Jesse Rieser, The Changing Landscape of American Retail

February 2 – March 1, 2019

Camerawork Gallery
301 N. Graham Street, Portland, OR 97227
Located in Lorenzen Conference Center – Legacy Emanuel Medical Center Campus.
9am – 6pm, Monday-Saturday, Sunday, 10am-4pm
Free off street parking available, Stair and elevator access, TriMet Routes 4, 24 and 44
www.TheCameraworkGallery.org
www.Facebook.com/cameraworkgallery
503-701-5347
Event is free and open to the public with ADA access

Beginning in 2015, The Changing Landscape of American Retail is an ongoing documentation of the shift from traditional brick-and-mortar locations where we once socialized and interacted with our community to the stark and generic structures that house shipping, fulfillment, call, and server centers, now essential for E-commerce.
Like memories, familiar retail entities are fading away. Today, they stand as modern-day ruins and architectural artifacts that reach into the not-so-distant past of our own maturing interests and evolving identities.

Toys “R” Us brings back of memories of avoiding my brother’s aerial assaults of red dodge balls and Nerf guns while simultaneously ignoring my mother’s plea to stop tearing into brand-new boxes of Teenage Mutant Ninja Turtle action figures and Lego Pirate sets.

The Battlefield Mall was once a central meeting spot for my junior high peers— anchored by the food court and Aladdin’s Castle arcade. Here, a myriad of sights and smells trigger the memory to act as a roadmap for navigating the mall. Orange Julius produced the sweet scent of Florida citrus in Southern Missouri; there was the salty cheese sauce wafting from Potato Plus; and the fragrant cinnamon-sugar of Auntie Anne’s baked pretzels. The nearby arcade elicits a sensory transaction when I’m greeted by the flashing lights of Street Fighter II, manic electronic beeps, purple geometric carpet, and the oddly unique odor of stale popcorn mixed with the metallic scent of quarters tucked into my front pocket.

During high school and college, I spent hours at the Best Buy listening stations, previewing new music releases from my favorite artists. Today, I laugh when thinking back to a time when a Circuit City sales associate begrudgingly answered my product question by reading the back of the box, all before returning to watch Shaq and Kobe’s Lakers in the NBA Finals. It makes sense, Circuit City was known for having the best televisions and poor customer service.

By 2012, Circuit City closed their doors. Toys “R” Us folded in the spring of 2018, and Best Buy continues to shutter underperforming stores. Additionally, arcades and food courts are endangered as small- and medium-sized “Class B” malls are closing all over the U.S.

Like most Americans, I love the ease and product availability of Amazon and online retailers. I order my toothpaste with a click of a button and can obtain work supplies from the comfort of my sofa. My concerns are rooted in our recent pattern of isolationism and shrinking human interaction. Store closings feel like a continuation of our declining thoughtful conversations, empty playgrounds, and sense of community as we opt for a digital facsimile. We are no longer previewing music and getting recommendations on new releases in person and in retail shops. We will no longer meet our friends in food courts. And there will never be an opportunity to watch an NBA game with an uninformed and complacent Circuit City employee.

ABOUT THE ARTIST Jesse Rieser’s exploration and celebration of the elements that often go overlooked in our day-to-day lives can be traced back to his midwestern upbringing in Springfield, Missouri. At ASU he majored in photography and art history while attending the Herberger Institute of Art and Design. Now working and teaching in Phoenix, he is internationally exhibited and in 2018, a judge for the prestigious One Club’s interdisciplinary Young Guns award.

He has been interviewed and his personal works have been featured in the NY Times Lens Blog, Time, National Geographic, Buzzfeed, NPR, Fast Company, Wired, The Guardian, and Refinery29.

These works, editorial assignments, and advertising commissions have been celebrated by the Communication Arts Annual (2X), PDN Annual (6x), American Photography Annual (8x), Photolucida’s Critical Mass Top 50 (3x), an Art Director’s Club Young Gun (Top 50 International Creative Under 30), and a recipient of the Magenta Foundation’s Flash Forward award in 2012

www.JesseRieser.com