; Conti Museum\, Festival de La Luz\, Buenos Aires\, Argentina; Black Rapid Gallery\, Seattle\, Washington; Pictura Gallery\, Bloomington\, Indiana; CameraWork\, Portland\, Oregon; PhotoCentral Gallery\, Hayward\, California; Shadows Gallery\, Arles\, France.  \nOliver Klink resides in Los Gatos\, California with his wife. \nPurchasing Work: His award-winning book (2019 IPPY GOLD AWARD by Independent publisher) and limited edition prints are for sale at www.culturesintransition.com \n 
URL:https://lukeolsenphotography.com/event/oliver-klink-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190608T150000
DTEND;TZID=America/Los_Angeles:20190608T170000
DTSTAMP:20260403T113558
CREATED:20190604T054749Z
LAST-MODIFIED:20190604T054749Z
UID:1319-1560006000-1560013200@lukeolsenphotography.com
SUMMARY:Gioncarlo Valentine at Blue Sky Gallery
DESCRIPTION:Gioncarlo Valentine\, The Soft Fence \nJune 6–30\, 2019 First Thursday opening reception: June 6\, 6:00–9:00 PMArtist talk: Saturday\, June 8\, 3:00 PM \nBlue Sky Gallery 122 NW 8th AvenuePortland\, Oregon 97209 USA503-225-0210Tuesday – Sunday\, 12 – 5 pmFirst Thursday 6 – 9 pmbluesky@blueskygallery.orghttp://www.blueskygallery.org/All Blue Sky events and programs are free and open to the public. \n“When I hear Black men say they don’t cry\, is this genuine? Has hardness forced the tears from them permanently? Are they able?… How many men in our community are flailing beneath the weight of their performances\, and what are the real life consequences?” \nIn The Soft Fence\, Gioncarlo Valentine explores what is beyond the wall of performative hypermasculinity within Black culture. Having grown up queer and femme-presenting\, Valentine’s work is influenced by his desire to understand the experiences of straight men in his community and the standards of masculinity imposed on them. These photographs are “a series of questions about access\, performance\, proximity\, Black manhood\, and Black brotherhood\,” in which Valentine asks viewers to question where the performance begins and ends\, and what preconceived ideas they may have about his subjects. \nGioncarlo Valentine (b. 1990) is an American documentary/portraiture photographer and writer currently based in New York. Valentine hails from Baltimore City and attended Towson University in Maryland. His work focuses on issues faced by marginalized populations\, most often focusing his lens on the experiences of Black/LGBTQIA+ communities. Valentine was named a 2018 En Foco Photography Fellow and was a member of the 2018 class of Skowhegan’s School of Painting and Sculpture. He is a contributing photographer for The New York Times and has had his work published in Propublica\, The Fader\, Essence\, THEM\, Harpers Bazaar\, and Newsweek\, among other publications. \n 
URL:https://lukeolsenphotography.com/event/gioncarlo-valentine-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190607T170000
DTEND;TZID=America/Los_Angeles:20190607T200000
DTSTAMP:20260403T113558
CREATED:20190527T225710Z
LAST-MODIFIED:20190527T225710Z
UID:1311-1559926800-1559937600@lukeolsenphotography.com
SUMMARY:Rachel Wolf at The Chehalem Cultural Center
DESCRIPTION:Rachel Wolf\, Unconditional \nJune 4\, 2019 – August 3\, 2019Opening Reception: Friday\, June 7\, 5-8pm \nCentral GalleryThe Chehalem Cultural Center415 E Sheridan\, Newberg\, OR 97132503-487-6883Gallery Hours: Tuesday – Saturday\, 9am-6pmWebsite:chehalemculturalcenter.orgrachelwolf.com \nThe art of alchemy is the transmutation of matter\, a process wherein something is changed from one state to another in order to achieve a higher or more valuable form. My work takes from the alchemists this idea of transmutative elevation\, which in my projects is achieved through color and chemical action. \nMy principal method of working involves directly exposing photographic materials to light and chemicals. These essential matters become the tools\, subjects and direct chemical process that create the final image. I choose to return to these irreducible elements\, the invisible tools of analogue photography\, in order to produce a new\, tangible photographic subject. Taking the camera away from photography doesn’t remove the possibility for an image\, instead it provides space for proposing images for an un-lensed\, visual world. \nRachel Wolf specializes in camera-less photography\, alternative/antique processes\, and immersive environments through light-based installations. Rachel is an educator and speaker in the field of photography. She has exhibited her work nationally\, including New York\, San Francisco\, Los Angeles\, Cincinnati\, Seattle\, and Portland. Recently her work was acquired into the City of Portland’s public art collection and she has been the Artist in Residence at Rose Villa in Milwaukee\, OR. Rachel is a founding member of FO(u)RT Collective\, a multi-disciplinary arts collective that creates/curates exhibitions and events. Originally from Anchorage\, Alaska\, Rachel earned her BA from Hampshire College and her MFA from Pacific Northwest College of Art. Rachel currently resides in Portland\, OR. \n 
URL:https://lukeolsenphotography.com/event/rachel-wolf-at-the-chehalem-cultural-center/
LOCATION:Chehalem Gallery\, 415 E Sheridan St\, Newberg\, OR\, 97132\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190606T170000
DTEND;TZID=America/Los_Angeles:20190606T180000
DTSTAMP:20260403T113558
CREATED:20190604T054145Z
LAST-MODIFIED:20190604T054145Z
UID:1317-1559840400-1559844000@lukeolsenphotography.com
SUMMARY:Mark Aghatise at Blue Sky Gallery
DESCRIPTION:Mark Aghatise\, Study One \nJune 6–30\, 2019First Thursday opening reception: June 6\, 6:00–9:00 PMArtist talk: Thursday\, June 6\, 5:00 PM \nBlue Sky Gallery 122 NW 8th AvenuePortland\, Oregon 97209 USA503-225-0210Tuesday – Sunday\, 12 – 5 pmFirst Thursday 6 – 9 pmbluesky@blueskygallery.orghttp://www.blueskygallery.org/All Blue Sky events and programs are free and open to the public. \nIn Study One\, Mark Aghatise manipulates photographs to examine “the bifurcation of self that occurs in contemporary urban life.” Upon moving to New York City\, Aghatise became distinctly aware of the tendency for people to split into public and private personas\, and of their desire\, or need\, to create and market a perfect outward version of themselves. At the same time\, he was grappling with similar questions regarding himself\, his body\, and his feelings of dysmorphia in relation to it. \nAghatise found an avenue for this self-examination through his work as an editorial photographer. He writes\, “Through photographing other black bodies\, I began to better understand my own and ultimately how to contort and queer the space it inhabits.” Regarding his process with his subjects\, he states\, “I analyzed during our shoots whether there was a difference in their public self that they would bring to set and the private self that would reveal itself by the end of the session. Noting the differences\, I worked to use tactile manipulations of their image to reflect what I perceived in each of them. I wanted to craft a more cohesive image\, reflecting the layers.” \nMark Aghatise is a London-born\, New York-based artist. His work explores the processes of deconstructing and constructing images of the black male figure. Movement\, repetition\, and the failure of both are central to his photographic studies and endeavors. His work interrogates our current cultural understanding and relationship to photographs and photography as a medium. Through a design-oriented lens\, Aghatise scans\, rips\, and distorts images to question and stretch our perception of reality within a photograph to make audiences conscious of their perspective and gaze.
URL:https://lukeolsenphotography.com/event/mark-aghatise-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190601T170000
DTEND;TZID=America/Los_Angeles:20190601T170000
DTSTAMP:20260403T113558
CREATED:20190507T042148Z
LAST-MODIFIED:20190507T042213Z
UID:1302-1559408400-1559408400@lukeolsenphotography.com
SUMMARY:Photography at Oregon On-Line Photography Auction
DESCRIPTION:Photography at Oregon On-Line Photography Auction \nNow through 5 PM PDT June 1st\, 2019 \nhttps://www.accelevents.com/e/PAO2019 \nEugene-based Photography at Oregon (PAO) is having their 41st annual photography auction of original photographs. \nPhotographs by Bruce Barnbaum\, Wynn Bullock\, Martha Casanave\, Carl Chiarenza\, Barbara Crane\, Stewart Harvey\, Don Kirby\, Stu Levy\, Bill Owens\, Alan Ross\, George Tice and many other photographers are being offered. \nPAO has supported the Eugene area’s photography teaching programs for more than 50 years. \nAuction proceeds support PAO’s free public lectures\, exhibitions\, workshops\, visiting artists and community fine-art photography nights.PAO is comprised of volunteers\, all well-known photographers. \nAuction bids can be made through June 1. Please bid on a photograph and help support photography in our community!
URL:https://lukeolsenphotography.com/event/photography-at-oregon-on-line-photography-auction-2/
LOCATION:OR
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190601T140000
DTEND;TZID=America/Los_Angeles:20190601T150000
DTSTAMP:20260403T113558
CREATED:20190501T225627Z
LAST-MODIFIED:20190501T225627Z
UID:1293-1559397600-1559401200@lukeolsenphotography.com
SUMMARY:Rich Bergeman at Benton County Museum
DESCRIPTION:Rich Bergeman\, The Land Remembers \nMay 10 – June 15\, 2019Opening reception Friday\, May 10\, from 5-6:30pmGallery Talk\, Saturday\, June 1\, at 2pm \nMooreland GalleryBenton County Museum1101 Main St.Philomath\, OR 97370www.bentoncountymuseum.org541-929-6230Open Tues-Sat 10am-4:30pm \n“The Land Remembers: Photographs Inspired by the Rogue River Wars” features more than 30 black-and-white infrared photographs by Corvallis photographer Rich Bergeman. \nOver the last three years Bergeman has explored hundreds of miles of back roads in the Rogue River Country\, from Mt. McLoughlin to Gold Beach–as well as a few more miles on the river–in search of places where one of the bloodiest and longest-running wars in the state’s history raged in the early 1850s. Largely forgotten today\, the Rogue River Wars festered and flared up multiple times between 1851 and 1854 before erupting into all out war involving the U.S. Army in 1855-56. It ended with the forced removal of the Rogue Valley and the South Coast tribes to reservations at Siletz and Grand Ronde in what natives remember as Oregon’s own “Trail of Tears.” \nBergeman says his goal was not to document exact sites from the war years\, but rather to bring the historic conflict back to life through a “reflective look at the beautiful and sublime landscape that played host to such tragic events over 160 years ago.” \nAn Oregonian since 1976\, Bergeman is a retired instructor of journalism and photography for Linn-Benton Community College in Albany. The 70-year-old photographer has been exhibiting his work at various venues in the Northwest and beyond since the 1980s. Over the past two decades he has focused primarily on portraying forgotten Northwest histories through photographs of what’s been left behind. His photographic portfolios can be seen at richbergeman.zenfolio.com\, and in book form at blurb.com
URL:https://lukeolsenphotography.com/event/rich-bergeman-at-benton-county-museum/
LOCATION:Benton County Museum\, 1101 Main St.\, Philomath\, OR\, 97370\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190515T120000
DTEND;TZID=America/Los_Angeles:20190515T130000
DTSTAMP:20260403T113558
CREATED:20190505T191637Z
LAST-MODIFIED:20190505T191637Z
UID:1300-1557921600-1557925200@lukeolsenphotography.com
SUMMARY:Grace Weston at the Portland Art Museum
DESCRIPTION:Grace Weston\, Not Everything is Funny \nPortland Art Museum Photography Council’sBrown Bag Lunch Talk Series \nWednesday\, May 15th\, 2019\, Noon – 1pm  \nPortland Art MuseumThe Miller Gallery\, Mark Building1219 SW Park Avenue\, Portland\, OR 97205www.portlandartmuseum.org503 226 2811Cost: Free to the public (people are welcome to bring their lunch) \nJoin Grace for a presentation of her work from the last several years – from her photography of detailed staged miniature scenes to her first large-scale multi-media installation debuted at Nine Gallery. She will address changes to her work prompted by her relocation to Seattle and her eventual return to Portland\, and as always\, she will share a peek at the behind-the-scenes process. There will be time for questions. \nBased in Portland\, Oregon\, Grace has spent the last twenty-plus years photographing small worlds. Although never depicting actual people in her photographs\, the psychological landscape\, our search for meaning\, and the contradictions of human existence are undeniably at the center of her work. \nGrace’s artwork has been recognized internationally with numerous exhibitions\, publications\, public acquisitions\, and awards. She has also created work in her unique style for the editorial market. \nwww.graceweston.com \n 
URL:https://lukeolsenphotography.com/event/grace-weston-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190511T160000
DTEND;TZID=America/Los_Angeles:20190511T180000
DTSTAMP:20260403T113558
CREATED:20190503T165112Z
LAST-MODIFIED:20190503T165157Z
UID:1296-1557590400-1557597600@lukeolsenphotography.com
SUMMARY:C.A. Burns Photography - The Innovative Eye in memoriam at The O’Brien Photo Gallery
DESCRIPTION:C.A. Burns Photography\, The Innovative Eyein memoriam \nThe show runs from May 11th through July 11th.Reception on Saturday\, May 11th from 4-6 pm. \nThe O’Brien Photo Gallery2833 Willamette\, Ste. BEugene\, OR 97405541 729 3572Open weekdays\, call to be sure we’re openwaltobrien1945@gmail.comhttps://www.waltobrien.net \nThis is a memorial show for an early member of the PhotoZone Gallery who passed awaythis year. He passed away before the show was organized. \nFrom an article by Paul Carter in the Eugene Scene Website https://www.eugenescene.org. \n“To make a living\, he started a career in social work\, managing a training center for developmentally disabled adults in California. After several agency positions\, the path ended in burnout. Odd jobs followed in San Francisco and briefly in Seattle. He started a professional darkroom and photography business. There were even episodes of living on the street forced by his precarious financial situation and a natural disaster\, a mudslide in San Carlos\, Calif. in 1983. In Eugene since 1991\, Burns taught photography at the Craft Center at the University of Oregon and worked for Dot Dotson’s photo equipment and photo finishing stores. Along the way\, there was plenty of artistic rejection. A gallery owner in San Francisco turned down his early work with the advice to “print bigger.” He took that advice to heart. Burns’ photography defies easy categorization. He works in single images that range from street portraits\, still life and landscapes to documentary photographs. He also has experimented with manipulated images. There is some color; all the work is 35 mm and done with natural light. He is drawn to faces but hastens to explain that he wants to photograph people — often strangers on the street — to reveal “what the person is about.” Portraits almost always involve hours of conversation with his subjects. He is never a snapshooter.” \n 
URL:https://lukeolsenphotography.com/event/c-a-burns-photography-the-innovative-eye-in-memoriam-at-the-obrien-photo-gallery/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190509T180000
DTEND;TZID=America/Los_Angeles:20190509T190000
DTSTAMP:20260403T113558
CREATED:20190501T004755Z
LAST-MODIFIED:20190501T004755Z
UID:1290-1557424800-1557428400@lukeolsenphotography.com
SUMMARY:Cherie Hiser - A Celebration of Life at Portland Art Museum
DESCRIPTION:Cherie Hiser – A Celebration of LifePresented by Tatiana Raimondo \nMay 9th @ 6:00 p.m. to 7:00 p.m.   \nPortland Art MuseumWhitsell Auditorium1219 SW Park Avenue\, Portland\, OR 97205www.portlandartmuseum.org503 226 2811Cost: Free to the public \nLee Friedlander referred to Cherie Hiser as a “Photo Evangelist.” \nCornell Capa called her “One of the Most Vital Persons of Our Time.” \nCherie Hiser is the Godmother of the “Selfie.” \nCherie Hiser Revolutionized the Education of Photography with the “Center of the Eye” in Aspen\, Colorado in 1968. \nCherie Hiser is a third generation Portlander who was introduced to Photography in a workshop with Minor White at the Portland Art Museum in 1960. The Portland Art Museum has her work in its permanent collection. Cherie’s first teachers also included Imogen Cunningham and Ruth Bernhard. \nAs mentioned above; Cherie founded and directed “The Center of the Eye” in Aspen\, Colorado in 1968. It was “the first and finest year round photography workshop facility in the country.” \nThe teacher roster included: Ruth Bernhard\, Bea Nettles\, Joan Lyons\, Nathan Lyons\, Bruce Davidson\, Garry Winogrand\, Robert Heinecken\, Ralph Gibson\, Jerry Uelsmann\, Lee Friedlander\, Cornell Capa\, Paul Caponigro\, Henri Cartier-Bresson\, etc. \nCherie served on the Ansel Adams Friends of Photography Board of Trustees for five years. Ansel Adams recommended Cherie Hiser be the first Director of Photography for the new Sun Valley Center for the Arts and Humanities in Sun Valley\, Idaho in 1974. \nCherie Hiser’s Photographic work spanned six decades. Her “Odyssey of the Invisible” included her photographic work of numerous subcultures in our society. “I photograph what we don’t\, or can’t\, see” \nUpon returning to Portland in 1978 Cherie maintained two careers. She worked as a photographer/teacher and a Mental Health Therapist. \nOther photographic bodies of Cherie’s work include “Re:Visions.” “A re-photographic survey of photographs of myself\, and friends.” “Sleight of Face” which are diptychs of Drag Queens. And\, “Birds of Pray.” A photographic project during a disability leave of absence from her work as a Mental Health Therapist. \nCherie founded PhotoWorks Northwest in Portland in 1996. And\, in 1999 Cherie was a Trustee\, and Founding Member\, of Photolucida. She also served as the Chairperson of the Fine Art Auction in both 2000 and 2001. \nIncluded in Cherie’s Celebration of Life\, will be written tributes for Cherie from Joan Lyons\, Bea Nettles\, and Paul Caponigro\, with a special audio tribute from Judy Dater. \nPresented by Tatiana Raimondo (pocitos@comcast.net) \nCherie HiserBorn in Portland\, Oregon – May 9th\, 1939Died in Portland\, Oregon – December 26th\, 2018
URL:https://lukeolsenphotography.com/event/cherie-hiser-a-celebration-of-life-at-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190505T123000
DTEND;TZID=America/Los_Angeles:20190505T143000
DTSTAMP:20260403T113558
CREATED:20190425T204641Z
LAST-MODIFIED:20190425T204701Z
UID:1276-1557059400-1557066600@lukeolsenphotography.com
SUMMARY:Eric Brody at West Linn Public Library
DESCRIPTION:Eric Brody \nMay 1-May 31\, 2019I shall be having reception on Sunday\, May 5 from 12:30PM-2:30PM. \nWest Linn Public Library(in the Community Room)1595 Burns StreetWest Linn\, OR 97068https://westlinnoregon.gov/libraryMonday – Wednesday 10:00AM-8:00PMThursday-Friday 10:00AM-6:00PMSaturday-Sunday 12:00-5:00PMPlease call 503-656-7853 if you’d like to visit during the day as the room is sometimes booked for meetings. \nI am privileged to have an solo exhibit of my photography at the West Linn Public Library\, in the Community Room\, from May 1 through May 31\, 2019. \nwww.ericbrodyphoto.com \nA photographer can preserve a moment in time by combining artistic vision and technical tools. Each of my images has a special meaning for me. For each\, I can recall the light and the unique photographic aspects of the scene. I am fortunate both to live in Oregon and to have the ability to travel to photograph. Oregon and the west are magical places where one can capture the extraordinary beauty in simple natural things.For many years\, I used black and white film and printed in the traditional darkroom. I now photograph digitally with a high-resolution camera\, and do post processing in Adobe Lightroom and Photoshop.All photographs are manipulated. A two dimensional piece of paper is not reality; black and white is not reality; the colors in photographs are not real either. Just choosing where to place the corners in a composition requires a conscious decision. I have modified the color in some images as I have modified the tonal relationships in black and white\, both traditionally and digitally to produce images that please me. \n 
URL:https://lukeolsenphotography.com/event/eric-brody-at-west-linn-public-library/
LOCATION:West Linn Public Library\, 1595 Burns Street\, West Linn\, OR\, 97068\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190504T180000
DTEND;TZID=America/Los_Angeles:20190504T210000
DTSTAMP:20260403T113558
CREATED:20190504T023232Z
LAST-MODIFIED:20190504T023232Z
UID:1298-1556992800-1557003600@lukeolsenphotography.com
SUMMARY:Angel O’Brien at 45th Parallel Wines
DESCRIPTION:Angel O’Brien\, The Distance of Forgetting \nFriday\, May 2nd – Thursday\, May 30thArtist’s Reception-May 4th 6-9pm \n45th Parallel Wines8527 North Lombard StreetPortland\, Oregon 97203(971) 266-0886www.45thparallelwines.comTuesday-Thursday noon-8pmFriday-Saturday noon-9pmSunday noon-6pm \n  \nThe Distance of Forgetting is a series of unique self-portrait montages that are made using the alt-process photographic printing techniques of platinum\, gum bichromate\, cyanotype and photo transfer. With these photographs\, Angel plays with the idea that through the melding together of multiple\, often disparate\, images\, something magical and other can be created. \nwww.5x7angel.cominstagram- @5x7angel
URL:https://lukeolsenphotography.com/event/angel-obrien-at-45th-parallel-wines/
LOCATION:45th Parallel Wines\, 8527 N Lombard\, Portland\, OR\, 97203\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190504T150000
DTEND;TZID=America/Los_Angeles:20190504T170000
DTSTAMP:20260403T113558
CREATED:20190426T224219Z
LAST-MODIFIED:20190426T224219Z
UID:1282-1556982000-1556989200@lukeolsenphotography.com
SUMMARY:2019 Curatorial Prize: An Inward Gaze at Blue Sky Gallery
DESCRIPTION:2019 Curatorial Prize: An Inward Gazecurated by Jon Feinstein and Roula Seikalyphotographs by Arielle Bobb-Willis and Brittney Cathey-Adams \nMay 2–June 2\, 2019First Thursday opening reception: May 2\, 6:00–9:00 PMArtist-led tour of An Inward Gaze: Saturday\, May 4\, 3:00 PM \nBlue Sky Gallery 122 NW 8th AvenuePortland\, Oregon 97209 USA503-225-0210Tuesday – Sunday\, 12 – 5 pmFirst Thursday 6 – 9 pmbluesky@blueskygallery.orghttp://www.blueskygallery.org/All Blue Sky events and programs are free and open to the public. \nBlue Sky is pleased to present its second annual curatorial prize exhibition\, An Inward Gaze. Curators Jon Feinstein and Roula Seikaly have brought together the work of Arielle Bobb-Willis and Brittney Cathey-Adams\, two women who make sculptural\, performative images that counter the male gaze and its prevalence in art history. In doing so\, they illustrate how this power dynamic bolsters pervasive gender\, race\, and body size stereotypes in contemporary art and pop culture. Bobb-Willis’ vivid staged photographs use the human form as source material and as stand-ins for self-portraits representing her own complex emotional struggles. Cathey-Adams creates black-and-white self-portraits in various natural settings that declare personal agency in representation\, and defy historical stigmas attached to women who do not fit an idealized physical mold. \nFeinstein and Seikaly describe the work in An Inward Gaze as “an abstraction of control and self representation. Rather than offering a salve for the many complex problems tied to the male gaze\, we’ve paired the work of Arielle Bobb-Willis and Brittney Cathey-Adams in an attempt to reframe looking: how two artists use photography to process their own inner struggles\, how they use images of the physical form as metaphors for these monologues\, and ultimately\, how their methods are a means of taking ownership over their bodies and inward spaces.” \nAbout the Curators:Jon Feinstein is a Seattle and New York City-based photographer\, curator\, writer\, and co-founder of Humble Arts Foundation. Jon has curated numerous exhibitions over the last decade in venues including Glassbox Gallery in Seattle\, The Filter Photo Festival in Chicago\, Photographic Center Northwest in Seattle\, Hasted Kraeutler in NYC\, Affirmation Arts in NYC\, Barclays Arena in Brooklyn\, New York\, and Milk Studios in NYC. His curatorial projects have been featured in Aperture\, The New York Times\, The New Republic\, BBC\, VICE\, The New Yorker\, Hyperallergic\, Feature Shoot\, and American Photo\, and his writing has appeared in VICE\, TIME\, Slate\, GOOD\, Daylight\, Photograph\, and PDN. \nRoula Seikaly is a writer and independent curator based in Berkeley\, and Humble Arts Foundation’s Senior Editor. Her writing is featured on platforms including Aperture\, Photograph\, Saint Lucy\, Strange Fire Collective\, Camerawork\, Hyperallergic\, and KQED Arts. She has curated exhibitions at the Utah Museum of Fine Arts\, the Wattis Institute for Contemporary Arts\, SOMArts\, and SF Camerawork. \nAbout the Artists:Born and raised in New York City\, with pit stops in South Carolina and New Orleans\, photographer Arielle Bobb-Willis has been using the camera for nearly a decade as a tool of empowerment. Battling with depression from an early age\, Bobb-Willis found solace behind the lens and has developed a visual language that speaks to the complexities of life: the beautiful\, the strange\, belonging\, isolation\, and connection. Her photographs are all captured in urban and rural cities\, from the South to North\, East to West. Bobb-Willis travels throughout the US as a way of finding “home” in any grassy knoll\, or city sidewalk\, reminding us to stay connected and grounded during life’s transitional moments. She is currently based in New York City. \nBrittney Cathey-Adams is a photographic artist currently located in Portland\, Oregon. Her work includes themes of body politics\, fat positivity\, and interrogating ideas of representation through self-portraiture. Her work has been exhibited at institutions such as the de Young Museum\, The Center for Fine Art Photography in Fort Collins\, Colorado\, and Rayko Photo Center in San Francisco. Most recently\, she was a 2017 Artist In Residence with Center for Photography at Woodstock\, New York. Previously\, she taught photography and created program curricula in the Bay Area for seven years. She is currently teaching photography with Portland Community College. With a strong passion for photography and art education\, Cathey-Adams dedicates herself to image making as well as sharing visual language through teaching in and out of the classroom. \n 
URL:https://lukeolsenphotography.com/event/2019-curatorial-prize-an-inward-gaze-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190504T100000
DTEND;TZID=America/Los_Angeles:20190504T160000
DTSTAMP:20260403T113558
CREATED:20190425T210252Z
LAST-MODIFIED:20190425T210400Z
UID:1279-1556964000-1556985600@lukeolsenphotography.com
SUMMARY:Pelle Cass at Camerawork Gallery
DESCRIPTION:Pelle Cass\, Crowded Fields \nMay 4 – May 31\, 2019 \nCamerawork Gallery301 N. Graham Street\, Portland\, OR 97227Located in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.9am – 6pm\, Monday-Saturday\, Sunday\, 10am-4pmFree off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44www.TheCameraworkGallery.orgwww.Facebook.com/cameraworkgallery503-701-5347Event is free and open to the public \nBrookline\, MA photographer Pelle Cass notes\, “The reshuffled time of this series of composite photographs called Crowded Fields\, play prevails over competition\, the stands are empty\, and the fields are full\, whole games are shown out of sequence. I rearrange the archetypes of sports into new patterns. \n“To make the compositions\, I put my camera on a tripod\, take up to a thousand pictures\, and compile selected figures into a final photograph that is kind of a still time-lapse. I change nothing—not a pixel—only select what to keep and what to omit. It all happened just as you see it\, just not at the same time. \n“My subjects are the lightly attended fields\, arenas\, and stadiums of college and amateur teams (especially women’s teams) around Boston where I live. I try\, in the series\, to convey a sense of ecstatic chaos–rhythm\, pattern\, and bodily pleasure that conspire to turn sports back into a game\, one that may be invisible to the eye\, but clear to my camera.” \nBasic information on my process • I put my camera on a tripod and take up to a thousand or more photos over an hour or two from the exact same spot. A thousand photos is typical. • I compose the files in Photoshop. A typical finished photo might include two- to fourhundred layers. • It takes me about 40 hours to assemble a photo in Photoshop. The whole process— from shooting to polishing the final file—might take about two weeks if I’m working on it full time. \nPelle Cass is a photographer from Brookline\, Massachusetts. His work is in the collections of the Fogg Art Museum\, the Addison Gallery of American Art\, the Polaroid Collection\, the DeCordova Museum\, the Peabody Essex Museum\, the MFA\, Houston\, and others. Cass’s work has been published widely online\, in books such as Photoviz\, Deleueze and the City\, and Langford’s Basic Photography and magazines such as Consumer Reports\, Businessweek\, McSweeney’s\, and the Boston Art Review.\, and he’s received fellowships from Yaddo and the Polaroid Collection. \nwww.PelleCass.comInstagram: https://www.instagram.com/pellecass/
URL:https://lukeolsenphotography.com/event/pelle-cass-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190502T170000
DTEND;TZID=America/Los_Angeles:20190502T210000
DTSTAMP:20260403T113558
CREATED:20190426T230449Z
LAST-MODIFIED:20190426T230449Z
UID:1286-1556816400-1556830800@lukeolsenphotography.com
SUMMARY:Lew Nunnelley at Pearl Gallery and Framing
DESCRIPTION:Lew Nunnelley\, UNCONVENTIONAL ROLLING ART: GRAFFITI CACOPHONY \nMay 2 to June 2\, 2019Reception:  May 2 from 5pm to 9pm \nPearl Gallery and Framing2250 NW 22nd Ave Suite 404 Portland\, OR 97210503.274.9878Normal hours:9 a.m. to 5 p.m. Weekdays11 a.m. to 5 p.m. Saturdaysand every First Thursday until 9 p.m.tekoah@pearlframing.comhttps://Pearlframing.com/ \nFor the month of May\, Pearl Gallery & Framing will be showcasing a selection of photographs of graffiti by Lew Nunnelley. This selection of photographs\, were made from graffiti images on railroad cars in the Willamette Valley. \n“Painting on railroad cars is considered vandalism by some\, therefore painting or “tagging” should be done only with prior approval\, – Lew Nunnelley \nLew has been making photographs for many years. Like most photographers in the 35mm film era Lew has several shoeboxes of slides that take up space in his closet. About 20 years ago he decided to try to get better at making photographs so he began taking workshops with Galen Rowell\, John Sexton\, Henry Gilpin and others. Based on those workshops and his interests at that time he pursued traditional landscape photography. Lew still makes photographs with his trusty 4×5 view camera\, however as time went on he began to develop an interest in observing and documenting the interaction of people with the environment – how people perceive and manipulate the environment/landscape. This more human oriented view of our environment led to his interest in photographing graffiti. \n“Doing graffiti is different than most art. There is no career path. It’s usually anonymous. And the graffiti on railroad cars doesn’t usually stay put – it’s mobile\, ephemeral and there is little hope of getting kudos from the professional taste makers.” \nThe question Lew poses is “why would someone paint graffiti – especially on railroad cars when the railroad companies are usually not enthusiastic about the activity?” His conclusion is that there are several possible motivations of graffiti artists but one\, he believes\, is that it is the creation of a work of art which livens up the train yard and hopefully is seen by many people\, if only briefly. He feels it is a very unselfish and lighthearted way of altering the environment. In passing them\, Lew notes that in his opinion\, some of the “pieces” (as works of graffiti are called) exhibit a high degree of artistic talent. \n“I am not a professional photographer. I am a retired engineer. I do\, however\, wish to thank all the graffiti artists who have made my journey through life and place a little more colorful.” – Lew Nunnelley. \n 
URL:https://lukeolsenphotography.com/event/lew-nunnelley-at-pearl-gallery-and-framing/
LOCATION:Pearl Gallery and Framing\, 2250 NW 22nd Ave Suite 404\, Portland\, OR\, 97210\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190502T170000
DTEND;TZID=America/Los_Angeles:20190502T180000
DTSTAMP:20260403T113558
CREATED:20190426T225058Z
LAST-MODIFIED:20190426T225058Z
UID:1284-1556816400-1556820000@lukeolsenphotography.com
SUMMARY:Vladimir Antaki at Blue Sky Gallery
DESCRIPTION:Vladimir Antaki\, The Guardians \nMay 2–June 2\, 2019First Thursday opening reception: May 2\, 6:00–9:00 PMArtist talk: Thursday\, May 2\, 5:00 PM \nBlue Sky Gallery 122 NW 8th AvenuePortland\, Oregon 97209 USA503-225-0210Tuesday – Sunday\, 12 – 5 pmFirst Thursday 6 – 9 pmbluesky@blueskygallery.orghttp://www.blueskygallery.org/All Blue Sky events and programs are free and open to the public. \nFor his series The Guardians\, Vladimir Antaki traveled across Europe\, the Middle East\, and America\, photographing and interviewing shopkeepers or “Guardians.” These Guardians are keepers of what Antaki terms “urban temples\,” or unique spaces which\, in an age of cookie-cutter\, corporate shops\, hearken back to an earlier mode of urban life. Antaki creates portraits of the Guardians that invite the viewer connect to the beauty of these often forgotten spaces. Antaki believes that these temples are the heart and soul of every city; they are what give the urban center its uniqueness in time and place. As so many of them are closing\, Antaki seeks to preserve their memory and pay them tribute. \nVladimir Antaki was born in Riyadh\, Saudi Arabia in 1980. He grew up in Paris and studied art history and film studies at La Sorbonne. In 2003\, Antaki moved to Montreal\, where he graduated with a Bachelor of Fine Arts in visual and media arts from L’Université du Québec à Montréal in 2007. The Guardians has been exhibited in public spaces and galleries in more than a hundred cities across France and North America\, as well as throughout Lebanon. The series won an Infopresse Lux prize in 2013\, and was selected to represent Canada in The Other Hundred\, a photo-book curated by the Global Institute For Tomorrow. Most recently\, Antaki has published a monograph of The Guardians through Kehrer Verlag.
URL:https://lukeolsenphotography.com/event/vladimir-antaki-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190427T183000
DTEND;TZID=America/Los_Angeles:20190427T210000
DTSTAMP:20260403T113558
CREATED:20190423T161634Z
LAST-MODIFIED:20190423T161634Z
UID:1260-1556389800-1556398800@lukeolsenphotography.com
SUMMARY:Photolucida's Photobook Fair at Blue Sky Gallery
DESCRIPTION:Photolucida’s Photobook Fair \nSaturday\, April 27th\, 6:30-9pm \nBlue Sky Gallery122 NW 8th Ave.Portland\, OR. 97209www.photolucida.org \nIt’s Portland Photo Month! \nPhotolucida’s second-ever publisher’s Photobook Fair is all about celebrating the photobook! Join 12 small-press publishers – Radius Books\, Candela Books\, Kehrer Verlag\, Zatara Press\, Dark Spring Press\, One Twelve\, AINT-BAD\, Fall Line Press\, Fraction Editions\, Kris Graves Projects\, Daylight Books\, Princeton Architectural Press – who will be set up with collectible\, hot-off-the-press\, and hard-to-find-elsewhere publications to view or purchase. Participating publishers will have books to be signed by artists in attendance: Dotan Saguy\, RJ Kern\, Vladimir Antaki\, Ken Rosenthal\, Molly McCall\, Will Douglas\, Alexis Pike\, Stephen Milner\, Clay Maxwell Jordan\, Cody Bratt\, Kris Graves\, Aline Smithson\, Maha Al-Asaker\, Hilary Duffy\, Emily Matyas\, Soraya Zaman\, Jeanine Micha-Bales\, and Mary Virginia Swanson. \nAlso happening this evening\, Photolucida’s SILENT AUCTION will feature some incredible photographic work – including prints from Amy Friend\, Cheryle St. Onge\, Tamara Staples\, Adriene Hughes\, Maya Meissner\, Cable Hoover\, and Ekaterina Solovieva. All proceeds from the auction will go towards funding scholarships for the next Photolucida Reviews event. Check out the auction and make a bid!Pearl District galleries exhibiting photography will stay open this evening until 8pm for a GALLERY WALK to welcome Photolucida participants and the general public! Galleries include Froelick Gallery\, Augen Gallery\, Charles A. Hartman Fine Art and PDX Contemporary Art.
URL:https://lukeolsenphotography.com/event/photolucidas-photobook-fair-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190426T193000
DTEND;TZID=America/Los_Angeles:20190426T210000
DTSTAMP:20260403T113558
CREATED:20190329T230148Z
LAST-MODIFIED:20190329T230148Z
UID:1234-1556307000-1556312400@lukeolsenphotography.com
SUMMARY:Adam Bacher at Pushdot Studio
DESCRIPTION:Adam Bacher\, Riding the Storm Out – A Blizzard of Ravens \nOPEN/CLOSE: April 4th  – May 31\, 2019Opening Reception: Friday April 5th\,  6-8 pmArtist Talk: Friday April 26th\,  7:30- 9pm \nPushdot Studio2505 SE 11th AvenueSuite 104 (in the Ford Building\, enter on Division Street)  Portland\, OR 97202503.224.5925 www.pushdotstudio.comGallery Hours: Mon-Fri. 8:30am to 5:00pm\, free admission   \nThis February\, Ravens flew high in the chaos of a blizzard. An inkblot Rorschach riding the sky in punishing winds. And a photographer ventured freely into the furious storm to record their actions. The snow collected in feet not inches\, on the slopes of Mount Hood. Trees turned a cold hue of winter storm white. Winds blew steady at 35\, gusting to 60. Snow forget how to fall\, accelerated horizontally in the relentless storm. \nA blend of synthetic fiber\, fleece and feather kept me warm. I was better off not knowing the windchill. Access to the day’s show was all I needed. It had been five years since my first encounter with Ravens\, and I couldn’t have asked for a better way to celebrate the anniversary. \nThis project began on whim after bitter winds brought and early end to a mountain ski trip in February 2014. Back in the parking lot I watched a small group of Ravens from the comfort of a warm car and a thermos of hot cocoa. There they were\, gliding effortlessly between towering fir trees\, not a care in the world. It was enchanting. \nI’d never photographed birds before and almost drove home. But something about those Ravens drew me over. I put on snowshoes and walked to them. Did I decide to come to the Ravens\, or did they decide to have me come over? I’m still not sure. \nPremier Showing – All new work and first edition prints  \nYou may find Adam’s raven work at ConspiracyOfRavens.com
URL:https://lukeolsenphotography.com/event/adam-bacher-at-pushdot-studio/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190425T180000
DTEND;TZID=America/Los_Angeles:20190425T210000
DTSTAMP:20260403T113558
CREATED:20190423T155440Z
LAST-MODIFIED:20190423T155440Z
UID:1258-1556215200-1556226000@lukeolsenphotography.com
SUMMARY:Photolucida's Portfolio Walk at Portland Art Museum
DESCRIPTION:Photolucida’s Portfolio Walk \nThursday April 25th\, 6-9pm \nPortland Art MuseumFields Ballroom1119 SW Park AvenuePortland\, OR 97205www.photolucida.org \nAs part of Portland Photo Month\, join Photolucida in the Portland Art Museum’s Fields Ballroom for this fan-favorite event that always draws a huge crowd – so get there early! 160 talented emerging and established photographers lay their photographs out on tables to share with the public – you! This event is a wonderful chance for the Portland community to meet photographers\, engage in conversation\, and view photographic works. Photographers will have traveled to Portland from many points in the United States\, as well as Canada\, Norway\, Japan\, Spain\, Germany\, South Korea\, and India.
URL:https://lukeolsenphotography.com/event/photolucidas-portfolio-walk-at-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190421T233000
DTEND;TZID=America/Los_Angeles:20190421T233000
DTSTAMP:20260403T113558
CREATED:20190403T221122Z
LAST-MODIFIED:20190406T015906Z
UID:1250-1555889400-1555889400@lukeolsenphotography.com
SUMMARY:Call for Entries - Our Diversity is our Strength curated exhibit
DESCRIPTION:Our Diversity is our StrengthCall for Entries \nThe call for entries is running now through an extended date of April 21st (calendar) \nThe exhibit will open at Pro Photo Supply on June 6th and be up through August1112 NW 19th Ave. Portland\, OR 97209503-241-1112 \nFor questions about submissions email Paige Stoyer at cpstoyer@gmail.com \n30 images will be selected by curators Paige Stoyer and Jim Lommasson for the exhibit at Pro Photo SupplySelected images will also be on display at Blue Sky Gallery on the community wall for June and July\, and in one of the community drawers as well \nOur diversity is our strengthA curated exhibition telling the story of immigrants in our community \nAfter a very successful exhibition in 2018\, we are excited to announce the second edition of this curated photography exhibit\, created to highlight through original photographs the diversity and strength of our community. Partners The Immigrant Story and Pro Photo Supply make this project possible\, helping to address issues that are increasingly prevalent in our country today: xenophobia and the dehumanization of immigrants\, whose stories are our stories as a community and a nation.   \nThis year’s photo contest\, open from March 1 through April 14\, 2019\, welcomes submissions that depict the stories of immigrants who have added to our diverse cultural landscape. We encourage photographers of all levels\, including students\, to submit\, as well as families and individuals who wish to share family snapshots which help tell their own immigrant story — either past or present.   \nWe are a nation of many immigrants and ethnicities woven together to create a beautiful tapestry of different identities and cultures. The current social and political climate in the United States has reminded us that many of our neighbors continue to face prejudice.  This exhibit will bring together photographers\, the photo education community\, and the immigrant community to tell the story of our past\, present\, and future as a nation of immigrants.   \nA final selection of 30 images will be made in May and showcased at Pro Photo Supply in a large format exhibition that will run from June through August 2019. There will be a gallery opening and a community event at their store on First Thursday\, June 6\, 2019.   \nAdditionally our curators\, photographers Paige Stoyer and Jim Lommasson\, will be selecting up to 20 images to be shown at Blue Sky Gallery throughout June and July 2019\, on the community wall and in one of the community drawers that the gallery is providing especially for images from our exhibition. Photos will also be shared on social media and other online platforms. \nBy learning something about the individuals whose journeys brought them to this country\, we hope to enhance mutual understanding. Through visual stories of immigrants\, whether first-\, second-\, or 10th-generation\, we can examine the hopes and dreams that we all have in common and develop a new appreciation for those things that bind us together. \nFor more information and to submit entries\, please visit our website athttps://theimmigrantstory.org/diversity-is-our-strength/ \nImages selected for last year’s exhibition\, which included professional\, amateur\, student submissions as well as some family snapshots\, can be viewed at https://theimmigrantstory.org/photo-contest-2018/ \nSponsored by:Pro Photo Supply\, Portland\, OR (http://prophotosupply.com/)The Immigrant Story\, Portland\, OR (https://theimmigrantstory.org/)
URL:https://lukeolsenphotography.com/event/call-for-entries-our-diversity-is-our-strength-curated-exhibit/
LOCATION:Pro Photo Supply\, 1112 NW 19th Ave\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190420T180000
DTEND;TZID=America/Los_Angeles:20190420T200000
DTSTAMP:20260403T113558
CREATED:20190324T193226Z
LAST-MODIFIED:20190324T193559Z
UID:1208-1555783200-1555790400@lukeolsenphotography.com
SUMMARY:Analog Print Swap at Blue Moon Camera and Machine
DESCRIPTION:Blue Moon Camera & The Portland Darkroom\, Analog Print Swap \nSaturday\, April 20th\, 2019\, 6-8pm \nBlue Moon Camera8417 N Lombard StreetPortland\, OR 97203503-978-0333  M-F 9-6\, Sat. 9-5 sales@bluemooncamera.com www.bluemooncamera.com https://theportlanddarkroom.org/ \n  \nThe Portland Darkroom and Blue Moon Camera and Machine are working together to host our second Analog Print Swap. Come by Blue Moon Camera to celebrate the analog community\, with the folks from PDR! We’ll be appreciating art\, swapping prints\, sharing our love for all things analog\, and\, of course\, the usual shenanigans. \nTo participate in the print swap\, bring a print made from a film photograph and walk away with a print made by another community member. \n8×10 or smaller please. Non-analog printing methods are fine. \n 
URL:https://lukeolsenphotography.com/event/analog-print-swap-at-blue-moon-camera-and-machine/
LOCATION:Blue Moon Camera and Machine\, 8417 N Lombard St\, Portland\, OR\, 97203\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190420T150000
DTEND;TZID=America/Los_Angeles:20190420T170000
DTSTAMP:20260403T113558
CREATED:20190324T225456Z
LAST-MODIFIED:20190324T225456Z
UID:1213-1555772400-1555779600@lukeolsenphotography.com
SUMMARY:Meghan L. E. Kirkwood at Blue Sky Gallery
DESCRIPTION:Meghan L. E. Kirkwood\, #ViewsfromDAPL \nApril 4–28\, 2019 First Thursday opening reception: April 4\, 6:00–9:00 PMArtist talk: Saturday\, April 20\, 3:00 PM \nBlue Sky Gallery 122 NW 8th AvenuePortland\, Oregon 97209 USA503-225-0210Tuesday – Sunday\, 12 – 5 pmFirst Thursday 6 – 9 pmbluesky@blueskygallery.orghttp://www.blueskygallery.org/All Blue Sky events and programs are free and open to the public. \n“For individuals such as myself who grew up in a suburban environment\, massive infrastructure projects such as the DAPL are abstractions. I benefit from the resources they transport and the costs of such delivery systems are born by others in far away places.” \nMeghan L. E. Kirkwood travels the route of the infamous Dakota Access Pipeline (DAPL) in her series #ViewsFromDAPL. For those who may know of it\, but have not witnessed the destruction happening on the ground\, Kirkwood provides a visual. By highlighting the disruption to the landscape\, this body of work “examines the ways in which documentary images of land can provide context to current debates related to land-use and natural resource extraction.” \nMeghan L. E. Kirkwood is Assistant Professor of Art at North Dakota State University where she teaches Photography and Foundations courses. She earned a B.F.A. from Rhode Island School of Design in Photography in 2006 before completing her MFA in Studio Art at Tulane University in 2009. She has received numerous fellowships\, including funding to participate in artist residencies through the National Parks Service\, the Vermont Studio Center\, and the Lakeside Lab in Iowa. Kirkwood’s photography has been exhibited throughout the United States\, Europe\, and South Africa. \n 
URL:https://lukeolsenphotography.com/event/meghan-l-e-kirkwood-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190420T130000
DTEND;TZID=America/Los_Angeles:20190420T150000
DTSTAMP:20260403T113558
CREATED:20190316T173412Z
LAST-MODIFIED:20190316T173412Z
UID:1187-1555765200-1555772400@lukeolsenphotography.com
SUMMARY:Arts & Communications Magnet School Student Show at Cedar Hills Park and Rec Center
DESCRIPTION:Arts & Communications Magnet School 2nd Annual Student Show \nMarch 1st to May 26thArtist reception: Saturday\, April 20th\, 1 to 3pm \nCedar Hills Park and Rec Center11640 SW Park WayPortland\, OR 97225 \nStudents from Arts & Communications Magnet School Beaverton\, Oregon and Battle Ground High School Washington
URL:https://lukeolsenphotography.com/event/arts-communications-magnet-school-student-show-at-cedar-hills-park-and-rec-center/
LOCATION:Cedar Hills Rec Center\, 11640 SW Park Way\, Portland\, OR\, 97225\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190417T120000
DTEND;TZID=America/Los_Angeles:20190417T130000
DTSTAMP:20260403T113558
CREATED:20190402T194931Z
LAST-MODIFIED:20190402T195320Z
UID:1243-1555502400-1555506000@lukeolsenphotography.com
SUMMARY:Heidi Kirkpatrick at the Portland Art Museum
DESCRIPTION:Heidi Kirkpatrick\, Everything Becomes a Story \nPortland Art Museum Photography Council’sBrown Bag Lunch Talk Series \nWednesday\, April 17th\, 2019\, Noon – 1pm  \nPortland Art MuseumThe Miller Gallery\, Mark Building1219 SW Park Avenue\, Portland\, OR 97205www.portlandartmuseum.org503 226 2811Cost: Free to the public (people are welcome to bring their lunch). \nWhile presenting several bodies of work Heidi will speak about the ups and downs of living a creative life\, how her life events shape the work she makes\, and the joy of teaching. \nHeidi Kirkpatrick is a fine art photographer and educator based in Portland\, Oregon. \nThroughout Kirkpatrick’s career her work has explored the female figure\, family narratives and contemporary issues of being a woman. Kirkpatrick combines film positives with found objects such as vintage children’s blocks\, books\, mahjong tiles\, and tins\, to create intimate photo-based objects that explore themes of family\, history\, love and loss. During the Oregon summers\, Heidi makes cyanotypes in her backyard studio that address similar issues. Kirkpatrick creates unique cyanotype works with vintage clothing and linens using personal possessions and specimens from her garden. \nKirkpatrick has exhibited widely over the last twenty years and her work is held in numerous private and public collections including The Fox Talbot Museum\, Wiltshire\, United Kingdom; The Harry Ransom Center\, Austin\, Texas; Portland Art Museum\, Portland\, Oregon; Museum of Fine Arts\, Houston\, Texas; Springfield Museum of Art\, Springfield\, Ohio; The Ogden Museum of Southern Art\, New Orleans\, Louisiana; Denver Art Museum\, Denver\, Colorado; OHSU Corporate Collection\, Portland\, Oregon. Heidi was selected for the Photolucida Critical Mass Top 50 in 2011\, 2012\, 2013\, and 2014\, and was recognized with the solo show award in 2012. Heidi’s work was also selected for LensCulture Emerging Talent Awards Top 50 in 2014. \nKirkpatrick is represented by G. Gibson Gallery\, Seattle\, Washington and Dina Mitrani Gallery\, Miami\, Florida.
URL:https://lukeolsenphotography.com/event/heidi-kirkpatrick-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190415T190000
DTEND;TZID=America/Los_Angeles:20190415T210000
DTSTAMP:20260403T113558
CREATED:20190411T173123Z
LAST-MODIFIED:20190411T173538Z
UID:1255-1555354800-1555362000@lukeolsenphotography.com
SUMMARY:Angel O’Brien at Multnomah Arts Center
DESCRIPTION:Angel O’Brien for the Portland Photographers’ Forum \nMonday\, April 15 Artist talk from 8-9pmThe Forum meeting begins at 7pm.All are welcome: meeting is free and open to the public. \nMultnomah Arts CenterPortland Photographer’s Forum  7688 SW Capitol HwyPortland\, OR 97219https://www.portlandphotographersforum.com/https://www.portlandphotographersforum.com/news/2019/3/27/featured-april-speaker-angel-obrienhttps://www.5x7angel.com/ \nAn old school Portland photographer\, Angel O’Brien started out back in 1994 lugging her Cambo 5×7 around the city shooting its historic buildings. Angel spent a few years in NYC studying architecture at the Cooper Union\, six years renovating old houses\, a few years owning the Ladybug Cafe (she still misses making cappuccinos) and then a couple of misguided years owning a consignment store. Angel’s hands have never strayed too far from a camera and over the last 25 years her work has wandered through many subjects\, most recently settling quite resolutely into alt-process self portraiture. When she isn’t making photos or writing poetry\, she lives in St. Johns with her daughter Gwendolyn\, where much cooking and gardening and art happens somewhat frequently. \nAngel works with several alternative processes\, including platinum palladium\, gum bichromate\, and collage.You can see Angel’s talk at the April 15th PPF meeting at the Multnomah Arts Center from 8-9 PM: the meeting starts at 7 PM and is free and open to the public. This meeting will feature exclusively female- idenitfiying presenters\, and we are excited to highlight the incredible work they contribute to PPF.
URL:https://lukeolsenphotography.com/event/angel-obrien-at-multnomah-arts-center/
LOCATION:Multnomah Arts Center\, 7688 SW Capitol Highway\, Portland\, OR\, 97219\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190414T110000
DTEND;TZID=America/Los_Angeles:20190414T120000
DTSTAMP:20260403T113558
CREATED:20190323T170859Z
LAST-MODIFIED:20190323T170859Z
UID:1201-1555239600-1555243200@lukeolsenphotography.com
SUMMARY:Ray Bidegain at Camerawork Gallery
DESCRIPTION:Ray Bidegain\, Memory of Never \nMarch 30 – May 3\, 2019Artist Talk\, Sunday\, April 14\, 11am-12pm Reception following 12pm-1:30pm Camerawork Gallery301 N. Graham Street\, Portland\, OR 97227Located in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.9am – 6pm\, Monday-Saturday\, Sunday\, 10am-4pmFree off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44www.TheCameraworkGallery.orgwww.Facebook.com/cameraworkgallery503-701-5347Event is free and open to the public \nIn “Memory of Never” Portland\, Oregon photographer Ray Bidegain explores the genre of the diptych through the pairing of photographs\, one from his catalog\, and one newer work that he feels interacts with the old work in an interesting way. These two handmade platinum prints are presented side by side\, and in this way Bidegain is creating conversations previously unspoken. He is interested in the way in which these conversations will be heard differently by each viewer\, and how that may vary from what he was thinking about when pairing the photos. The relationship between these pictures will be fleeting – a brief interaction for the purpose of this exhibit – and then they will go back to being presented and sold individually.  \nPart of this exhibition also includes a few paired photos from Bidegain’s new series\, “As We Get Older.” In this series he is exploring the challenge and beauty that accompanies aging. He captures physical changes and enduring spirit\, as well as the ways in which society’s gaze turns away from older people. These are the first images presented from this developing body of work. \nABOUT THE ARTISTBorn in Tucson\, Arizona1981\, B.A. Commercial Photography\, Brooks Institute of Photography\, Santa Barbara\, CA.Lives in Portland\, Oregon where Ray Bidegain Studios is also located. \nwww.RayBidegain.com \n 
URL:https://lukeolsenphotography.com/event/ray-bidegain-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20190413T170000
DTEND;TZID=America/Los_Angeles:20190413T200000
DTSTAMP:20260403T113558
CREATED:20190402T193954Z
LAST-MODIFIED:20190402T193954Z
UID:1241-1555174800-1555185600@lukeolsenphotography.com
SUMMARY:The Pacific NorthWest 40 & The Lightbox Files at LightBox Photographic Gallery
DESCRIPTION:The Pacific NorthWest 40 & The Lightbox Files \nApril 13 – June 1\, 2019Artists’ Opening Reception: Saturday\, April 13\, 5-8pm \nLightBox Photographic Gallery1045 Marine Dr.Astoria\, OR 97103(503) 468-0238lightbox-photographic.com \nLightBox Photographic Gallery recognizes the Northwest photographic community for their incredible talent in the “PNW 40 Exhibit”. \nThis group exhibit opens with an artists’ reception on Saturday\, April 13th\, from 5-8 pm. \nIn recognition of Portland Photo Month\, April 2019\, this group exhibit celebrates the photographic talent of the Pacific Northwest. For the last 7 years the exhibit celebrated the Portland Photographic Community combining great work from the Portland community. This year\, we have opened the Exhibit to the entire Pacific NorthWest for the PNW 40. The exhibit combines work from emerging photographers with that of established and known photographers from the Region. One image each from 40 photographers have been chosen\, images which stand out and uniquely exhibit the vision and creativity of the photographer. \nLightBox is very pleased to have Terry Novak as Juror for the first PNW 40 Exhibit. Terry is the new Executive Director at Photographic Center Northwest\, an education institution dedicated to the photographic arts\, located in Seattle\, WA. Her current work focuses on partnerships\, grants\, public programs\, and exhibitions that foster financial support and resources for photographers and the photographic arts in the Pacific Northwest. Novak received her BFA in photography from Columbia College Chicago\, and MFA in arts administration from Seattle University. She has an affinity for color analog photography and alternative processes. \nCongratulations to the Photographers accepted into PNW 40 \nBobby Abrahamson • Jennifer Bacon • Andrew Bergh • Jason BiehnerHeather Binns • Per Bjesse • Benjamin Chan • Cecily Marie CaceuAnna Daedalus • Kerry Davis • Jarred Decker • Jim FitzgeraldDean Forbes • Cory Free • Ryan Gillespie • Barbara GilsonKeri Friedman • Ed Hamilton • Gretchen Hayhurst • Max HinzKen Hochfeld • Scott Hoyle • Mike Hipple • Laura KurtenbachLaurel Kadas • Brian Kosoff • Casey Larson • Stuart Allen LevyKim Maruska • Chris Nesseth • Janet Neuhauser • Walt O’BrienRob Dweck • Minhaz Sarker • Shelbi Schoeder • Alfred SchultzHenrietta’s Eye • Michael Schulz • Aaron Wessling • Alan Wieder \nAlso opening on this night is the LightBox Files Exhibit. Entering the fourth year\, the exhibit and collection honor the complete photographer by recognizing those that pursue the art of fine printing. On this night four photographers will be featured with a series of prints on the walls and a collection in the drawers. The work will be featured in the viewing drawers for the 2019 calendar year. \nCongratulations to the Photographers of the LightBox Files \nJim Fitzgerald • Ann Kendellen • Roger Dorband • Ken Hochfeld \n“The PNW 40 Exhibit” and “The Lightbox Files Exhibit” will be on display in the gallery through June 1st. Visit http://lightbox-photographic.com/shows/ for complete exhibit and artists info. LightBox offers memberships as a way of becoming part of the community of supporters that help to further the mission of the gallery. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday 11 – 5:30. Contact LightBox at 503-468-0238 or at info@lightbox-photographic.com\, and visit lightbox-photographic.com for more info and to enjoy past\, current and upcoming exhibits. \n  \n 
URL:https://lukeolsenphotography.com/event/the-pacific-northwest-40-the-lightbox-files-at-lightbox-photographic-gallery-3/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
END:VCALENDAR