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X-WR-CALNAME:Luke Olsen Photography
X-ORIGINAL-URL:https://lukeolsenphotography.com
X-WR-CALDESC:Events for Luke Olsen Photography
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TZID:America/Los_Angeles
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TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
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TZOFFSETFROM:-0700
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DTSTART:20201101T090000
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200619T080000
DTEND;TZID=America/Los_Angeles:20200619T170000
DTSTAMP:20260403T113606
CREATED:20200309T050457Z
LAST-MODIFIED:20200309T050524Z
UID:1653-1592553600-1592586000@lukeolsenphotography.com
SUMMARY:Ghost Town Portraits Photography Workshop with Fritz Liedtke
DESCRIPTION:Ghost Town Portraits Photography Workshop with Fritz Liedtke \nJune 19-21\, 2020 \nPJ Ranch\n23350 Winlock Road\nFossil\, OR 97830 \nwww.fritzliedtke.com/ghost-town-portraits-workshop-oregon/\nReserve now to take advantage of Early Bird Pricing\, until March 14.\n$785 \nWhat could be better than the tumbledown texture of a ghost town\, and the beauty of dancers and models\, combined to create beautiful\, moody portraits? In this special workshop\, photographer Fritz Liedtke is combining two of his favorite things–historic places and beautiful faces–to teach you how to create stunning portraiture. \nJoin us for 3 days in the John Day River Territory\, in north central Oregon. We’ll gather at PJ Ranch\, where Fritz will share from his 30 years of experience photographing people. You’ll learn about professional lighting (natural light and off-camera flash)\, building rapport with subjects\, posing\, strong composition\, good clothing choices\, camera and lens options\, and much more. We’ll spend time at ghost towns hidden in the local area where Fritz will give demonstration shoots\, and then you’ll have hours to photograph with models and dancers\, with his oversight and input. Fritz takes a hands-on approach to learning by introducing you to a concept and then letting you apply it immediately\, with his feedback. It’s the best way to learn. \nBut the workshop doesn’t end there. In the weeks following the workshop\, you have the option to sign up for an additional 1-on-1 consultation\, looking over your final work and giving you further insight for improvement. We want you to end up with photographic confidence\, professional insight\, real-life experience\, and photographs you are proud of. \nIf you’d like to try out some new photo gear\, our sponsor ProPhoto Supply will give you a significant discount off a rental item for the weekend\, and our sponsor Lensbaby will have their amazing lenses on hand for you to create with during the workshop! \nThe Ghost Town Portrait Workshop is an all-inclusive 3-day experience. You’ll be provided with hors d’oeuvres and meals\, lodging at the local inn (single or double occupancy)\, models and dancers to photograph\, and all of Fritz’s attention. It’s an experience you don’t want to miss.
URL:https://lukeolsenphotography.com/event/ghost-town-portraits-photography-workshop-with-fritz-liedtke/
LOCATION:PJ Ranch\, 23350 Winlock Road\, Fossil\, OR\, 97874\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200328T110000
DTEND;TZID=America/Los_Angeles:20200328T160000
DTSTAMP:20260403T113606
CREATED:20200215T041159Z
LAST-MODIFIED:20200215T041159Z
UID:1641-1585393200-1585411200@lukeolsenphotography.com
SUMMARY:PhotoZone Gallery’s 32nd Annual Juried Photography Show CALL FOR ENTRY
DESCRIPTION:CALL FOR ENTRY – PhotoZone Gallery’s 32nd Annual Juried Photography Show \nSubmission Dates:  March 28th and 29th\nThis submission is made in person only.\nBring prints framed with hanging wire only (no tape and string or sawtooth hangers)\nSize limit 36 inch frame\, longest dimension\nLimit 2 prints per person – Fee due on delivery One for $15 or Two for $25\nCash or Check only. \nTwo Delivery Locations:\nThe Emerald Art Center\n500 Main Street\, Springfield\, Oregon\nSaturday March 28th or Sunday March 29th from 11 – 4 each day\n—- Or —-\nThe Siuslaw Public Library\n1460 Ninth Street\nFlorence\, Oregon\nSaturday only – March 28th from 11-4. \nCash Prizes\nFirst Prize $300\nSecond Prize $200\nThird Prize $100\nPlus other prizes from our business sponsors \nShow location\nJuried Show Exhibit – April 1st through April 24th\nOpening Reception – Friday April 10th\nThe Emerald Art Center from 5 – 8 pm\n500 Main Street in Springfield\, Oregon. Refreshments will be served.\nGallery Hours Tue. – Sat. 11:00 – 4:00 \nFor complete entry instructions visit the PhotoZone website at:\nhttps://www.photozonegallery.com/juried-show-entry-instructions\nemail for info: photozonegalleryoregon@gmail.com\nOr call: 541 729 3572\nWebsite: https://www.photozonegallery.com \n 
URL:https://lukeolsenphotography.com/event/photozone-gallerys-32nd-annual-juried-photography-show-call-for-entry/
LOCATION:Emerald Art Center\, 500 Main St.\, Springfield\, OR\, 97477\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200328T100000
DTEND;TZID=America/Los_Angeles:20200328T160000
DTSTAMP:20260403T113606
CREATED:20200314T234316Z
LAST-MODIFIED:20200314T234316Z
UID:1668-1585389600-1585411200@lukeolsenphotography.com
SUMMARY:John DuBois at Camerawork Gallery
DESCRIPTION:John DuBois\, Island Of Hope\, Island Of Tears \nMarch 28th – April 24\, 2020 \nNOTE: THE ARTIST TALK AND RECEPTION IS BEING POSTPONED UNTIL THE CORONAVIRUS IS UNDER CONTROL; THESE EVENTS WILL BE RESCHEDULED AFTER THE DANGER HAS PASSED. BE SAFE AND STAY WELL. HOWEVER\, WE INVITE YOU TO VISIT THE GALLERY AND ENJOY OUR EXHIBITS DURING NORMAL BUSINESS HOURS: MONDAY-SATURDAY\, 9AM-6PM; SUNDAY\, 10AM-4PM. \nCamerawork Gallery\n301 N. Graham Street\, Portland\, OR 97227\nLocated in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.\n9am – 6pm\, Monday-Saturday\, Sunday\, 10am-4pm\nFree off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44\, ADA accessible\nwww.TheCameraworkGallery.org\nwww.Facebook.com/cameraworkgallery\n503-701-5347\nEvent is free and open to the public \nFrom 1892 to 1954 Ellis Island in New York Harbor was a gateway for millions of immigrants to America. Washington State photographer John DuBois’s mother was among them. This project began as a journey of family history but evolved into an exploration of place\, of who came and\, of the spirit of what remains. It was a multi-year project which developed into a project within a project. The images in this series are constructed from historical images and the present\, physical state of the hospital buildings on Ellis Island. Arriving immigrants with medical needs were treated here and this history combined with the island’s close proximity to the Statue of Library invite questions of who we are and how we came to be here. \nDuBois notes\, “We all came from somewhere; feelings of place and history are deeply rooted in family and society. I knew at a fairly young age that I was ‘half’ Italian. This came from my mother’s side who arrived among the many Southern European immigrants to the United States. I only came to appreciate the meaning of this heritage much later in life. When an initial opportunity to photograph restricted areas of the hospital complex on Ellis Island presented itself\, it was the draw of this family connection that drew me here as a place. After many more visits it grew to an understanding of who was here and for me a connection to where I came from.” Selected works from this series have appeared in several group shows\, received Paris Photo Prize recognition\, exhibited in Blue Sky Gallery’s Viewing Drawers (2017) and published in Lenswork’s Sixes\, 2017. Works are also held in private collections. The images are constructs framing past\, historical images with the present state of Ellis Island and invites questions of self\, history and our humanity. \nJohn DuBois lives in Issaquah\, WA (near Seattle) with his wife and two energetic Golden Doodle siblings. DuBois arrived in the Pacific Northwest by way of the East Coast and Wisconsin\, growing up on the Jersey Shore\, earning a B.A. in Economics at The George Washington University and then graduate studies at the University of Wisconsin-Madison. He was introduced to photography early through the family’s Polaroid (the peel-apart film type) camera which instilled early on an interest in photographic arts that included a full slate of photography classes while in college and leading to an enduring\, life-long interest in photography as a means of connections and communication.
URL:https://lukeolsenphotography.com/event/john-dubois-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200327T183000
DTEND;TZID=America/Los_Angeles:20200327T200000
DTSTAMP:20260403T113606
CREATED:20200311T044942Z
LAST-MODIFIED:20200311T044942Z
UID:1662-1585333800-1585339200@lukeolsenphotography.com
SUMMARY:Ansel Adams at Studio385
DESCRIPTION:Photography At Oregon\, Last Friday Movie Night\nFilm: Ansel Adams Photographer\nHosted by Stu Levy\, displaying some of Ansel Adam’s original work \nMarch 27\, 2020 6:30 to 8:00pm \nStudio 385\n385 West 2nd at Lawrence Street\nEugene\, Oregon\n(541) 521-9747\njon@studiomeyers.com\nFree-will donation \nHosted by Stu Levy accompanied by several of his own collection of original Adam’s works. This portrait of Ansel Adams\, one of the greatest photographers of the 20th century\, captures the spirit and artistry of the man as he talks about his life and demonstrates the techniques which have made his work legendary. \nJim Wojno on April 20\, 2018 Writes:\n“This is a wonderful tribute to Ansel Adams. There is\, thankfully\, almost no commentary from an interviewer — just 60 minutes of pure Ansel reminiscing about his work\, friends\, and life. There is an expecially touching and humorous scene with Adams and Georgia O’Keeve — their banter is priceless as you look inside their personal history as if no one else was present — two monumental artists of the 20th cenury yucking it up. I don’t think this video was intended to be a comprehensive study of Adam’s life and works — the PBS 2-part series does that very well. This video\, however\, provides some genuine intimacy\, perhaps as much as we outsiders will ever get. Some may complain this video lacks technical information or reasons why he took a particular image\, but Adams preferred to express his feelings visually\, where words would simply degrade or cloud a viewer’s feelings. The video\, btw\, is artfully and tastefully filmed and scored. \nJim Wojno was the Graphic Designer Art Director with Corning Life Sciences for 28 years and is a successful Landscape Photographer.85 \n 
URL:https://lukeolsenphotography.com/event/ansel-adams-at-studio385/
LOCATION:Studio 385\, 385 West 2nd Ave at Lawrence St.\, Eugene\, OR\, 97401\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200321T160000
DTEND;TZID=America/Los_Angeles:20200321T180000
DTSTAMP:20260403T113606
CREATED:20200311T043246Z
LAST-MODIFIED:20200311T043246Z
UID:1659-1584806400-1584813600@lukeolsenphotography.com
SUMMARY:Ann Sugiyama-Gardner at The O’Brien Photo Gallery
DESCRIPTION:Ann Sugiyama-Gardner\, “Family of Origin” and “Imperfect Beauty” \nThe show will run from March 17 through May 7\, 2020\nThere will be an artist reception Saturday\, March 21 from 4-6pm. \nThe O’Brien Photo Gallery\n2833 Willamette\, Ste. B\nEugene\, OR 97405\n(541) 729-3572\nOpen Tue – Fri from 1-6 pm\nCall to be sure we’re open or to set a special viewing time.\nemail:  picmac1945@gmail.com\nweb: https://www.waltobrien.net/the-o-brien-photo-gallery \nPortland artist and photographer\, Ann Sugiyama-Gardner of Mori Hana Studio\, will be presenting 2 series of current works\, “Family of Origin” and “Imperfect Beauty”. \nIn her series “Family of Origin” Ann reflects on her experiences as a third generation Japanese-American and what happened to Japanese immigrants during the 1940’s. Through that lens\, she calls attention to the Latino and Muslim immigrants’ struggles today. \nMany immigrants start with nothing but honest\, hard work\, to gain a foothold on the ladder of success in America. For her family\, December 7\, 1941 was the extinction of that day-to-day struggle. Mass incarceration soon followed without due process of the laws of the United States. “What damage was caused to individuals and what are the lasting effects on the family by imprisonment? On me and my family.” \nThis question lead to a road trip to Poston\, Arizona and Manzanar\, California\, two of the ten “camps” hastily built to incarcerate over 125\,000 Japanese/Americans from 1942-1946. The artist’s mother’s family was sent to Poston\, Arizona for incarceration. Her grandfather died in prison for\, at this time\, unknown reasons. \nOn the flip-side\, Ann will present a second series of prints that celebrate color\, texture\, and light inspired by the practice of Buddhist Mindfulness and the Japanese aesthetic of Wabi Sabi. \nShe was moved to the practice of Contemplative Photography first by studying Edward Weston’s work then reading Michael Wood’s book specifically about the subject. “Imperfect Beauty” is the ongoing photography project that responds to the act of being present. “Intuitively working this way\, my mind is open to whatever images present themselves and quiet my critique brain.” \nanngardnerartpdx@gmail.com\nhttps://www.annkgardner.com \n 
URL:https://lukeolsenphotography.com/event/ann-sugiyama-gardner-at-the-obrien-photo-gallery/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200321T160000
DTEND;TZID=America/Los_Angeles:20200321T180000
DTSTAMP:20260403T113606
CREATED:20200221T042222Z
LAST-MODIFIED:20200221T042222Z
UID:1645-1584806400-1584813600@lukeolsenphotography.com
SUMMARY:Becky Wilkes at Camerawork Gallery
DESCRIPTION:Becky Wilkes\, DITCHED  \nFebruary 29 – March 27\, 2020\nArtist Talk Saturday\, March 21 from 4pm-5pm\, followed by a Reception from 5pm-6pm \nCamerawork Gallery\n301 N. Graham Street\, Portland\, OR 97227\nLocated in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.\n9am – 6pm\, Monday-Saturday\, Sunday\, 10am-4pm\nFree off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44\, ADA accessible\nwww.TheCameraworkGallery.org\nwww.Facebook.com/cameraworkgallery\n503-701-5347\nEvent is free and open to the public \nOn February 29\, Camerawork Gallery will open “Ditched”\, from Texas photographer and trash enthusiast\, Becky Wilkes. The exhibit will be on view through March 27 and contains 10 of her original obsessions\, gleaned from the nearly 6\,000 pieces of trash collected by Wilkes during her 1 year “odd-yssey”\, when she combed 1 mile of newly revealed lakefront for trash during the multiyear drought of 2014-15. \nIt was not until spring floods of 2015 that Wilkes understood the migratory nature of trash in our waterways flowing from our drainage ditches and roadways. Eagle Mountain Lake\, while only 14 square miles in size\, is fed by a watershed of over 850 square miles. Unlike the trash entering our oceans\, this debris is trapped inland in our fresh water supply\, restrained by lakes and dams. \nWilkes notes\, “When I started this project\, I had no idea of the depth and breadth of the materials that lay just below the surface of the water. I was continually amazed by the debris that I found. Plastic straws are not our only issue. We are regularly flushing the entirety of our roadside debris into our drinking water.” Wilkes shares. This one-of-a-kind series portrays a vivid\, colorful and quantitative statement of the impact of local litter discarded throughout local watersheds.” \n“Ditched” was most recently featured at LHUCA\, in Lubbock TX where Hannah Dean\, founder of The Bowerbird and writer for Glasstire states\, “Removed from their half-buried\nlakefront sites\, water bottles with the all the charm of used condoms suddenly become aesthetic\, once they’re scanned\, grouped\, printed and mounted on Dibond. Weird.” \nBecky Wilkes lives with her husband on Eagle Mountain Lake in Azle\, TX. Educated as a Chemical Engineer at Texas A&M\, she spent much of her life as a stay-at-home mother of four children who have now blessed her with a multitude of grandchildren. Thus began her study of chaos and order. Her current vocation is a blend of urban archeologist\, anthropologist\, sociologist\, trash collector and photographer. \n 
URL:https://lukeolsenphotography.com/event/becky-wilkes-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200321T110000
DTEND;TZID=America/Los_Angeles:20200321T130000
DTSTAMP:20260403T113606
CREATED:20200314T233422Z
LAST-MODIFIED:20200314T233422Z
UID:1664-1584788400-1584795600@lukeolsenphotography.com
SUMMARY:Friderike Heuer at Stevens-Crawford Heritage House Museum
DESCRIPTION:Friderike Heuer\, Tied to the Moon \nMarch – June 2020\nArtist Reception on March 21st – 11:00 am – 1:00 pm \nStevens-Crawford Heritage House Museum\n603 6th St\, Oregon City\nOpen: Friday – Saturday\, 11:00am – 4:00pm\nAdmission: $5\nhttp://clackamashistory.org \nThis 2019 photomontage series by Friderike Heuer describes some of the common experiences of women across centuries. Just like our physiologies are tied to the phases of the moon so are we tied through shared life events and states connected to our lives. A lot has changed for women; not enough has changed for women. Giving birth\, raising children\, aging\, being loved or abandoned\, being controlled or forging our own path has always been basic to the female experience. Finding solace among sisters or competing for scraps as rivals was often part of our existence. Curiosity\, skepticism\, learning and rebelling had to be fought for. Longing\, dreaming and hope were part of the way.
URL:https://lukeolsenphotography.com/event/friderike-heuer-at-stevens-crawford-heritage-house-museum/
LOCATION:Stevens-Crawford Heritage House Museum\, 603 6th St\, Oregon City\, OR\, 97045\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200319T180000
DTEND;TZID=America/Los_Angeles:20200319T190000
DTSTAMP:20260403T113606
CREATED:20200122T054812Z
LAST-MODIFIED:20200122T054812Z
UID:1623-1584640800-1584644400@lukeolsenphotography.com
SUMMARY:Spring Equinox Group Shoot with the PhotonZ group at Maryhill Stonehenge Memorial
DESCRIPTION:Spring Equinox Group Shoot\nPhotonZ – Long Exposure/Light Painting Photography Group \nThursday March 19\, 2020\,  arrive between 6pm – 7pm\nwe will be out shooting till about 2am  (rain or shine) \nLocation:87 Stonehenge Dr\, Goldendale\, WA 98620\n(meet at Maryhill Stonehenge Memorial parking lot and be prepared to go to a different location)\nCost: Free\nRegister by sending an email to photonz.pdx@gmail.com \nPhotonZ is a long exposure photography group based out of Portland\, OR. They have monthly meetups at various indoor/outdoor locations throughout the NW and are open to all skill levels. During group shoots there is a strong emphasis on light painting/drawing. Recommended gear to bring is flashlights\, speedlights\, colored gels\, tripod\, cable release\, warm clothes\, etc.) \n*For more information please feel free to contact:\nMax Hinz (PhotonZ Group Organizer)\nmaxhinzart@gmail.com\n503.906.0553 \nFacebook Event Page – www.facebook.com/events/606154653534211\nPhotonZ Instagram – www.instagram.com/photonz_pnw\nMaryhill Stonehenge Memorial – www.maryhillmuseum.org/outside/stonehenge-memorial
URL:https://lukeolsenphotography.com/event/spring-equinox-group-shoot-with-the-photonz-group-at-maryhill-stonehenge-memorial/
LOCATION:Maryhill Stonehenge Memorial\, 87 Stonehenge Dr\, Goldendale\, WA\, 98620\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200318T120000
DTEND;TZID=America/Los_Angeles:20200318T130000
DTSTAMP:20260403T113606
CREATED:20200309T053544Z
LAST-MODIFIED:20200309T053544Z
UID:1655-1584532800-1584536400@lukeolsenphotography.com
SUMMARY:Jay Mather at the Portland Art Museum
DESCRIPTION:Jay Mather\, From Cambodia to the Cascades: A photographer’s visual life\nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, March 18th\, 2020 Noon – 1 pm \nPortland Art Museum\nThe Miller Gallery\, Mark Building\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public (people are welcome to bring their lunch) \nFrom Cambodia to the Cascades: A photographer’s visual life \nIn the arc of my fifty-year career there are several topics that are the core of my evolution from Pulitzer Prize photojournalism to the serenity of landscape photography in Oregon. \nWhen I reflect on these projects I understand how each one moved me visually in a new direction and added a deeper respect for the value of documentary photography. \nFrom Cambodia\, Yosemite National Park\, the world of ballet\, artists of the Sisters Folk Festival and now central Oregon\, telling the story of my home\, this is my photographic life. \nJay Mather is a Pulitzer Prize awarded photojournalist. His interest in photography\nbegan while he was a Unites States Peace Corps volunteer in Malaysia\, 1969-70.\nDuring his career he worked in Denver\, Colorado; Louisville\, Kentucky\, and\nSacramento\, California. \nDuring Jay’s career he has covered a wide range of subjects and people. He has\nspent time with Mother Teresa and the Missionaries of Charity\, Pope John Paul II\nand President Clinton. On the other end of the spectrum he has worked on projects\nabout hunger\, homelessness\, AIDS\, and other issues about the less fortunate. \nIn November 1979\, while working for the Courier-Journal in Louisville\,\nKentucky\, Jay and fellow journalist Joel Brinkley\, traveled to the Thailand-\nCambodia border to document the massive exodus of Cambodian refugees fleeing\nthe wrath of the Khmer Rouge regime and the invading North Vietnamese Army.\nThis was the beginning of what the world would come to know as the Killing\nFields. Their stories and photographs\, a four-day series published in the\nLouisville Courier-Journal\, were awarded the 1980 Pulitzer Prize for International\nReporting. \nJay has also been a recipient of the Robert F. Kennedy Award for Coverage of\nthe Disadvantaged. \nJay has a deep love and respect for the environment. He has hiked and climbed\nwhile photographing throughout the western United States for projects on\nYosemite National Park\, the Desert Protection Act in California\, the declining\nhealth of the Sierra mountain range\, and climate change in Colorado River\nBasin. The Yosemite Association published his book\, “Yosemite\, A Landscape of\nLife\,” in 1990 for the centennial celebration of the park. For this project he was a\nfinalist in the 1991 Pulitzer Prize Feature Photography category. \nJay’s current work examines the natural beauty of central Oregon\, the Cascade\nRange and the high desert and the threats brought by climate change. He divides\nhis efforts between the Deschutes Land Trust and the Sisters Folk Festival\,\ndocumenting the activities in those non-profit organizations.
URL:https://lukeolsenphotography.com/event/jay-mather-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200315T140000
DTEND;TZID=America/Los_Angeles:20200315T160000
DTSTAMP:20260403T113606
CREATED:20200311T041613Z
LAST-MODIFIED:20200311T041613Z
UID:1657-1584280800-1584288000@lukeolsenphotography.com
SUMMARY:Lightleak group exhibit at Buckley Center Gallery
DESCRIPTION:Watch Your Step \nMarch 9 – April 2\, 2020\nReception: Sunday March 15\, 2pm \nUniversity of Portland\nBuckley Center Gallery\n5000 N. Williams Blvd.\nPortland\, OR 97203\nGallery Hours:\nMon-Fri 8:30am – 8pm\nSat & Sun 8:30am – 4pm\n(Call UP Public Safety at 503-943-7161 if door to Buckley Center is locked) \n“Watch Your Step” features the work of 18 Oregon photographers from Lightleak photographers group. Each of the photographers in this exhibit gathers photos from life around them\, but each captures their art in different ways – some in color\, some in black-and-white; some with traditional film cameras\, some with iPhones. \nLightleak was formed 17 years ago in Portland\, Oregon\, out of a love of film and darkrooms\, and meets on a monthly basis to share photobooks\, prints\, pints\, and potluck. Now we work in several formats and live in various places. \nPlease join us on March 15th @ 2pm for a reception at The Buckley Gallery. \n 
URL:https://lukeolsenphotography.com/event/lightleak-group-exhibit-at-buckley-center-gallery/
LOCATION:Buckley Center Gallery\, 5000 N. Willamette Blvd.\, Portland\, OR\, 97203-5798\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200314T170000
DTEND;TZID=America/Los_Angeles:20200314T200000
DTSTAMP:20260403T113606
CREATED:20200309T045656Z
LAST-MODIFIED:20200309T045656Z
UID:1651-1584205200-1584216000@lukeolsenphotography.com
SUMMARY:A Jury of  Your Peers Group Exhibit at LightBox Photographic Gallery
DESCRIPTION:A Jury of  Your Peers Group Exhibit \nMarch 14 – April 7\, 2020\nOpening Reception: Saturday\, March 14\, 5-8pm \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com \nLightBox Photographic Gallery will host the opening artists’ reception for the “A Jury of Your Peers” Group Exhibit on Saturday\, March 14th from 5-8 pm. LightBox released an open call for work and allowed the photographers who submitted work to the exhibit to be the Jurors. Each photographer selected their top ten images from the hundreds submitted. The tabulations were made resulting in an exhibit curated by the collective group\, resulting in a beautiful exhibit full of magical work. \nErnst-Ulrich Schafer was voted top Juror Award for the image Calla Lily Season. The remaining award winners will be announced on the night of the opening reception. \nCongratulations to the 35 Photographers selected by their peers for this Exhibit. \nAlfred Schultz\, Arlene Stanger\, Arlene Vidor\, Candice Watson\, David White\,\nDean Forbes\, Diane Fenster\, Donald MacDonald\, Ekaterina Bykhovskaya\,\nErnst-Ulrich Schafer\, Gary Samson\, J.M. Golding\, Eddie Greenley\, Ed Hamilton\,\nJ.B. Runner\, JIm Fitzgerald\, J. Jason Lazarus\, John DuBois\, John Ritchie\,\nJulie Moore\, Karen Janas\, Ken Hochfeld\, Alex Kistler\, Loren Nelson\, Matt Regan\,\nMichael Puff\, Michelle Swanson\, George Olson\, Per Bjesse\, Phil Coleman\,\nRuss Scheid\, Sam Blair\, Selina Mayer\, Thea Martin\, Yelena Zhavoronkova \nThe Jury of Your Peers exhibit will show in the gallery from March 14th until April 7th. All the images can be seen online on the Exhibit Showpage. http://lightbox-photographic.com/shows/a_jury_of_your_peers. \nLightBox offers memberships as a way to become part of the community that helps to further the mission of the gallery. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday\, 11 – 5:30. Contact LightBox at 503-468-0238 \, info@lightboxphotographic.com and lightbox-photographic.com for info on events\, call for submissions\, and to view past\, current and upcoming exhibits. \n 
URL:https://lukeolsenphotography.com/event/a-jury-of-your-peers-group-exhibit-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200228T183000
DTEND;TZID=America/Los_Angeles:20200228T203000
DTSTAMP:20260403T113606
CREATED:20200215T040050Z
LAST-MODIFIED:20200215T040050Z
UID:1639-1582914600-1582921800@lukeolsenphotography.com
SUMMARY:Edward Burtynsky at Studio 385
DESCRIPTION:Photography at Oregon\, Last Friday Movie Night\nFilm: “Anthropocene\, The Human Epoch”\nPhotographer Edward Burtynsky\nFilmmakers Jennifer Baichwal\, Nicholas de Pencier \nFebruary 28\, 2020  6:30 – 8:30 pm \nStudio 385\n385 West 2nd at Lawrence Street\nEugene\, Oregon\n(541) 521-9747\njon@studiomeyers.com\nFree-will donation \nAnthropocene: The Human Epoch is a cinematic meditation on humanity’s massive reengineering of the planet. This film follows the research of an international body of scientists\, the Anthropocene Working Group\, who\, after nearly 10 years of research\, are arguing that the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century\, because of profound and lasting human changes to the Earth. \nFrom concrete seawalls in China that now cover 60% of the mainland coast\, to the biggest terrestrial machines ever built in German\, to psychedelic potash mines in Russia’s Ural Mountains\, to metal festivals in the closed city of Norilsk\, to the devastated Great Barrier Reef in Australia and surreal lithium evaporation ponds in the Atacama desert\, the filmmakers have traversed the globe using high end production values and state of the art camera techniques to document evidence and experience of human planetary domination.\nAt the intersection of art and science\, Anthropocene: The Human Epoch witnesses\, in an experiential and non-didactic sense\, a critical moment in geological history — bringing a provocative and unforgettable experience of our species’ breadth and impact.\n-From Mercury Films Online Promotion \nWinning Awards:\n>Best Testimony on Nature\n-Jihlavas International Documentary Film Festival\n>Best Cinematography in a Feature Length Documentary\n-Canadian Screen Awards\, CA\n-Canadian Society of Cinematographers Awards \n>Best Canadian Film\n-Toronto Film Critics Association Awards\n>Best Canadian Documentary\n-Vancouver Film Critics Circle \nPresented by Photography at Oregon\nAdmission by free-will donation\nPopcorn provided\nDiscussion encouraged \nwww.photographyatoregon.org\n541-521-8624
URL:https://lukeolsenphotography.com/event/edward-burtynsky-at-studio-385/
LOCATION:Studio 385\, 385 West 2nd Ave at Lawrence St.\, Eugene\, OR\, 97401\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200228T090000
DTEND;TZID=America/Los_Angeles:20200228T170000
DTSTAMP:20260403T113606
CREATED:20200117T024513Z
LAST-MODIFIED:20200117T024513Z
UID:1608-1582880400-1582909200@lukeolsenphotography.com
SUMMARY:Steve Anchell Lightroom Workshop at  Focal Point Photography
DESCRIPTION:3-day Lightroom Workshop for All Levels\nWith Steve Anchell \nFebruary 28 to March 1\, 2020 \nFocal Point Photography\n161 W Ellendale Ave\nDallas\, OR 97338\n503.884.3882\nHours of operation: M-F\, 10am – 6pm; Sat\, 10am – 4pm; Sun\, 10am – 4pm\ninfo@anchellworkshops.com \nOfficial Home Page for Anchell Photography Workshops \n\nTuition: $550 \n3-day Lightroom Workshop for All Levels\nAdobe Lightroom is simply the essential tool for organizing\, editing\, and sharing your photography. To use Lightroom you do not have to be a professional photographer with years of experience\, nor do you need to struggle to learn its enormous capability – but there is a lot to it. Once you have been taught the major features\, you’ll find it is easy and intuitive to learn the rest. \nIn this 3-day workshop you will learn to learn with the three important modules in Lightroom\, Library\, Develop\, and Print\, and all the major features of the program\, including: \n• Understanding Lightroom’s Catalog system\n• Keeping every image safely stored and archived\n• Automating your workflow\n• Adding metadata and key wording\n• Creating custom presets\n• Locating images\n• Migrating images and Catalogs\n• Color Management from Input to Output\n• Using the Develop Module\n• Sizing\, sharpening\, and exporting your image files for the web or fine art printing\n• Creating Web Galleries\, Slide Shows\, and PDF Presentations\n• Lightroom’s newest features\, how\, when\, and why to use them\n• Interfacing with Photoshop \nLimited to 8 so that each photographer receives personal help from the instructor \nFor more information go to https://anchellworkshops.com/lightroom-workshop-for-all-levels/ or call Steve at 503.884.3882. \n 
URL:https://lukeolsenphotography.com/event/steve-anchell-lightroom-workshop-at-focal-point-photography/
LOCATION:Focal Point Photography\, 161 W Ellendale Ave\, Dallas\, OR\, 97338\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200222T190000
DTEND;TZID=America/Los_Angeles:20200222T210000
DTSTAMP:20260403T113606
CREATED:20200221T043243Z
LAST-MODIFIED:20200221T043243Z
UID:1648-1582398000-1582405200@lukeolsenphotography.com
SUMMARY:Michael Light\, William Fox\, & Charles Hood at Passages Bookshop
DESCRIPTION:Michael Light\, William Fox\, & Charles Hood\, Habiting the Arid West \nSaturday\, February 22 7:00 pm \nPassages Bookshop\n1223 NE ML King Blvd.\n503-388-7665\nfree admission \nPlease join us to celebrate the publication of Lake Lahontan/Lake Bonneville\, a collection of extraordinary aerial images by photographer Michael Light\, featuring essays by William Fox\, Charles Hood\, and Leah Ollman\, recently released by Radius Books of Santa Fe. \nMichael Light will speak about and show work from the new book; writers William Fox and Charles Hood will respond to Light’s work\, as well as giving brief presentations about new books of their own\, on such subjects as the artist Michael Heizer\, and the mammals and birds of California. \nLake Lahontan/Lake Bonneville is the fourth volume in Light’s aerial survey\, Some Dry Space: An Inhabited West\, which “journeys into the vast geological space and time of the Great Basin — the heart of a storied national ‘void’ that is both actual and psychological.” \nLake Lahontan/Lake Bonneville exists both as a dos-a-dos (back-to-back) trade book\, and as a pair of very large scale (37 x 45 inch) artist’s books\, bound by hand in editions of ten copies. These two artist’s books will also be on display at Passages Bookshop from February 22 through March 28. \nPARTICIPANT BIOS \nMichael Light is a San Francisco–based photographer focused on the environment and how contemporary American culture relates to it. He has exhibited extensively worldwide\, and his work has been collected by the San Francisco Museum of Modern Art\, the Getty Research Institute\, the Los Angeles County Museum of Art\, the New York Public Library\, and the Victoria & Albert Museum in London\, among others. For the last sixteen years\, Light has aerially photographed over settled and unsettled areas of American space\, pursuing themes of mapping\, vertigo\, human impact on the land\, and various aspects of geologic time and the sublime. A private pilot and Guggenheim Fellow\, he is currently working on an extended aerial survey of arid America titled Some Dry Space: An Inhabited West\, published by Radius Books; the first three volumes in the series were Bingham Mine/Garfield Stack (2009)\, LA Day/LA Night (2011)\, and Lake Las Vegas/Black Mountain (2014). Light is also widely known for his archival works Full Moon (1999) and 100 Suns (2003). \nThe writings of William L. Fox constitute a sustained inquiry into how human cognition transforms land into landscape. His numerous nonfiction books rely upon fieldwork with artists and scientists in extreme environments to provide the narratives through which he conducts his investigations. Last year Monacelli Press published Fox’s Michael Heizer: The Once and Future Monuments\, the most comprehensive account of Heizer’s work to appear to date. He also serves as the Director of the Center for Art + Environment at the Nevada Museum of Art in Reno. Fox has authored essays for numerous exhibition catalogs and artists’ monographs\, and has been awarded fellowships from the Guggenheim Foundation and the National Endowment for the Humanities. \nPoet and naturalist Charles Hood has been a dish washer\, a ski instructor\, a birding guide in Africa\, and a Research Fellow with the Center for Art + Environment at the Nevada Museum of Art. His recent books include Mouth\, Partially Excited States\, and A Californian’s Guide to the Birds Among Us. He lives and teaches in the Mojave Desert.
URL:https://lukeolsenphotography.com/event/michael-light-william-fox-charles-hood-at-passages-bookshop/
LOCATION:Passages Bookshop\, 1223 NE ML King Blvd.\, Portland\, OR\, 97232\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200219T120000
DTEND;TZID=America/Los_Angeles:20200219T130000
DTSTAMP:20260403T113606
CREATED:20200215T034847Z
LAST-MODIFIED:20200215T034847Z
UID:1637-1582113600-1582117200@lukeolsenphotography.com
SUMMARY:Rich Rollins at the Portland Art Museum
DESCRIPTION:Rich Rollins\, My Life In\, Love of and Learning Through Photography \nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, February 19th\, 2020 Noon – 1 pm \nPortland Art Museum\nThe Miller Gallery\, Mark Building\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public (people are welcome to bring their lunch) \n  \nPhotography has been and continues to be my best teacher. From the first time I read Minor White’s concept of and belief in “Photography as a way of knowing\,” it struck me as true to my interest in being a picture maker. I wanted to become a stronger perceiver of the world\, all worlds\, I walked through. Our world is an amazing place and there is nothing I enjoy more than wandering through it with my eyes wide open and attentive to what is revealed to me. As my pictures get better\, I figure I must be learning something. My talk will look at a portion of my journey to this point in time. \nRich Rollins became seriously interested in photography in high school. He has a BS in Education from the University of Vermont\, during which he spent a semester at Apeiron Workshops In Photography located in Millerton\, New York\, and later went on to receive an MFA in Photography from Arizona State University. He is married to photographer Barbara Gilson and they have two children\, Emma and Anna. He taught photography at Marylhurst University for 28 years\, where he was the inaugural recipient of the Excellence in Teaching Award. While at Marylhurst\, he was on the exhibition committee at Blue Sky Gallery and a participant in the Portland Grid Project. His most recent show was titled Libra at Blue Sky in October 2016. \n 
URL:https://lukeolsenphotography.com/event/rich-rollins-at-the-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200213T170000
DTEND;TZID=America/Los_Angeles:20200213T183000
DTSTAMP:20260403T113606
CREATED:20200120T191159Z
LAST-MODIFIED:20200120T191159Z
UID:1617-1581613200-1581618600@lukeolsenphotography.com
SUMMARY:Charles H. Jones at University of Oregon Law School Gallery
DESCRIPTION:Charles H. Jones\, Plant Abstractions\nMacro Photography of Flowers and Plants \nFeb. 10\, 2020 – End May 20\, 2020\nReception – Feb. 13\, 2020; 5-6:30 pm \nUniversity of Oregon Law School Gallery\nAddress; 1515 Agate St.\, Eugene\, OR 97403\n541-346-3868\nEvery day from 9-8 pm\nphoto.chjonesconsulting.com \nLaw exhibit gives viewers an ultra-real look at nature \nAn exhibit of 28 surreal and abstract photographs by Pacific Northwest photographer Charles H. Jones is now on view at the UO School of Law. \n“Plant Abstractions” takes viewers on a vibrant journey through the looking glass. Jones’ photography of nature is done under intensive magnifications where he finds the color\, shape and texture of each flower and plant. Influenced by Georgia O’Keeffe and Dr. Seuss\, viewers are sure to have a sensory experience. \nA retired mathematician\, with a career in the aerospace industry\, Jones has always been a plant enthusiast. “My sense of awe is always enhanced when I understand the science involved behind an experience\,” Jones said. “I hope my photos provide this same sense of awe in others.” \nThe images are on display at the Oregon Law Gallery on the second floor of the Knight Law Center through May 20 from 9 a.m. to 8 p.m. daily. \nA reception with the photographer is scheduled for Thursday\, February 13\, from 5-6:30 pm.
URL:https://lukeolsenphotography.com/event/charles-h-jones-at-university-of-oregon-law-school-gallery/
LOCATION:University of Oregon School of Law\, 1515 Agate St.\, Eugene\, OR\, 97403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200208T170000
DTEND;TZID=America/Los_Angeles:20200208T200000
DTSTAMP:20260403T113606
CREATED:20200201T051011Z
LAST-MODIFIED:20200201T051011Z
UID:1634-1581181200-1581192000@lukeolsenphotography.com
SUMMARY:The Photographic Nude 2020 at LightBox Photographic Gallery
DESCRIPTION:The Photographic Nude 2020 \nFebruary 8 – March 10\, 2020\nOpening Reception: Saturday\, February 8\, 5-8pm \nLightBox Photographic Gallery\n1045 Marine Dr.\nAstoria\, OR 97103\n(503) 468-0238\nlightbox-photographic.com \nLightBox Photographic Gallery opens “The Photographic Nude 2020” with an opening artists’ reception on Saturday\, February 8th from 5-8 p.m. This is the ninth year of the annual international juried exhibit\, a collection of photographic prints exploring the artistic and creative view of the body and its form\, dedicated to the creative spirit of photographer Ruth Bernhard. \nLightBox established “The Photographic Nude“ series in 2011to gain an understanding of the nude historically in the photographic medium. The show features many talented practitioners of the photographic fine art nude from around the world. With 52 images selected for the exhibit from 42 photographers\, this year LightBox is pleased to have Douglas Beasley as Juror for the Exhibit. \nDouglas Beasley is owner and publisher of SHOTS Magazine\, a quarterly journal of eclectic black & white photography now in its’ 35th year of publication. Doug’s personal vision explores the spiritual aspects of people and place and is concerned with how the sacred is recognized and expressed in everyday life. His work has been exhibited and published worldwide. Having been a fine-art photographer and photo workshop instructor for many years. \n“I want to see photographs that have a strong\, honest direct connection to their subject or photos with a sense of mystery or meaning. A compelling image may ask more questions than it answers. There should be an awareness how of the entire frame is utilized not just subject and background. I react to a personal point of view and want to feel the photographer’s presence in the process rather than submitting what they think will be liked by me or others. And even better if something of the maker is revealed as well as the subject.” \nDouglas Beasley will give a Juror’s talk ‘Sacredness & Sexuality in the Figure in Landscape’ at 4 pm on Saturday February 8th immediately before the opening reception. Please contact the gallery if you would like a seat. \nCongratulations to all the artists exhibiting in The Photographic Nude 2020 \nAndrew Graham\, Andrew Janjigian\, Angel O’Brien\, Beamie Young\, Blake Nellis\nBrian Spies\, Carl Moore\, Charlie Noble\, Pamela Chipman\, Daniel Love\, Dave Hanson\nDavid Aimone\, Dean Blackwell\, Donald MacDonald\, E.E. McCollum\, Felix Martin\nGary Samson\, Greg Roth\, Jim Hamstra\, Jim McKinnis\, Joan Zachary\, Julie Moore\nKelly James\, Lance Pressl\, Laszlo Galos\, Laura Kurtenbach\, Malcolm Lobban\nLuigi Luccarelli\, Linda Macchia\, Marc McVey\, Graham Marriot\, Michael Puff\nMike Brown\, Paul Sharatt\, Robert Hopkins\, Rogier Janssen\, Selina Meyer\nTrey Squire\, Thea Audrey\, Walt Duddington\, Patrick Whitaker\, William Lawrence \nThe exhibit runs from February 8th through March 10th 2020. Visit http://lightbox-photographic.com/shows/ for complete exhibit and artists info. LightBox offers memberships as a way of becoming part of the community of supporters that help to further the mission of the gallery. LightBox is located at 1045 Marine Drive in Astoria\, hours are Tuesday – Saturday 11 – 5:30. Contact LightBox at 503-468-0238 or at info@lightbox-photographic.com\, and visit lightbox-photographic.com for more info and to enjoy past\, current and upcoming exhibits.
URL:https://lukeolsenphotography.com/event/the-photographic-nude-2020-at-lightbox-photographic-gallery/
LOCATION:LightBox Photographic Gallery\, 1045 Marine Dr.\, Astoria\, OR\, 97103\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200208T150000
DTEND;TZID=America/Los_Angeles:20200208T170000
DTSTAMP:20260403T113606
CREATED:20200201T045610Z
LAST-MODIFIED:20200201T045610Z
UID:1630-1581174000-1581181200@lukeolsenphotography.com
SUMMARY:Sara Bennett at Blue Sky Gallery
DESCRIPTION:Sara Bennett\, Life After Life in Prison: The Bedroom Project \nFebruary 6–March 1\, 2020 \nFirst Thursday opening reception: February 6\, 6:00–9:00 PM\nPanel Discussion: Saturday\, February 8\, 3:00 PM\nwith artist Sara Bennett and representatives from Mercy Corps NW’s Prison and Re-Entry Services\, YMCA of Greater Portland’s Family Preservation Project\, and Open Hearts Open Minds’ Theatre at Coffee Creek \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/\nAll Blue Sky events and programs are free and open to the public. \nThe twenty-one women photographed by Sara Bennett in The Bedroom Project were all convicted of serious crimes— mostly homicide—and spent fourteen to thirty-seven years in a maximum-security prison. By the time they came up for parole they were all profoundly changed\, yet most of them were repeatedly denied release because of the crimes they had committed decades earlier. \nBennett writes\, “these women were open and trusting enough to allow me into their most private spaces—their bedrooms—and to share the comments that accompany the photos. Like me\, they hope this work will shed light on the pointlessness of extremely long sentences and arbitrary parole denials\, and thus help their friends still in prison: women (and men) like them who deserve a chance at freedom.” \nThe Bedroom Project is the second in the Life After Life in Prison series. It has been featured at The FENCE 2018\, Photoville 2018\, the 10th International Organ Vida Photography Festival\, the 2018 Indian Photography Festival\, and PDN’s Photo of the Day\, among others. This project was also a Top 50 finalist in the 2018 Critical Mass competition. \nSara Bennett has been a public defender specializing in domestic violence and the wrongly convicted. She draws attention to the problems of mass incarceration through her photographs of women who have served decades in prison. Her work has been featured in The New York Times\, PBS News Hour/Art Beat\, PDN Photo of the Day\, and the Marshall Project\, and has exhibited in a variety of venues including universities\, galleries\, the courthouse at 60 Center Street\, the Legislative Building in Albany\, and the Museum at the Eastern Correctional Facility in Philadelphia. \n 
URL:https://lukeolsenphotography.com/event/sara-bennett-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200207T180000
DTEND;TZID=America/Los_Angeles:20200207T200000
DTSTAMP:20260403T113606
CREATED:20200122T060448Z
LAST-MODIFIED:20200122T060448Z
UID:1626-1581098400-1581105600@lukeolsenphotography.com
SUMMARY:Mike Vos at Pushdot Studio
DESCRIPTION:Mike Vos\, Someday This Will All Be Gone \nOPEN/CLOSE: February 7th- March 27th\, 2020\nOpening Reception: Friday February 7th\,  6-8 pm \nPushdot Studio\n2505 SE 11th Avenue\, Suite 104\n(in the Ford Building\, enter on Division Street)\nPortland\, OR 97202\n503.224.5925\nwww.pushdotstudio.com\nlincoln@pushdotstudio.com\nMon-Fri. 8:30am to 5:00pm\, free admission \nSomeday This Will All Be Gone by Portland photographer Mike Vos is a visual narrative of a world without humans and a focus on the regrowth of wildlife. Shot entirely on a 4×5 film camera built in 1916\, this series utilizes in-camera double exposures to tell a story of reclamation and redemption amidst a crumbling industrial landscape. Drawing from literary themes such as magical realism\, subtle horror and alternate history\, this series is a captivating look at the ecological footprint that humans leave behind.\ndeadcitiesphoto.com
URL:https://lukeolsenphotography.com/event/mike-vos-at-pushdot-studio/
LOCATION:Pushdot Studio\, 2505 SE 11th Avenue\, Portland\, OR\, 97202\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200207T170000
DTEND;TZID=America/Los_Angeles:20200207T200000
DTSTAMP:20260403T113606
CREATED:20200120T201144Z
LAST-MODIFIED:20200120T201144Z
UID:1619-1581094800-1581105600@lukeolsenphotography.com
SUMMARY:Bill Haynes at PhotoZone Gallery
DESCRIPTION:Bill Haynes\, In The Moment \nFebruary 6 to March 3\, 2020\nReception: February 7 5:00pm to 8:00pm \nPhotoZone Gallery\n22 West 7th Ave.\nEugene\, Oregon\n541-683-0759\n12:00 to 6:00 pm daily\nmztphotography@comcast.net\nhttps://www.photozonegallery.com/\nOpen to the public \n“Any form of photography is of interest to me\, but I especially like candid shots of people\, particularly in black and white. People’s moods and actions are best captured when they are unaware and they are best amplified when color is removed and just the basics remain. This collection demonstrates that. As you look at the images\, put yourself in their place and feel what they feel. Elation\, trepidation\, concentration\, reflection – all are there and more.” -Bill Haynes \n“Photography has little to do with the things you see and everything to do with the way you see them.” – Elliot Erwitt \nPresented by the PhotoZone Gallery\, a collection of diverse individuals interested in the art and craft of photography. A wide variety of skills are valued which range from masters of silver print\, platinum/Palladium\, gum bichromate\, etc.\, to enthusiasts of digital production. Many kinds of work are welcome\, including hand-colored\, airbrush\, 3-D\, collage\, HDR\, portraiture\, street photography\, nature photography\, abstract expression\, mixed media\, and the list goes on. \nPresented by\nPhotoZone Gallery\n22 West 7th Ave Eugene\, Oregon\nhttps://www.photozonegallery.com/\nphotozonegalleryoregon@gmail.com
URL:https://lukeolsenphotography.com/event/bill-haynes-at-photozone-gallery/
LOCATION:PhotoZone Gallery\, 22 West 7th Ave\, Eugene\, OR\, 97401\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200207T170000
DTEND;TZID=America/Los_Angeles:20200207T200000
DTSTAMP:20260403T113606
CREATED:20200107T063326Z
LAST-MODIFIED:20200107T063418Z
UID:1595-1581094800-1581105600@lukeolsenphotography.com
SUMMARY:Rich Bergeman at Chehalem Cultural Center
DESCRIPTION:Rich Bergeman\, The Land Remembers \nJan. 14\, 2020 – Feb. 28\, 2020\nOpening reception Friday\, Feb. 7\, 5 – 8pm \nCentral Gallery\nChehalem Cultural Center\n415 E. Sheridan St.\nNewberg\, OR 97132\nhttps://www.chehalemculturalcenter.org/\n503-487-6883\nOpen Tues-Sat 9am – 6pm \n“The Land Remembers” features 35 black-and-white infrared photographs by Corvallis photographer Rich Bergeman that revisit the terrain of Southern Oregon’s Rogue River Wars of 1851-56. \nBergeman said the goal of his two-year project was “to bring the historic conflict back into our collective consciousness through a reflective study of the landscapes that played host to those tragic events over 160 years ago.” \nDespite being one of the bloodiest and longest-running of Oregon’s Indian conflicts\, the Rogue River Wars are largely forgotten today. Fighting between local tribes and incoming miners and settlers festered and flared up multiple times between 1851 and 1854 before erupting into all-out war involving the U.S. Army in 1855-56. It ended with the forced removal of the Rogue Valley and the South Coast tribes to reservations at Siletz and Grand Ronde in what descendants today memorialize as Oregon’s own “Trail of Tears.”\nDuring the reception on Feb. 7\, Grand Ronde tribal member Joseph Ham will perform a song he’s written about the wars. \nAn Oregonian since 1976\, Bergeman is a retired instructor of journalism and photography at Linn-Benton Community College in Albany. The 70-year-old photographer has been exhibiting his work throughout the since the 1980s. Over the past two decades he has focused primarily on portraying forgotten Northwest histories through photographs of what’s been left behind. \nHis portfolios can be seen at richbergeman.zenfolio.com\, and in book form at blurb.com \n 
URL:https://lukeolsenphotography.com/event/rich-bergeman-at-chehalem-cultural-center/
LOCATION:Chehalem Gallery\, 415 E Sheridan St\, Newberg\, OR\, 97132\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200206T170000
DTEND;TZID=America/Los_Angeles:20200206T180000
DTSTAMP:20260403T113606
CREATED:20200201T050333Z
LAST-MODIFIED:20200201T050333Z
UID:1632-1581008400-1581012000@lukeolsenphotography.com
SUMMARY:Natan Dvir at Blue Sky Gallery
DESCRIPTION:Natan Dvir\, Platforms \nFebruary 6–March 1\, 2020\nFirst Thursday opening reception: February 6\, 6:00–9:00 PM\nArtist talk: Thursday\, February 6\, 5:00 PM \nBlue Sky Gallery\n122 NW 8th Avenue\nPortland\, Oregon 97209 USA\n503-225-0210\nTuesday – Sunday\, 12 – 5 pm\nFirst Thursday 6 – 9 pm\nbluesky@blueskygallery.org\nhttp://www.blueskygallery.org/\nAll Blue Sky events and programs are free and open to the public. \nPlatforms is a series by Natan Dvir focused on New York City’s unique underground architecture and the people who temporarily pass through it. The subway platforms Dvir photographs from across the tracks are reminiscent of filmstrips\, with subway columns dividing the space into multiple narratives. Through this series\, the artist reflects upon detachment\, separation\, personal space\, individualism\, loneliness\, and momentary connections in the underground landscape of an urban metropolis. \nNatan Dvir received his MFA in Photography from the School of Visual Arts and is an adjunct faculty member at the International Center of Photography. Based in New York City\, he photographs around the world and is represented by Polaris Images photo agency and Anastasia Photo gallery. Dvir has exhibited in solo and group exhibitions throughout the United States and internationally\, including at the Museum of Fine Arts Houston\, Houston Center for Photography\, Portland Art Museum\, Blue Sky Gallery\, Museum of Contemporary Art (Cleveland)\, Southeast Museum of Photography (Daytona)\, International Center of Photography\, Anastasia Photo Gallery\, Museo de Antioquia (Medellin)\, Festival de la Luz (Buenos Aires)\, Christie’s (London)\, and the Tel Aviv Museum of Art. Dvir’s photography has been published in The New York Times\, Newsweek\, Wall Street Journal\, Der Spiegel\, Stern\, Focus\, The Times\, Paris Match\, Le Monde\, and Le Figaro\, among others.
URL:https://lukeolsenphotography.com/event/natan-dvir-at-blue-sky-gallery/
LOCATION:Blue Sky Gallery\, 122 NW 8th Avenue\, Portland\, OR\, 97209\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200201T160000
DTEND;TZID=America/Los_Angeles:20200201T180000
DTSTAMP:20260403T113606
CREATED:20200117T025738Z
LAST-MODIFIED:20200117T025738Z
UID:1612-1580572800-1580580000@lukeolsenphotography.com
SUMMARY:Martin Venezky at Camerawork Gallery
DESCRIPTION:Martin Venezky\, The New Machinery \nFebruary 1st – February 28th\, 2020\nArtist Talk: Saturday\, February 1st\, 4 PM – 5 PM\nOpening Reception: Saturday\, February 1st\, 5 PM – 6PM \nCamerawork Gallery\n301 N. Graham Street\, Portland\, OR 97227\nLocated in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.\n9am – 6pm\, Monday-Saturday\, Sunday\, 10am-4pm\nFree off street parking available\, Stair and elevator access\, TriMet Routes 4\, 24 and 44\, ADA accessible\nwww.TheCameraworkGallery.org\nwww.Facebook.com/cameraworkgallery\n503-701-5347\nEvent is free and open to the public \nSan Francisco\, CA photographer\, Martin Venezky notes\, “The New Machinery is a form of photographic science fiction. The work references the barely visible mechanisms that surround our everyday life — sometimes as camouflaged presence\, often as digital software. Through this work I provide seductive and sinister physicality to the networks that charm their way into our lives while surveilling our movements and collecting our data. As we look at them\, they are most certainly looking back at us. \n“These images are pieced together from material and light studies that I perform on scavenged tools\, toys\, materials and appliances which I have disassembled. I am interested in how the camera crunches these small parts down further into gestures of light and structure. This generative process breaks apart the complicated act of seeing into small units — building blocks with which I construct large scale physical compositions.\n“Perhaps these machines have quietly evolved from mountains of discarded hardware. In the same way\, the image arises slowly as parts find each other and form relationships—an additive\, analog process that creates logic and narrative from the inside out. As a final crucial step\, I use the physical construction as a map to rebuild the image in a digital format\, crossing media once again to retranslate the image into a flattened\, stylized product. \n“I’ve labeled these mysterious contraptions The New Machinery as a nod towards the recycled materials and the machine-like logic in their creation and perception. Cobbled together from discarded utilitarian parts\, their presence invites inspection while their function remains inscrutable.” \nMartin Venezky is an artist based in San Francisco\, California. Throughout his career as a graphic designer\, Venezky has maintained a deep interest in photographic process and abstraction. For the past several years\, he has created new bodies of work in photography and photographic installation. \nVenezky has an undergraduate degree from Dartmouth College and an MFA in Design from Cranbrook Academy of Art. He has taught at RISD and CalArts and\, for over 25 years\, at California College of the Arts in San Francisco\, where he is currently Professor in the Graduate Design Program. The San Francisco Museum of Modern Art honored Venezky with a 2001 solo exhibition\, and his monograph\, It Is Beautiful…Then Gone\, was published by Princeton Architectural Press. In 2015 Venezky was inducted into the esteemed Alliance Graphique Internationale (AGI). In 2018\, San Francisco’s Letterform Archive acquired an extensive collection of his work\, studies and process for their permanent collection. \nFor more information about exhibitions and past awards go www.martinvenezky.com
URL:https://lukeolsenphotography.com/event/martin-venezky-at-camerawork-gallery/
LOCATION:Camerawork Gallery\, 301 N. Graham Street\, Portland\, OR\, 97227\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200131T183000
DTEND;TZID=America/Los_Angeles:20200131T200000
DTSTAMP:20260403T113606
CREATED:20200109T052457Z
LAST-MODIFIED:20200109T052457Z
UID:1603-1580495400-1580500800@lukeolsenphotography.com
SUMMARY:Garry Winogrand:  All Things Are Photographable
DESCRIPTION:Garry Winogrand:  All Things Are Photographable\nPhotography at Oregon\, Last Friday Movie Night \nJanuary 31\, 2020  6:30 to 8:00pm \nStudio 385\n385 West 2nd at Lawrence Street\nEugene\, Oregon\n(541) 521-9747\njon@studiomeyers.com\nFree-will donation \n“One of the rare art-world bio-docs that delivers the sensation of seeing a story unfold dramatically on screen”\n-The Hollywood Reporter \nBorn January 14\, 1928\, Garry Winogrand was destined to be a renowned poet of photography and American Life. Having grown up in the Bronx with his sister and immigrant parents\, He eventually brought his own unique vision to the genre of street photography. According to PBS American Masters he was “ ……the epic storyteller in pictures who harnessed the serendipity of the streets to capture the American 1960s-70s. His ‘snapshot aesthetic’ is now the universal language of contemporary image making.” Following an early career in freelance photojournalism and advertising\, his focus turned to a spontaneous capturing of U.S. life and revealed much of its social concerns in the mid-20th century. At one point in the mid ‘70s his portrayal of women caused a stir by his use of candid and rather questionable positions. Some critics at the time considered this work “vulgar”. However\, it didn’t seem to be a concern for him. Frank Van Riper of the Washington Post described him as “one of the greatest documentary photographers of his era” but added that he was “a blunt-spoken\, sweet-natured native New Yorker\, who had the voice of a Bronx cabbie and the intensity of a pig hunting truffles.” His second wife was even more specific: “….a flippant\, irresponsible\, nonsensical attitude….” \nAt the time of his death in March of 1984 at the age of 56\, Winogrand had 2500 rolls of undeveloped film\, 6500 rolls of developed but not proofed exposures\, and about 3000 rolls only realized as far as contact sheets being made. According to curator Tudy Wilner Stack\, his first wife claimed that “being married to Garry was like being married to a lens….. He was an obsessive picture-taking machine.” \nHe has received the following awards: \n1964\,1969 & 1979: Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation\n1975: Fellowship from the Nationall Endowment for the Arts \nPresented by Photography at Oregon\nAdmission by Free-will Donation\nPopcorn Provided\nDiscussion encouraged
URL:https://lukeolsenphotography.com/event/garry-winogrand-all-things-are-photographable/
LOCATION:Studio 385\, 385 West 2nd Ave at Lawrence St.\, Eugene\, OR\, 97401\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200129T123000
DTEND;TZID=America/Los_Angeles:20200129T140000
DTSTAMP:20260403T113606
CREATED:20200119T055657Z
LAST-MODIFIED:20200119T055657Z
UID:1614-1580301000-1580306400@lukeolsenphotography.com
SUMMARY:Grace Weston at Helzer Gallery at Portland Community College Rock Creek
DESCRIPTION:Grace Weston\, Day and Night \nExhibition runs from January 29 – February 10\, 2020\nReception and Artist Talk January 29\, 2020 12:30 – 2 pm \nHelzer Gallery at Portland Community College Rock Creek\n17705 NW Springville Rd\, Portland\, OR 97229\nGallery hours: M – F\, 9 am – 4 pm (paid parking)\nSat. 10 am – 4 pm (free parking) \nVenue web site: https://www.pcc.edu/galleries/2020/01/06/day-and-night/\nArtist web site: http://www.graceweston.com \nThe Helzer Gallery is pleased to announce the reception and artist’s talk for Grace Weston’s exhibition “Day and Night”. “Day and Night” features work from two of Weston’s continuing series\, “Short Stories/Tall Tales” and the more recent “The Long Night”. \n 
URL:https://lukeolsenphotography.com/event/grace-weston-at-helzer-gallery-at-portland-community-college-rock-creek/
LOCATION:PCC Rock Creek\, 17705 NW Springville Rd\, Portland\, OR\, 97229\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200118T170000
DTEND;TZID=America/Los_Angeles:20200118T190000
DTSTAMP:20260403T113606
CREATED:20200108T064726Z
LAST-MODIFIED:20200108T064726Z
UID:1601-1579366800-1579374000@lukeolsenphotography.com
SUMMARY:Shannon Butler & Marc McVey at Shabu Studios
DESCRIPTION:Shannon Butler & Marc McVey\, Les Fleurs et la Danse \nSaturday January 18th\, 2020  5-7pm \nShabu Studios\n6055 NE Glisan St.\nPortland\, OR 97213\n503 891 9354\nshannon@shabustudios.com\nwww.shabustudios.com\nNo charge \nPhotography & Dance!\nA photography opening titled “Les Fleurs et la Danse” or “The Flowers & the Dance” featuring local photographers Shannon Butler & Marc McVey. \nShannon has a series of dance images and Marc is showing his floral series. \nThere will also be a special dance performance by Melodee Calderon and Bija Mosaic Bellydance. Check out the beautiful new photography studio\, the images\, and the dance exhibition. \n 
URL:https://lukeolsenphotography.com/event/shannon-butler-marc-mcvey-at-shabu-studios/
LOCATION:Shabu Studios\, 6055 NE Glisan St\, Portland\, OR\, 97213\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200117T160000
DTEND;TZID=America/Los_Angeles:20200117T180000
DTSTAMP:20260403T113606
CREATED:20200108T063843Z
LAST-MODIFIED:20200108T063843Z
UID:1598-1579276800-1579284000@lukeolsenphotography.com
SUMMARY:Ken Robinson at The O’Brien Photo Gallery
DESCRIPTION:Ken Robinson\, Photographing the Natural World \nThe show will run from January 14 through March 12\nThere will be an artist reception on Friday\, January 17 from 4-6 pm. \nThe O’Brien Photo Gallery\n2833 Willamette\, Ste. B.\nEugene\, Oregon 97405\n(541) 729-3572\nOpen Tuesday – Friday from 1-6\nCall for other times or to be sure we’re open.\npicmac1945@gmail.com\nhttps://www.waltobrien.net/the-o-brien-photo-gallery \nKen Robinson is a former professor of biology from Purdue University who moved to Eugene upon retirement. In his research as a cell and developmental biologist\, a major tool was photography\, generally through the lens of microscope\, so that the responses of cells to various perturbations could be recorded and analyzed. \nIt was natural\, then\, that in retirement he extended his experience in photography to the macroscopic world. He quickly formed a love for eastern Oregon and its high desert country. Much of his work consists of landscapes from there\, as well as from southern Utah\, Colorado and New Mexico. \nIn addition to landscapes\, he also photographs wildlife\, including birds\, bees\, spiders\, turtles and dragonflies. He tries to show these creatures in interesting scenes in their natural context. \nHe also has an interest in astronomy and uses ordinary camera lenses to photograph the night sky. Included in these are photographs of eclipses\, both lunar and solar\, the Milky Way\, meteors and the transits of Venus and Mercury across the sun. \n 
URL:https://lukeolsenphotography.com/event/ken-robinson-at-the-obrien-photo-gallery/
LOCATION:The O’Brien Photo Gallery\, 2833 Willamette\, Ste. B\, Eugene\, OR\, 97405\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200117
DTEND;VALUE=DATE:20200118
DTSTAMP:20260403T113606
CREATED:20191204T060329Z
LAST-MODIFIED:20191204T060329Z
UID:1479-1579219200-1579305599@lukeolsenphotography.com
SUMMARY:Immersion tour with Joni Kabana: Danakil Depression + Ancient Churches\, Ethiopia
DESCRIPTION:Immersion tour with Joni Kabana: Danakil Depression + Ancient Churches\, Ethiopia \nJanuary 17-27\, 2020 with Socially Responsible Safaris \nGuided by: Joni Kabana\nUS$ 3\,390 per person sharing (international airfare not included)\nTour Website: http://www.srsafaris.com/safaris/ethiopia-ancestral-land/ \nTravel to the ancient land of Ethiopia with Oregon-based photographer Joni Kabana in this all-inclusive tour to the Danakil Depression\, Lalibela and Tigray region. Joni will give you an up-close experience of this wondrous land and culture. ONLY TWO SPOTS OPEN! \nJoni’s Website: www.jonikabana.com\nEmail joni@jonikabana.com for more information
URL:https://lukeolsenphotography.com/event/immersion-tour-with-joni-kabana-danakil-depression-ancient-churches-ethiopia/
LOCATION:OR
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200115T120000
DTEND;TZID=America/Los_Angeles:20200115T130000
DTSTAMP:20260403T113606
CREATED:20200109T055221Z
LAST-MODIFIED:20200109T055221Z
UID:1605-1579089600-1579093200@lukeolsenphotography.com
SUMMARY:Ebenezer Galluzzo at Portland Art Museum
DESCRIPTION:Ebenezer Galluzzo\, As I Am \nPortland Art Museum Photography Council’s\nBrown Bag Lunch Talk Series \nWednesday\, January 15\, 2020 Noon – 1 pm \nPortland Art Museum\nThe Miller Gallery\, Mark Building\n1219 SW Park Avenue\, Portland\, OR 97205\nwww.portlandartmuseum.org\n503 226 2811\nCost: Free to the public (people are welcome to bring their lunch) \nJoin Ebenezer for a discussion on his most current work from the series\, “As I Am”\, a self-portrait series inspired by his personal journey of coming out as a trans man\, on view at Paragon Arts Gallery for the month of January. Ebenezer will talk about his use of photography as a way to question and unravel an imposed binary gender system while seeking new possibilities of existence through dynamic contradiction. He will share how he used objects\, color\, posture\, and symbols as a means to create photographs that honor the full existence of his trans identity. \nI am a gender non-conforming trans man\, mother\, and husband living in Portland\, Oregon. I view the craft of photography as a way to claim and redefine the lens through which I see the world and the world sees me. Photography is my tool to reveal my stories in counterbalance to the stories attached to me by external cultural forces. My portraits carry my artistic perspective on my trans experience. I celebrate and claim my own narrative. I extend my gratitude to the spaces that have highlighted my work through solo shows in Astoria and Portland\, including Paragon Art Gallery and Blue Sky Gallery\, as well as publication in Black.
URL:https://lukeolsenphotography.com/event/ebenezer-galluzzo-at-portland-art-museum/
LOCATION:Portland Art Museum\, 1219 SW Park Avenue\, Portland\, OR\, 97205\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200111T180000
DTEND;TZID=America/Los_Angeles:20200111T200000
DTSTAMP:20260403T113606
CREATED:20200107T062412Z
LAST-MODIFIED:20200107T062412Z
UID:1592-1578765600-1578772800@lukeolsenphotography.com
SUMMARY:PCPDX 1st Meeting at Shabu Studios
DESCRIPTION:PCPDX 1st Meeting of 2020\nCreating Small Groups! \nSaturday\, January 11th\, 2020\, 6:00 PM – 8:00 PM \nShabu Studios\n6055 Northeast Glisan Street\nPortland\, OR\, 97213\nhttps://www.photoclubpdx.com/events/january2020 \nMonthly Meeting Contributions are a minimum of $10 for non-members & visitors. Feel free to contribute in advance using our $CASH app. only. Just add the meeting date in the subject line.\nAnnual Membership\, invest in PCPDX and therefore get MANY additional benefits for only $6 more a month. Be an investor and be a part of the PCPDX Board Members. Get invited to Members Meetings to have input on the direction PCPDX goes. Not to mention all of the amazing benefits you will get! \nFor our January Meeting!\nMembers Profile kick off: Angela Holm\, (founder of PCPDX) will present for the first 15 mins of the meeting. Learn about Angela\, don’t miss it! \nPhoto Challenge: This month will be to choose a Personal Project Topic.\nThe Topic: Create our Photography Small Groups\, Consider Project Topic for 2020. \nTonight we will form our small groups and begin to consider and brainstorm ideas of what we\, as individuals\, want to work on this year in the terms of a personal project. Your small group will be your personal cohort to grow with throughout the year\, photographically speaking. As new people come we will add them to a small group. This is going to be lots of fun and very valuable! Please don’t miss the first meeting of the year! We have some exciting things planned! \nOur bimonthly meetings are a time for us to gather as community of photographers. We use these meeting to break into small groups to focus on getting feedback from one another on projects we are currently working on. There will be an element of education in every meeting as well. Generally this will be a recap/conversation about what we learned in the previous months outing. Then we reflect in our small groups on how we could potentially incorporate this knowledge into our work.
URL:https://lukeolsenphotography.com/event/pcpdx-1st-meeting-at-shabu-studios/
LOCATION:Shabu Studios\, 6055 NE Glisan St\, Portland\, OR\, 97213\, United States
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